Argumentative essay about the war in iraq

Art Spiegelman's MAUS: A Different Type of argumentative essay about Holocaust Literature. The Jewish Holocaust, as is the case with events in which the human spirit has been engaged in essay trip a fight for survival, produced great works of essay the war in iraq literature. Elie Wiesel's Night and Primo Levi's Survival in Auschwitz are perhaps the best known examples of this literary tradition. Art Spiegelman's MAUS , published in the 1980s, represents a new kind of literary oeuvre inspired and/or based on the Holocaust. Written by a second generation Holocaust survivor, MAUS fuses the story of the terrible historical occurrence with a Jewish American's struggle to forge his own understanding of the brutal extermination of laptop his people by essay the war in iraq, the Nazi regime in the Second World War. This electronic essay will cover three topics found in the novel: the methods in which second (and third) generations of Holocaust survivors struggle to come to terms with the events of the Holocaust, the antigone, unusual form of the book, and the brutal nature of humanity, ever-threatening to obliterate the essay about the war, human race.

Links to the different sections can be accessed below. Techniques of Remembering the essays physics, Holocaust by Second Generation Jews. As a result of not having experienced the horrors of the Holocaust like their ancestors did, second generation Jews often sense they must demonstrate their respect and argumentative essay about the war appreciation towards their elders. Nys Ela Regents Essay. Indebted to the previous generation, these Jews search for ways in which to honor those martyrs who lost their lives half a century ago. Argumentative In Iraq. The ways in which this generation pays homage are quite diverse. Many sites on the web, like Aragorn's, are virtual shrines to the memories of their ancestors. Others are fully dedicated to the organization of campaigns in order to procure justice in the name of Jewish families whose possessions were seized by essays physics, the Nazis during WWII and stored in Swiss banks.

Click here for an example. Yet another way, non-electronic, is writing a narrative like Art Spiegelman does. MAUS is a splendid graphic novel, drawn and written by Spiegelman himself, that narrates his father's life during the Holocaust. His memories come to life in argumentative the pages of the book, although they are intertwined with another account. This second narrative, Art's, complements his father's by presenting a portrayal of the life and struggles of essays physics a second generation of Jewish people whose existences are extremely influenced by the Holocaust despite not being born during its occurrence. This trait separates MAUS from other Holocaust narratives whose limits can only argumentative the war, offer one side of the story, one view of the event, one version of the pain. Art's obsession with saving Vladek's story for posterity is dissertation met with some opposition by his father, especially in the opening sequence. Neither Vladek nor Art are able to understand what the other is feeling due to their inability to relate. Art wonders why his father is argumentative about the war in iraq so hesitant to allow his life to be the research themes, subject of a novel; he is argumentative essay about the war in iraq unable to put himself in purdue Vladek's position.

He is often frustrated due to essay about the war this limitation, and often presses his father for answers he is unable to provide. At times he shares this frustration, which is sometimes met by sympathy from his father. This situation is portrayed splendidly by Spiegelman in essays physics the panel below: Art is dumbfounded by this particular morsel of his father's narratives. He attempts to argumentative essay about use logic to understand it, but finally gives up when he realizes he just does not understand. His father's final commentary on the strip, nobody can understand shows how difficult it is antigone not only for essay the war in iraq the second generation, but also for the survivors themselves, to understand the events that transpired in themes the Holocaust. The evil of the Holocaust is unspeakable, unexplainable, but above all, unforgettable. Art realizes that no matter how hard he wishes he had been at Auschwitz to experience the horrors first-hand, he is unable to do so. Committing his thoughts and emotions to a written narrative, the graphic novel MAUS, is the best course of action for him, especially since it allows him to combine his story with his father's. The Unusual Structure of MAUS. Argumentative Essay. The graphic novel genre is one of the most fascinating in literature. While some critics censure the form citing a lack of printed text and the presence of comic-book style drawings, its positive qualities are impressive, especially when the topic is as difficult as the Holocaust.

MAUS shines due to its impressive ability to speak the unspeakable by using the popular maxim, a picture is worth a thousand words, to perfection. The most important distinction between humans and the rest of the animal kingdom is man's ability to understand, reason, and think. Conscience and intelligence are perhaps the human race's greatest gifts. Since humans possess such qualities, it is often hard to try to essays physics understand the Holocaust without having been there. In Iraq. (This point as illustrated in the previous section, which you may access by clicking here.) Quite possibly as a method to deal with his own inability to comprehend the events of the Holocaust, Spiegelman uses animal characters instead of humans. The most important two, Germans and Jews, are represented by cats and mice, respectively. Natural sworn enemies, both cat and mice lack reason and conscience. As a result, the Nazi cats find no fault in the systematic killing of essay Jewish mice. The image is essay about in iraq also based on historical quotes, since Jews were called the vermin of society by the Nazis. Other pre-Holocaust Nazi-propraganda can be found at the Calvin University archive, including a short account of Julius Streitcher's actions. The graphical novel format, in conjunction with the depiction of Nazis as cat and laptop Jews as mice, permits Spiegelman to force the argumentative about, reader to abandon any preconceived notions of human nature. Such an effect would have been quite hard to create if he had written a standard text, attesting to the incredible value of the research antigone, novel's format.

The Holocaust as a Demonstration of Man's Brutal Nature. The history of essay about the war mankind is replete with episodes of mass destruction and laptop killing. This century produced perhaps the greatest example of such atrocities, the Second World War. It was during this period of unexplainable brutality that both the Jewish Holocaust and essay about the war in iraq the Nagasaki Bombing occurred. Papers. These awful events, discussed and regarded in a much different light half a century ago, are analyzed quite divergently now that mankind has had fifty years to ponder on its errors. The Nagasaki Bombing was one of the United States' last actions during the essay about, Second World War. Although enacted on purdue Japan instead of Germany, it symbolized much of the anger and desire to finish a long, bloody war. The initial joy that followed the devastating detonation of the bomb disappeared in time with the public's realization of the grave mistake that had been committed. Essay About The War. Not only did millions of people perish during the Holocaust and immediately after the regents essay, Nagasaki episode, but many more lost their lives some time afterwards, victims of physical deterioration, mental illness created by the tragic events, and depression brought upon by memories of the horrors. Anja Spiegelman is one such case. She found her demise twenty years after surviving the death camps, a victim of argumentative about in iraq their memories.

In a sense, she did not survive. The estimate of six million Jews is ever-increasing, so the memories continue. Ironically, these two events, executed by opposite sides of the war, are linked by more than an research papers themes inmeasurable amount of deaths. Essay The War. Many of the people alive during this time period are in possession of nys ela vivid recollections fo the about the war, historical occurrences, reflecting a near-unanimous disgust towards the brutalities occurred. Some of the Nagasaki accounts can be accessed at the Remembering Nagasaki web site, while the Jewish ones can be read in personal and professional ethics essays reviews of Holocaust literature. Argumentative. While the Holocaust is one of the most horrible episodes of history, it is not one that could or should be forgotten. Its literary offspring is research themes widely acclaimed, especially the subject of the war in iraq this essay, Art Spiegelman's MAUS . Not only does the book narrate the horrors of the concentration camps located in Poland, it also displays the enormous difficulties of second generation Holocaust survivors to find a way to come to terms with the horrendous plight of essays physics their ancestors. Its graphical novel format plays an essential role in making the story come alive, as does the troubled relationship between Vladek and Art.

In closing, it must be reiterated that MAUS is not merely a narrative of the Holocaust, but also a story of human suffering and struggle, not just after a devastating experience like the about the war, concentration camps, but also afterwards; not just of one generation, but also of succeeding ones. Lest we forget is a phrase usually mentioned by Jews when referring to the Holocaust. Today's technology and the wonders of the Internet make it easier to maintain a vivid recollection of the Holocaust thanks to its many sites. Some can be accessed through the purdue owl essays, above documents, while others can be reached here: The United States Holocaust Museum. While the web site pales in comparison to the amount of information and exhibits in this downtown Washington museum, it is an excellent starting point for Holocaust reference, information, and narratives.

The Cybrary of the Holocaust. One of the first sites devoted in its entirety to argumentative about the war the remembrance of the Holocaust, this site not only provides educational and historical resources, but also a search engine dedicated to Holocaust sites. Regents Essay. The Holocaust-The World Must Remember. The title says its all. Similar to the above link, this site is updated frequently with the latest on-line Holocaust materials. Yahoo Search Engine-Holocaust.

This link lists every site with the word Holocaust in its title. This essay/web page project has been written and built by Antonio S. Oliver for Prof. Randy Bass' American Literary Traditions class. To contact the author, click here. This site is currently under construction.

My other classes and internship are keeping me extremely occupied, but please check back periodically for updates to this document. This page has been created with Netscape Navigator Gold.

mary white essay An Introduction to the 1950s Textiles of Mary White. .they made thousands of people discontented with the run of the argumentative essay about, mill conventional designs; they opened the nys ela regents rubric, eyes of a new generation to the possibilities of colour and pattern. few of us would really go back to the old stereotyped flower pieces and stale Jacobean prints. We have tasted something fresher and the taste is still with us. This essay has come about because of a chance jumble sale purchase of a pair of curtains that I instinctively knew dated from the 1950s. They stood out as being something fresher and unlike many curtains that bear no identifying marks, the selvedge of these stated Cottage Garden by argumentative essay about the war in iraq, Mary White. [see Illustration 1] Great Britain is privileged to have had, in the Victoria and Albert Museum, for almost one hundred and fifty years, a repository of information for the study of decorative arts and design. It came as no surprise then, to discover that the textile department at the V A held several examples of furnishing fabrics by Mary White and that the National Art Library, housed in the V A, held a ?Mary White? information file. However, consultation of this information file revealed that the person concerned was a ceramicist and antigone, calligrapher, rather than a textile designer. What emerged as a result of preliminary enquiries, about Mary White, was the paucity of information about lesser known designers, in particular, women. Much work has been done in recent years to rescue women in essay the war in iraq, the design world from either anonymity or the shadow cast over nys ela regents rubric them by argumentative about in iraq, male designers to whom they were quite often related or married.

Authors such as Isabelle Anscombe, and Judy Attfield and Pat Kirkham have done much to ?rescue? designers such as Margaret Macdonald Mackintosh and Marion Dorn from the patriarchal shield of essay to goa, their male partners. However, it would appear that even those female designers, from the nineteen fifties, whose names are still recognised today, at the beginning of the twenty-first century, are the ones who have a close connection to a male designer. The question that emerges is whether Mary?s White?s anonymity is due to her lack of connections in the design world, her inability to design more than a few textiles of any merit or whether other factors caused her to remove herself from the world of textile design and thus caused her absence from the visible history of twentieth century textile design. References to Mary White appear to occur only about, between the years 1953 and 1956. Eleven designs, by five different manufacturers were identified as being by owl essays, her, either from textiles in the collections of the Victoria and Albert Museum, London and The Whitworth Gallery, Manchester or from contemporary 1950s press reports. Six of the war, these fabrics were produced by Heals, two for Edinburgh Weavers and one each for Libertys, David Whitehead and Turnbull Stockdale. The Circulating Department of the Victoria and Albert Museum collected fabrics by her from the dates 1953-1956, the earliest being Ambleside dated 1953 and made for laptop dissertation, Heals and the latest in their collection being: Cottage Garden; Oberon; Bizarre all collected in 1956. Although newspaper articles in 1955 refer to her as Mary White M.S.I.A (Member of the Society of Industrial Artists) there is no reference made to her in about the war in iraq, Designers In Britain: Index to essay trip, Designers published by Allan Wingate and the Society of essay the war, Industrial Artists. Cottage Garden was clearly by a competent designer and yet, other than the contemporary reports and a few samples of her textiles in two design archives, there appeared to be no record of her existence as a designer. Trip To Goa! In an article in argumentative, the Bristol Evening World of 29 March 1955, discussing the Furnishing Fabrics Exhibition at Hamilton House, Piccadilly, London, three designers were mentioned by name: ?A much-admired printed satin in muted shades of grey, beige and black is designed by Lucienne Day.

Mary White contributes a print of formal leaves in white, black and green against a background of irregular rectangles in varying shades of research papers antigone, green and tan. Essay About The War In Iraq! Marianne Straub is responsible for a new green upholstery cloth with a ?Terylene? surface finish.? The design written about in this press cutting is not Cottage Garden, the Mary White design most mentioned in the press, and yet White is mentioned in the same paragraph as two extremely famous designers from the mid twentieth century. This fact would lead one to suppose that she made a significant contribution to design in the 1950s, whether it be at personal the top end of the market, like Lucienne Day , as the main designer for a company, like Marianne Straub, or on a more mundane level, providing designs for argumentative essay, the mass market. With a birth date of 1930 it seemed imperative to discover more about this designer before any trace of her existence was obliterated. Having exhausted design sources for personal ethics, information about White, a more personal approach was taken. Using information about her county of residence in 1955, it was decided that White should be looked for as a person rather than as a designer. This approach proved successful and eventually White was located living not far from where she had been born, grew up and trained as a designer. This information may appear to be irrelevant, but it should be noted that many well-known women designers seem to have at least gravitated towards a capital city, for example Lucienne Day who had trained at Croydon Art College and argumentative about the war in iraq, therefore was already in the Greater London area before she went on to the Royal College of Art. Other women designers such as Jacqueline Groag moved from one country to another to pursue their careers..

For example Jacqueline Groag, born Hilde Blumberger, studied in Vienna in the 1920s under Josef Hoffmann and research, Frank Cizek at the Kunstwerbeschule. Later she designed for the Wiener Werstätte and in 1929 worked in Paris designing fabrics for internationally known couturiers. Although White entered the the war, world of freelance designing straight from art school, she never moved away from the Isle of Thanet, a promontory forming the north-east extremity of Kent with an area of approximately five square miles. Even Canterbury School of Art and Crafts that White attended for one year is only approximately fifteen miles from Margate.The fact that she remained based away from any large city, national or international, may well have affected her exposure in the design world. The vast majority of information used in this essay has been acquired through interviews with Mary White and with her husband Claude Dening. This has been carefully augmented by documents, photographs, textile samples and other materials in Mary White?s personal archive. These items include: design records, many of which are supported by photographs; her design registers; sales records for each textile firm in research antigone, London and Manchester; account books which include details of receipts for designs sold; enlarged photographs of selected textile designs; two archive storage boxes of fabric samples of Mary White designs; a photograph album of essay about the war, ceramic decoration carried out for Thanet Pottery; framed examples of flower paintings; specimens of large decorated ceramic bowls and other items; a photograph of Mary White as a potter in the ?Thanet at papers School? book; a photograph of a Mary White textile design in ?How to Furnish Your Home? by Gordon Russell; her curriculum vitae; papers relating to about the war, her election to owl essays, the Society of Industrial Artists; ceramic price lists. Her gracious loan to me of this valuable contemporary material has allowed me to essay about the war, fully explore her designs and working practices, thus gaining a wider view of her work than would have been possible from the laptop, limited published sources and small number of textile samples available in design institutions. Close contact with Claude Dening, most especially via email, has ensured that any questions, arising during the inspection of the essay about, materials were directly addressed and essay trip, resolved.

Chapter one will provide biographical and educational details about essay the war, Mary White. Chapter two will consider some Mary White designs that are available in to goa, public repositories. Chapter three will go some way to essay about, serving the purpose of a catalogue raisonné by looking at and professional visual and sales evidence of her total output as a freelance designer. Chapter four will seek to set her in context and compare her working practices with those of other designers. It should thus be possible to offer some explanation as to White?s lack of visibility in the design history of the argumentative about the war in iraq, twentieth century.

At the personal ethics essays, very least, this essay seeks to bring Mary White to argumentative essay about in iraq, the attention of those who have an interest in mid-twentieth century design and allow her work to be considered alongside those whose names are already known. Interviews with both Mary White and Claude Dening revealed the family and social background of Mary White. Research Antigone! She was born as Mary Lilian White, the daughter and argumentative essay about in iraq, granddaughter of wholesale nurserymen, on 22nd January 1930 in Margate, Kent. The family business had several quite extensive sites, employed a foreman and several workers and according to Mary White had she ?been a boy, she would have gone into the business. Mary made it clear early that her objective was a School of Art ?. Claude Dening explained that she initially attended Canterbury School of Art Crafts at the age of fourteen in 1944, transferring to purdue, Thanet School of Art Crafts, in argumentative essay the war in iraq, Margate, when it reopened after the war in 1945. And Professional Ethics! She remained there until 1950, obtaining the National Diploma in Design (Fabric Printing) in 1949 and the National Diploma in Design (Pottery) in 1950. Argumentative About! [Illustration 2 shows Mary White at Thanet School of Art and laptop, Crafts in 1950]. ?Thanet at School?, a book in argumentative the war in iraq, Mary White?s library, that was published for Thanet Education Week in 1950, explains how in East Kent, the dissertation, Canterbury College of Art and Crafts served as a regional centre for a group of art schools: Thanet School of Art and Crafts was one of the schools amongst these. The combined facilities of these schools, with advanced and specialized subjects concentrated in Canterbury, enabled students to achieve the argumentative essay about the war in iraq, highest qualifications in art and industrial design. Free entrance for those under eighteen was by examination with grants towards travelling expenses and maintenance made by Kent Education Committee in appropriate cases: White was one such case.

Claude Dening explained that Mary received a grant because her father had died in 1944, leaving her mother with four children to support. Courses of full-time art education at the school led to annual examinations by Kent County Examinations Board, the City and Guilds of ethics, London Institute and the Ministry of Education. Students who gained the School Leaving Certificate were able to study for the National Diploma in Design which was recognized by argumentative essay the war in iraq, the Ministry of research antigone, Education as a qualification for teaching. It would appear that White benefitted directly from Education reforms. The Ministry of Education had come into argumentative essay about the war in iraq being as a result of the Butler Education Act in 1944 . The school leaving age was increased to fifteen and nys ela, it was stated that children should ?be given an essay about the war in iraq, education appropriate to their age, abilities and and professional ethics, aptitudes.? Claude Dening, retired Divisional Education Officer for argumentative the war in iraq, Kent suggests that had his wife been granted a place at the Girls? Grammar school, rather than a secondary modern school : she would have been jockeyed to move on post art school to the graduate ATD [Art Teachers Diploma] course and would have finished up in teaching solely - certainly not in the precarious field of commercial textile design. Illustration 3, a photograph taken at Thanet School of Art in 1948, suggests that an overwhelming majority of students were female.

This should come as no surprise in laptop dissertation, light of a pamphlet entitled ?Further Education: The Scope and the Content of essay about the war, its Opportunities under the Education Act of 1944. In this publication it was suggested that local education authorities should encourage ?women?s specialised interests? which in accordance with the hegemony of the day believed that the trip, main goal of women?s education was to fit them for their roles as wives and mothers. White?s attendance of classes in fabric printing and pottery fitted in well with the argumentative essay, advice that domestic skills should be made more attractive by the inclusion of essay rubric, instruction in ?repair and argumentative about, decoration to fabric and to goa, furniture [and] planning good colour schemes?. when talented female students arrived to study at the Bauhaus, they soon discovered that the founder of the school, Walter Gropius, was not strictly adhering to his original declaration of equality between men and women. Argumentative About! In the hierarchy of art and laptop, design, it was textiles that were deemed to be ?women?s work?.

When discussing the link between femininity and about, embroidery, Roszicka Parker stated that: women. managed to make meanings of their own in the very medium intended to purdue owl essays, inculcate self-effacement. This may well be an issue to consider at a later dater in connection with the work of Mary White who clearly delights in the more feminine side of design. Despite having sold her first textile design [Illustration 4] whilst still a student, White appreciated that her two National Diplomas in Design ?gave qualified teacher status in primary, secondary and argumentative essay about the war, special schools.? According to her curriculum vitae, from 1950 to 1961 she taught in further education at Thanet School of Art Crafts, Dover School of Art Crafts and rubric, Canterbury College of Art whilst also pursuing a career as a freelance textile designer. Illustration 5 shows pages from a Dover School of Art and the war, Crafts brochure for essay trip to goa, the year 1958-59; Mary White is named as a part-time pottery assistant, under her married name of M.L.Dening. It would appear that this binary existence was never considered to be a conflict of essay the war, interests. Indeed an article in ?The Cabinet Maker and Complete Home Furnisher? dated 13 Mar 1955, stated that Mary White, M.S.I.A [Member of the Society of Industrial Artists] was ? a pottery teacher at Dover School of Art?and her designs were ?inspired probably by the garden ?full of strange plants? which she and her husband have with their bungalow on a cliff top in Kent?. In May 1955, another article, this time in ?The Houseowner? again reported that Mary White, M.S.I.A ?is 25. Dissertation! She is married and a teacher of pottery at Dover School of Art? . Rather than attempt to conceal the fact that not all her time was taken up with designing, White openly advertised that she also taught.

1955 appears to have been the highpoint of White?s career as a textile designer, or at least the point where the press took the most interest in her. Argumentative About! In the essays physics, White archives a cutting from an unidentified newspaper, pasted onto ?Barlow Jones Limited of Manchester?, headed paper states: Arriving in essay about the war in iraq, Manchester on Monday with a portfolio of sketches under her arm will be Mary White, who at 25 is regents, fast becoming one of the argumentative about in iraq, best-known of papers themes, our young textile designers. About three times a year she makes this trip to Manchester to visit leading cotton firms with her latest ideas for furnishings and fabrics. ?I have been lucky? she told me. ?The first time I ventured North, feeling very nervous and just out from five years at an art school, I sold nearly all my designs. I have always been freelance because I married soon after I started designing and I find it easier to work from home.? When a woman designer is discussed, reference is often made to her marital status and comments about argumentative in iraq, her partner are considered to be as relevant as any information about the designer or her designs. However problematic this method of discussing a female designer may be, in trip, the case of White it is revealing. Interviews with both Mary White and argumentative essay in iraq, Claude Dening suggested that White?s family life greatly influenced the length of time that she worked in textile design and even had a bearing on her moving from textile design to pottery. In effect, White was active in textile design for less than a decade.

Had she lived in a textile producing area, such as Lancashire her career may well have been prolonged and she would possibly have had the opportunity to become an in-house designer. Trip! When interviewed, she stated that the main reason for ceasing to argumentative essay about the war, work as a freelance designer was the difficulty of combining family life with ?lugging a huge portfolio up to nys ela rubric, London and Manchester? . Further education teaching in the evenings provided a good income for essay the war in iraq, a growing family and White?s personal creativity was satisfied by the work that she did with her brother, David White, in personal and professional essays, their business Thanet Pottery Ltd, first located at Westwood, Margate, Kent, and from 1961 at Broadstairs, Kent. This business could be used as a paradigm to demonstrate what patriarchal design historians consider to be the polemical split between the argumentative about, male and female conceptions of design for papers, during interviews with Mary White and Claude Dening it was suggested that David?s prime concern was shape and texture, whilst Mary?s specialisation was surface decoration. Initially this suggestion is acceptable, particularly when one considers that Mary White was already well-established in textile design, a traditionally female area. However, in her book on argumentative about the war potters and paintresses, Cheryl Buckley puts forward a case that: The ground-rules of history which define the criteria for the selection, classification and prioritisation of types of owl essays, design, categories of designers, distinct styles and periods and different modes of production are shaped within patriarchy. Buckley debates the argumentative essay about the war, meaning of patriarchy and rejects the idea that it is a ?universal and trans-historical form of oppression? in favour of Griselda Pollock?s definition: Patriarchy does not refer to the static, oppressive domination of one sex over nys ela essay another, but a web of psycho-social relationships which institute a socially significant difference on the axis of sex which is so deeply located in our very sense of lived, sexual identity that it appears to argumentative essay the war in iraq, us as natural and unalterable. Revealingly, when questioned, Mary White said that as a young girl, her ambition had been to be a painter. Rubric! Reflecting this ambition, White?s designs are distinctly two-dimensional. However, this should in no way suggest that she lacks understanding of the underlying structure of the plants and the war in iraq, flowers on which she bases her designs.

Indeed, account books show that she embarked on personal expeditions to particular areas of Kent to sketch plants upon themes which she had decided to base a design. For example on 7 August 1950 she cycled to Minnis Bay and Birchington to gather seaweed and other seashore specimens and on the war 11 February 1950 she went to Cliffsend, Ramsgate again for essays physics, seashore materials, entering in her accounts 1s 6d for refreshments and 1s for bus fares. and on 2 June 1951 she made a visit [to] the salt water marshes at Faversham and Seasalter for special saltwater plants, marsh samphire, annual seablite? . She also purchased scientific and botanical books, such as ?A Botanical Register? dated 1825 and ?Elements of Conchology?, to aid her in her understanding of the structure of the plants and other natural materials that she drew. Argumentative Essay! These books remain in her library today. A note in accounts for 1955 shows that she also borrowed biological and laptop dissertation, zoological books from the University of London. Even in essay the war in iraq, retirement, White?s books are meticulously arranged according to subject matter and a catalogue maintained: this facilitates the finding of a particular book. Books on the shelves include: fine art; peasant art; non-European mythology; V A Museum publications; gardening; horticultural; botanical; biological subjects. By far the largest category of books relate to horticulture. Therefore it come as no surprise that the vast majority, if not all, of White?s designs are based on plants or flowers.

DESIGNS ON VIEW. Of fourteen contemporary references to Mary White, in essays physics, such diverse publications as ?Farmer and Stock Breeder?, ?The Hospital? and ?The Ceylon Observer? as well as the expected trade publications, six were of about the war in iraq, her design Cottage Garden. This would appear to be one of White?s most successful designs. It was made available by Heals, in 1955, at a price of 10s 9d per yard, coming onto the market at a time when a greater number of people than ever were accepting ?contemporary? design. On 23 March 1955, the Liverpool Daily Post reported: The past two years have seen a furnishing fabric revolution - not in the fabrics themselves, for there were abstract and ultra-modern designs about before the war, but in the demand for them. The fact is people can now appreciate fabric patterns which don?t look ?like? anything, but which make a surface pleasing and restful to the eye, expressed in colours that are soft and unexpected. But most of the contemporary fabrics people are buying now, do take recognisable objects - single flowers, or leaves, or perhaps animals - and personal, arrange them in more or less geometric patterns?. Cottage Garden does indeed utilise recognisable shapes: one of the main design elements is essay about in iraq, floral, an essays physics, ever-popular design motif in England.

In Cottage Garden, White has managed to argumentative essay, move away from a purely representational style, evident in some of her earlier designs, such as Zinnias, Design No.164, (Illustration 21a), sold to research papers themes antigone, Heals, and Design No. 255 (Fig.1a) sold to Warners. In Cottage Garden, White has analysed the structure and form of the the war, plants that she uses in ther design, yet for all that they are instantly recognisable as garden plants. Furnishing World also considered Cottage Garden to be a worthwhile design: The phrase ?floral cottons? conjures up a picture to many people of the duller, bread-and-butter designs in this fibre. Nothing could be further from the truth, when floral cottons from the 1955 ranges are viewed by the buyer. Three of essays physics, these garden-inspired fabrics are illustrated here. Each is the war in iraq, individual - one is very contemporary in style - and all are attractive and easy to live with. From this year?s new range of roller-printed cottons by Heal?s Wholesale and Exports Ltd., we have selected ?Cottage Garden? designed by Mary White. This design is contemporary in feeling, but the essays physics, gay, dancing movement of the about the war, stylised flowers gives it a softness infrequently seen in the more advanced furnishing fabrics.

It is a 48-inch cloth available in blue/grey/lime; wine/grey/lime; green/grey/tan; sage/grey/yellow; grey/yellow/red; and brown/fawn/coral. This design was so successful that it was mentioned in an article in The Hospital in November 1955. The article discussed an exhibition of cotton fabrics that ran from 12th to 19th October 1955 at the Building Centre, Store Street, London WC1: There were more than 100 cotton furnishing fabrics on display selected from current ranges which are now, or are shortly to be available in leading stores throughout the country. The article explained how not all designs are suitable for the hospital environment: In an exhibition of contemporary fabrics, many of them are ruled out for hospitals because the colours used tend to be over stimulating and even startling.

There were however some restful and unobtrusive designs among the fabrics displayed. Research Antigone! From among the range of curtains on display the following were noted of interest for hospital furnishing schemes:- . HEAL?s ?Cottage Garden? No.WE.1015 which had a large leafy contemporary design and was a roller-printed cotton in yellow-green with soft olive and tan on a white ground. Cottage Garden (Illustration 1) consists of a design printed onto 48 inch wide white cotton. The pattern is printed in five colours, one of which is black. The design is simple and argumentative essay the war, ?clean? consisting of purdue, background areas of argumentative essay about, coloured, abstract leaf shapes, superimposed with black outlines of flower parts. Purdue Owl Essays! The design would appear to be typical of the 1950s in its simplicity, freshness and use of white background. The design has strong vertical movement created by the individual elements of the design being several times longer than their width. Argumentative About The War! This, coupled with the vertical axis of essays physics, each element being slightly off-centre, is ideally suited to curtains that are likely to be hung in a modern domestic interior with large windows.

The dimensions and placing of the individual elements, suggest the folds of hanging curtains being moved by essay in iraq, a light breeze. Coppice (Illustration 6) produced by Heals in 1954 produces a similar effect. Ethics! In this design, however, the ground is less white, being under- printed with leaves that are even more abstract, in two close tones of blue/green. White?s characteristic skeletal plant ?drawings? are executed in black and dark red. Tibor Reich, an internationally known textile designer wrote : the purpose of argumentative the war in iraq, pattern in printed textiles should be expression of flow and nys ela regents essay rubric, rhythm which will move sympathetically with its surroundings, distribution of colour areas, and to give pure visual pleasure and tranquillity on the one hand, and interest and argumentative about in iraq, thrill on the other. Coppice ably meets these requirements as can be seen in the photograph that appeared in ?The Studio Year Book of dissertation, 1955-6.? (Illustration 7). The design of the in iraq, full-length curtains, rather than detracting from the contemporary lines of the furniture designed for Heals by A.J.

Milne, compliments and completes the interior in just the way described by purdue owl essays, Reich. Astrid Sampe, was the essay about the war, designer who supervised the textile studio of A/B Nordiska Kompaniet in Sweden and, according to research themes antigone, Lesley Jackson: was responsible for commissioning textile designs, including the important ?Signerad Textil? (?Signed Textile?) collection by artists and architects in essay about the war in iraq, 1954. such as the architect Sven Markelius and Stig Lindberg, the ceramic designer. She also had strong views on the purpose of pattern: I feel that the purpose of the pattern of essays physics, a printed textile is to create a clean and attractive background to human beings, and their accessories, such as furniture and lamp fittings. There are three groups of printed textile designs: spontaneous, textures, and geometric. I think a printed pattern should be architectural. Argumentative The War In Iraq! This means that the design should have a basic feeling of either horizontals or verticals or both. Design should be neat and precise; the broken surface of the hanging cloth will give all the necessary freedom. White?s use of regular-sized and laptop dissertation, regularly-spaced cutouts as the underlying design ensures that Coppice meets Stampe?s design criteria. The effect is clean, neat, precise and has structurally commanding horizontal and vertical elements.

According to White, Coppice was probably her best-selling fabric. She recalls seeing this fabric used on television when famous people arriving in Britain were interviewed at London Airport. A letter from Mr Worthington of about, Heals mentions the design Coppice by name. He states: we have had quite a success with ?COPPICE? and nys ela, I think some of your other designs would be very suitable to print. In her Furnishing Fabric (Illustration 8) designed for David Whitehead in 1954 White?s methodology of superimposing simple black, or other dark colour, line drawings onto blocks of colour is again successful. Argumentative Essay About The War! The under-design emulates the essays physics, effects of in iraq, vertical folds, this time even simulating the effects of fading caused by strong sunlight. The design serves to remind the onlooker of the underlying texture and substance of the woven cotton fabric onto laptop which the design is printed. Argumentative Essay The War! In turn, the personal essays, simplified rendering of the argumentative essay the war in iraq, plant, Lunaria Annua (Honesty), is well-executed. The strong black outlines of the plant emphasise the research themes antigone, under-design that is printed in pale neutral tones. Lucienne Day?s Trio (Illustration 9), also available 1954-55, utilises the same method of superimposing an abstracted pictorial representation over a horizontally-banded, continuous design of paler tones.

Herbert Read wrote that: The aim of the designer of fabrics should, however, respect the nature of the material and argumentative about the war in iraq, the process of working it; a good textile is frankly fibrous in its appearance, and makes no attempt to disguise warp and to goa, weft, even in the production of ornament. White?s working practises were exemplary in argumentative the war in iraq, so far as she kept meticulous records,thus it has been possible to create a spreadsheet from her index of designs, with details of those sold, who to and for how much. In some cases, a black and white photographic record was also kept. Appendix 8 is the spreadsheet that has been created using this original material, with some additions made from other notes belonging to White. Details held on the card index relate to textile designs in research, the period 1950 to 1958. The first numbered design was Design No: 130. This number was chosen arbitrarily in order to essay the war, disguise the newness of the designer to the design world.

It was felt by both White and her husband, who aided her with administrative tasks, that allocating extremely low numbers to designs would advertise that she was new to freelance designing and might influence the decision to buy or reject a design. Essays Physics! Therefore design numbers range from 130 to 1244, a total of 1113 designs in eight years; an average of 140 designs each year. Information included in the spreadsheet is in columns, from left to right: number allocated to design; whether photograph of design available; whether textile sample available; name of design or comment about subject or type of argumentative essay about in iraq, design (square brackets [ ] denote comment by author, curly brackets denote additional note by designer); company design sold to; date design completed if known; date design sold; date payment received; amount of essays physics, payment received for design. The table shown below sets out how many designs were completed in each month from argumentative essay the war, April 1952 to Nov 1957 . However, It should be remembered that this table is purdue owl essays, only as accurate as the information annotated on the cards. NUMBER OF DESIGNS COMPLETED PER MONTH. This table indicates that of the 1246 designs shown in Appendix 8, completion dates are available for only 766. Although not all cards show a completion date it can still be ascertained that White completed well over one hundred designs per year.

Appendix 8 also shows one hundred and six scanned images relating to designs in the card index, for which there was a photographic record, and argumentative essay in iraq, which were sold to essays physics, manufacturers by White between May 1952 and about the war in iraq, January 1958. Again it should be stressed that this information is laptop, incomplete as not all designs sold have a photographic record card. The War In Iraq! However, this appendix serves to illustrate the nys ela regents essay, variety of designs created by White. The card index also holds photographic record cards for a great many designs that were not sold. It is hoped that these ?withdrawn? designs will be scanned at argumentative a future date to purdue owl essays, allow an even fuller inspection and investigation into all available designs by Mary White that has not been possible at this time. It is important to emphasise that however many designs Mary White succeeded in selling, there are a great many additional designs that did not sell, but should not be overlooked in any further study of argumentative the war, her, White?s perennial love of drawing and producing floral subjects is shown in designs such as: 255; 291; 573; 658; 815; 824; 852; 853 [see Appendix 3]. At the other end of the scale are completely abstract designs: 344; 400; 462; 524; 533; 579; 584; 849 (see Appendix 8). Nevertheless, White?s work is not polemical as in between these two extremes are designs where she has combined tried and trusted elements to create designs which are neither overtly floral nor completely geometric or abstract. Illustration 11 shows Coppice [Design No:362], and Merry-go-Round [Design No:344].

The basic underpinning of laptop dissertation, both these designs is a series of virtually identical ?cut-out? shapes. In Coppice, which has already been discussed in chapter two, White has overlaid this base with skeletal line drawings of leaves. Merry-go-Round also makes use of another element often used by White. Argumentative Essay About In Iraq! This element can be seen in essay rubric, the horizontal design based on illustrations of cells from botanical books in White?s library. In Merry-go-Round this element has been strongly defined whereas in other designs it is often subsumed beneath another overlaid pattern or linear drawing. About The War! An able demonstration of this can be seen in Furnishing Fabric (Illustration 8) sold to David Whitehead in research papers, 1954, a fabric that has already been discussed in chapter one and Rambling [Design No:292] (Illustration 12). Similarly with the more floral designs, White reuses her repertoire of elements and in iraq, motifs: she varies size, configuration and research papers, combination thus enabling an almost limitless supply of designs.

For example Design No: 852, completed in June 1956 and sold to Heals, and Design No: 882, completed in September 1956, and sold to D.Whitehead, both have the argumentative about the war in iraq, plant Begonia Rex as the main design element. The size of the owl essays, leaves in each design varies considerably, as does the way in which the plant is about, combined with other elements. However individual White?s designs may be, she did not exist in laptop dissertation, a vacuum. By the time White was ten years old she was living in essay about in iraq, a country at war where textile design was low on a list of priorities, if not non-existent. Shortages of dyes, fibres and nys ela, production time for other than essential war work led to argumentative about in iraq, restrictions influencing what could be produced: small pattern repeat size causing less wastage was a major issue in essay to goa, utility textile design. Once the second world ended, exhibitions such as ?Britain Can Make It? in 1946 and the Festival of Britain in 1951, exposed the idea of good design to a wider public. The influence of the Bauhaus, and Modernism combined with advances in science allowing nature, on a microscopic scale, to the war, inspire artists and designers. Relaxation of austerity measures allowed international styles such as the ?New Look? to emerge in Paris in 1947. Cross-fertilisation occurred by means of increasingly popular magazines which advertised exciting new goods. Manufacturers such as David Whitehead and Heals began to promote textiles by named designers, some of whom were already known as artists. It is interesting to themes antigone, note that in a selection of eight curtain fabrics shown in ?How To Furnish Your Home? by Gordon Russell Alan Jarvis, published in 1953 (Illustration 14), only the fabric Rock Garden designed by Mary White for Story Co mentions the designer by name.

Even Heal?s Calyx linen bears no mention of its designer, Lucienne Day. Though White has stated that her very early ambition was to be a painter her practical nature led to the realisation that a career as a textile designer was more likely to result in her earning her own living. From the age of fourteen, when she first attended Canterbury School of Art, she had already begun an intensive course of practical study that led to becoming a commercial designer. In contrast to White, Paule Vézelay, another textile designer active in the 1950s, had a very different background and began her career as an artist. Vézelay always considered herself to have been one of the very first painters to be commissioned to design non-figurative textiles. David Whitehead was to commission artists such as John Piper and Eduardo Paolozzi in the 1950s but Vézelay always maintained that she was in the vanguard of such activity. By the 1950s Vézelay?s private income was insufficient to essay in iraq, support her: in the nineteen fifties and beyond, she had to rely heavily on her income as a freelance designer and artist. Vézelay is rubric, being compared with White because both were members of the Society of argumentative the war in iraq, IndustrialArtists. In White?s personal archive, a leaflet published by the S.I.A, laying out owl essays a schedule of average fees and salaries for textile design was found. Indeed, payment records show that amounts paid to about the war in iraq, White corresponded closely to amounts suggested by the S.I.A.

Several times, without success, White applied to be included in owl essays, Designers in Britain, an S.I.A publication. However, her lack of success with applications for inclusion in their publications does not seem to have caused her to essay about, be disillusioned with the society and when interviewed White stated that she had sat on one of their sub-committees. In contrast, Vézelay appears to have had a problematic relationship with the. S.I.A and also with at least one manufacturer. Owl Essays! Vézelay?s correspondence with both the S.I.A and Mr Worthington at Heals demonstrates how she was prepared to argumentative essay about the war, stand up for what she considered to be the rights of designers. Time and again, in essay trip, letters to various officials of the S.I.A she states how she feels that the needs of freelance designers are swept aside whilst the various committees are monopolised by teachers who insist on pushing forward the needs of students. However disparaging she may have been about the argumentative about the war, ways in which the S.I.A helped established freelance designers, she never hesitated to essays physics, quote S.I.A rates to argumentative the war in iraq, manufacturers. Essays Physics! At one stage in the 1950s the letters cross backwards and forwards between Vézelay and Mr Worthington of Heals in argumentative in iraq, a respectful battle of wills. On the essays physics, 22nd June 1956, Worthington states: you?ve invoiced us 50 gns plus 15% for each colourway for essay about the war, ?Contrast?. Nys Ela Essay Rubric! This as you know is considerably more than we paid you before [she was paid 35gns , plus 15% for argumentative essay about, each colourway, for her first designs for Heals] and purdue, you didn?t inform us that you were increasing your prices.

By 26th July 1956, he writes: I notice that you have quoted the S.I.A scale of fees but the 50gns for the design plus 15% per argumentative essay about the war, colourway is of course, the essays physics, maximum charge suggested. In any case, this is more than double what we pay any other designer, including Lucienne Day, at least four times the average fee. If however you are sticking to the price, I will pay it but I must inform you that I cannot afford this outlay each year. Vézelay stands her ground explaining how Mr Worthington saw a painting of hers at the Festival of Britain Exhibition and asked her to do a design based on it. She explains how much work she has put into the design and its various colourways. Finally by 21st August, a fee of 40gns was agreed upon and an undertaking made that both sides would agree a price in advance for essay the war, any future designs. Throughout her relationship with Heals, Vézelay continues to demand the purdue owl essays, highest end of the scale of fees for her designs. In 1957 she charges 50gns for a design made from a painting and 45 gns for other ?ready? designs.

In 1959 she informs Mr Worthington that she is increasing her fees to: 60gns for medium sized designs, 65 gns for very large designs with extra colourways at 10% for two colours and the war in iraq, 15% for more than two colours. White was one of the students that Vézelay railed against. Trip To Goa! The training and advice that White was given was so successful that she sold a design to Turnbull and Stockdale just after she had completed her National Design Diploma (Fabric Printing) and whilst she was still studying for National Design Diploma (Pottery). The two designers negotiated sales and about, payments in very different ways. Vézelay subscribed to research antigone, the idea of the artistic genius. She was particular about every aspect of how her designs were used and insisted on maintaining control at all times. Every colourway for a design was worked out by argumentative essay the war in iraq, Vézelay herself and owl essays, indeed a considerable part of argumentative essay about the war in iraq, her income was generated from such adaptations of personal, her original designs. Argumentative! After seeing one of her designs photographed upside down in a Heal?s brochure, she insisted that on her more ambiguous designs an essays physics, indication of argumentative essay about in iraq, ?TOP? and an arrow should be printed on the selvedge. Purdue Owl Essays! In contrast, White?s attitude was more craftsmanlike: I do about 100 new patterns a year . . . then the firms usually choose their own colourings, as most of them have their own definite idea about that side.

White may not have been insistent on such technicalities as markings on selvedge, nevertheless, Cottage Garden, which has already been discussed at length, has an indication of ?TOP? printed. Illustration 21 shows scans of fabric produced by Heals. The selvedges of three of the designs are shown: Zinnias; Cottage Garden; Fiesta. An inspection of Appendix 8 shows that White quickly became adept at interpreting comments made by manufacturers. A larger number of essay about the war in iraq, designs are marked as withdrawn from portfolio at essay trip the beginning of White?s card index. However, the percentage of designs sold increased rapidly. Essay The War! She soon learned which producer preferred which type of design and was able to be selective about which designs she presented to essays physics, them. Argumentative Essay! A note about her second visit to British Celanese Limited on laptop 13 January 1956, when she met with Mr Walker states ?Big florals and country scenes. NO contemp. at present.? After her fourth visit to Liberty Co (Wholesale) Ltd on essay about the war in iraq 14 September 1956 when she met with Mr Sudlow, she recorded in her card index ?florals - not spiky - not fussy - few colours.? When interviewed White stated that in nys ela, no way would she design to in iraq, order but by listening to the comments of ethics, prospective clients she was able to take into account such considerations as pattern repeat sizes, width of fabric and about the war in iraq, preferred types of design.

Such market awareness resulted in essays physics, White selling a higher proportion of her designs than she had initially done. Once a design had been bought by argumentative in iraq, a manufacturer, White appears to have accepted whatever price was suggested. A few smaller designs were sold for four, six or eight guineas, many around fifteen to purdue owl essays, eighteen guineas and about the war, the highest price of twenty-three guineas was paid in March 1958 by Story Fabrics Ltd for trip, designs no: 1109 and 1138. Argumentative About The War In Iraq! Illustration 13 showing a 1953 advert for a Myer?s single divan bed priced at ?17-10-0 allows some understanding of the value of such prices. Whilst White did not expect or insist on such high payments for designs as Vézelay, nevertheless some of the sums that she received were not insignificant. On several occasions Vézelay invited Mr Worthington of Heals to come to her studio to view her designs. In contrast, White made many trips per year to both London and Manchester to show her portfolio of designs to different manufacturers. A report of one such visit to personal and professional, Manchester in 1955 has already been mentioned in chapter one.

It would appear that White may have been unusual in the war, approaching manufacturers so frequently. An article in Design, states: Like most Lancashire cotton manufacturers, Whitehead?s buy many of their textile designs from French studios. The Paris designers, they say, take the trouble to dissertation, go to Lancashire with their new designs, instead of sitting at argumentative essay the war in iraq home and purdue owl essays, waiting for argumentative essay about in iraq, clients to go to them, as many of their counterparts in London do. From 1950 to 1958, White regularly visited prospective purchasers of her designs. She may well have been one of very few British designers to personal ethics, do so.

Following an early interest in argumentative, art and design, White received a more than adequate training from a tutor who had studied at purdue the Royal College of Art, London, an establishment well known for its expertise in argumentative essay the war, textile design. Successfully combining her training with an inherent ability to visualise pattern repeat she began a career as a freelance designer immediately after she had graduated from the Thanet School of Art and Crafts. Meticulous record keeping and an ability to assimilate the requirements of purdue owl essays, purchasers without compromising her personal design ideals, ensured that her designs were bought and produced. However, unlike Vézelay who considered herself to argumentative, be an artist, White?s attitude to her design career was more that of a craftswoman and perhaps as such, more in line with the tenets of the Society of Industrial Artists. She was well aware that without the manufacturers, her designs would not be produced and sold to a wide market. Her attitude was professional and consistent and although she provided personal information to the press, at no time did she consider herself to be a personality. Nevertheless, in purdue, the 1950s, both she and her designs were mentioned in the war in iraq, trade, design and general periodicals. Her designs were very much of the time, met the criteria of leading designers such as Tibor Reich and Astrid Sampe and design theorists such as Herbert Read, and more than served the purpose for which they were created. Nys Ela Rubric! White worked as a textile designer for essay about in iraq, just under ten years. Her designs are easily identifiable as having emerged from a British tradition of textile design which has always had a tendency to favour designs originating from nature.

Although White was well able to produce designs in laptop dissertation, a variety of styles or categories, in argumentative about the war in iraq, her own words what she excelled at and what she would wish to regents essay, be remembered for are her designs in argumentative essay, ?the modern floral idiom?. Unlike designers such as Day, Groag and Vézelay, Mary White was not totally immersed in the art and design world of a large city. Other areas of her life assumed equal importance and consequently, although she was well known in the nineteen fifties by many textile producers, she never became a household name. Laptop Dissertation! A patient in a hospital bed in the nineteen fifties surrounded by Cottage Garden curtains would no more have been aware that they were designed by about the war in iraq, Mary White than a passenger on an underground train in the nineteen thirties would have known that the upholstery fabric on which they sat was by Enid Marx. The post-war years saw the emergence of fresher, brighter textiles.

These were created by older, established designers such as Jacqueline Groag, Marion Dorn, Marianne Straub and Paule Vézelay together with a new generation of British designers emerging from the essay trip, Schools of Art and Crafts. Amongst these younger designers were people such as Lucienne Day and the subject of this essay: Mary White. It has been demonstrated that building on artistic abilities, White developed strong business skills thus ensuring that a considerable number of her designs were purchased and essay in iraq, eventually printed. Had she gone one stage further and also developed a skill for public relations, she may well have achieved a higher profile and lasting visibility in the design world. Purdue Owl Essays! There is essay in iraq, no way of knowing whether her designs ?in the modern floral idiom? or her more abstract or geometrical designs would have continued to be successful throughout the nineteen sixties with the increase in research papers antigone, man-made fibres and about in iraq, the accelerating decline in the British Textile Industry. Neither the brevity of White?s textile career, nor her lack of personal visibility should detract from the and professional essays, contribution that she made to the look of the 1950s.

Now that the twenty-first century has begun, the mid-twentieth century should come under closer scrutiny and essay the war in iraq, previously hidden designers such as Mary White should be revealed. It is hoped that this essay has gone some way to dissertation, achieving that aim.

42 Resume Dos and Don#39;ts Every Job Seeker Should Know. If things are supposed to get easier over time, why hasn’t the argumentative essay about, task of resume-writing gotten simpler? Actually, it feels like we’re heading in the opposite direction—every month, we learn about a fresh resume commandment, like “Thou shalt not use a resume objective statement” or “Thou shalt not send a traditional resume to a creative company.” It’s enough to make any professional a little frustrated. Fortunately, we’ve rounded up the ultimate list of resume dos and don’ts, from the traditional rules to the brand-spanking-new ones. Laptop Dissertation? Take a look, then pull up your resume and make sure it’s recruiter-ready. 1. Do Highlight Your Most Relevant Experiences. Rule #1 of resume writing is that you should be turning in a different version for each role you apply to, tailored and targeted to the position. After all, your resume should demonstrate you have the specific set of argumentative the war, skills, experience, and accomplishments necessary to do the job—not just a set.

Make it easy for the hiring manager to see why you’re the right fit. 2. Don’t Freak Out if You Have No Relevant Experience. Whether you’re fresh out of college or switching to a brand-new industry, you can help bolster your lack of relevant work experience by listing your transferable skills, related side projects, and essays physics relevant coursework. Read more about argumentative essay the war, how to do this here. 3. Do Optimize for Applicant Tracking Systems. Many large organizations (and even some smaller ones) use applicant tracking systems to papers, weed out unqualified applicants. The systems scan your resume for contextual keywords and phrases, mathematically scoring them for relevance and sending only the most qualified ones through for human review. As you can guess, this strategy isn’t perfect. To ensure your resume makes it past the ATS and into the hands of argumentative about, a human, keep your formatting simple, include the right keywords (but don’t go overboard), and themes quadruple check for spelling mistakes. (More on argumentative essay about the war in iraq how to do it right, here.) 4. Don’t Steal the Job Description’s Exact Wording. That said, you shouldn’t take exact phrases straight from the job description.

If a company says it’s looking for candidates who “learn rapidly” and essays physics “have a diverse knowledge of argumentative essay the war, programming languages,” your skills section shouldn’t read “learns rapidly” and essay trip “has a diverse knowledge of programming languages.” Instead, find a different way of saying the the war in iraq, same thing—maybe devote a resume bullet to personal essays, a software you learned in two weeks, or list the seven different programming languages you’re familiar with. Argumentative The War? You’ve probably heard that recruiters love reading resume bullets with numbers, like “Increased sales in Northern region by 300%.” And they do! So use them whenever possible. Owl Essays? Oh, and don’t worry if your job doesn’t really involve numbers—with our guide, you can quantify any accomplishment. 6. Don’t Include Anything Confidential. Seems like a no-brainer—but Google’s Head of HR says he sees confidential info on resumes all the essay in iraq, time.

When deciding whether to regents essay, leave something on essay about in iraq your resume, use the New York Times test. In other words, if you wouldn’t want it published next to your name on purdue the front page of a major national newspaper, take it out. The “quantifiable accomplishments” technique also works for soft skills. Make sure each bullet point describes a skill the hiring manager is argumentative, looking for, then use facts and figures to show—not tell—just what a “skilled manager” or “effective communicator” you are. Check it out: “Developed and independently initiated new mentorship program to alleviate high turnover of new staff members, resulting in the matching of laptop dissertation, 23 mentor-mentee pairs and essay about a significant reduction in staff turnover.” Sounds like a “skilled manager” to us!

Because everyone assumes you know how to themes antigone, use Microsoft Word. And the internet. Use your valuable resume space to highlight skills that actually make you stand out. 9. Do Consider Volunteer or Other Non-Work Experience. Although it’s nontraditional, if volunteer work has taken up a significant chunk of your time or taught you skills applicable to essay about the war in iraq, the job you’re applying for, think about putting it on your resume. Side projects, pro to goa, bono work, or temp gigs can also be a unique way to bolster your resume and show off other skills. 10. Don’t Include Work With Controversial Organizations. Maybe that volunteer work was fundraising for a politician, or answering the phone at essay the war a LGBT-resource organization. Some experiences are pretty divisive, so read our tips on whether or not you should put them on your resume.

11. Do Include Personal Accomplishments. If you’ve done something cool in your personal life that either shows off your soft skills or engages your technical skills in a new way, you should definitely include it. Maybe you’ve run a couple marathons, demonstrating your adventurous spirit, strong work ethic, and desire to owl essays, challenge yourself. Argumentative Essay About In Iraq? Or you’ve won some poker tournaments, which shows you’re a quick thinker and good with numbers. Learn more here on how to include these in the right way.

12. Don’t Include Random, Unrelated, or Off-Putting Hobbies. Research Themes? That said, remember that hiring managers probably don’t care if you love basketball, are active in essay about the war in iraq your book club, or are a member of essay trip to goa, a Dungeons and Dragons group. The War? Eliminate anything that’s not totally transferable to work-related skills (or a really, really epic conversation starter). 13.

Do Think of New Ways to Frame Your Accomplishments. Don’t have the essays physics, exact experience for the job you’re applying to? You can actually tweak how you frame your accomplishments to essay the war, show off vastly different things. Career expert Lily Zhang explains with examples here. Meaning: Don’t oversell your high school babysitting experience. In fact, anything from high school should probably go. 15. Do Show How You Moved Up (or Around) at Past Companies.

It can be tempting (and more simple) to combine multiple roles at one company, but you should actually be highlighting your different job titles. After all, it says a lot about you if you were promoted within an organization or were able to transition your role. Learn how to dissertation, show this off without making your resume look disorganized here. 16. Don’t Use an Objective Statement. There’s only about the war one situation in which you need an objective statement: when you’re making a huge career change. Making the leap from, say, business development to marketing means your resume could definitely use a clear explanation that you’re transitioning roles and have the necessary transferable skills. But if you’re a PR rep applying to a PR firm, an objective statement will just waste valuable space. 17. Research? Do Consider a Summary Statement. A summary statement, which consists of a couple lines at the beginning of your resume that give potential employers a broad outline of your skills and experience, is the most ideal if you have years of experience you need to tie together with a common theme.

They’re also good if you have a bunch of essay about the war in iraq, disparate skills and essays physics want to make it clear how they fit together. Here’s more on when you need one and argumentative about how to put it together. Nys Ela? While it’s okay to glaze over gaps a little (for example, by essay the war just using years to personal, show dates of employments instead of months and years), you should never outright lie about them. Instead, be honest and confident when explaining unemployment periods. Argumentative Essay The War In Iraq? Whatever you did while you weren’t working—traveling, running a household, helping your community—it’s almost certain you picked up some skills that would help you in the job for which you’re applying. Trip To Goa? So mention them! For obvious reasons, anything that’s not 100% true doesn’t belong on essay in iraq your resume. Because hiring managers are really, really tired of seeing descriptions like hard worker, team player, or detail-oriented on resumes.

You should also be careful about any industry or role-specific jargon you use. In many companies, if you want to your resume to land on the hiring manager’s desk, you’ve got to get it past HR first—which means putting everything in terms a layperson can understand. Using unnecessarily big words doesn’t make you sound more intelligent or capable. Not only essays physics are hiring managers totally aware of argumentative about the war, what you’re trying (and failing) to do, but “resume speak” can obscure your real experience. So, instead of “utilized innovative social media technique to boost readership and engagement among core demographic” say, “posted on purdue Twitter three times a day and brought follower count from 1,000 to 3,000.” You should also be careful of using words with negative connotations—even if you’re using them in a positive light.

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This section should have your name, email address, phone number, address (or just city), LinkedIn URL, and essay about the war personal website, if you have one. Also, make sure you’re using your personal contact info, rather than your work. Because that’s a recipe for disaster. 26. Don’t Include Anything That Could Be Discriminated Against. While it’s illegal to discriminate against a job candidate because of his or her age, marital status, gender, religion, race, color, or national origin, it doesn’t mean it doesn’t happen subconsciously. Don’t give recruiters the chance, and nys ela essay just leave these details off. Recruiters read a lot of resumes, so they don’t want to have to spend a ton of time looking over yours. Cut it down to the most relevant information and argumentative essay the war in iraq keep it short and trip to goa succinct. Argumentative Essay About The War In Iraq? Laszlo Bock, Google’s senior vice president of people operations, recommends one page of nys ela essay rubric, resume for essay about in iraq, every 10 years of work experience as a good rule of thumb.

That being said, don’t try to owl essays, squeeze as much information as possible into that one page. Essay About The War? If you manage to dissertation, pack in more information—but in a size 8 font and argumentative essay the war in iraq with no white space on laptop the page—you might as well have not added that information at essay about all. Cut it down to an amount of information you can comfortably fit on the page, in laptop a readable font and with enough white space to make it easy on the eyes. 29. Do Consider a Creative or Digital Resume. Resumes that look like infographics, data visualizations, or even videos or multimedia presentations can be a great way to stand out from the crowd. Argumentative About The War In Iraq? If you think this might be the purdue owl essays, right route for you, check out some great options here. Argumentative Essay About In Iraq? (Note: This is trip to goa, generally a better option when you’re applying to smaller, more creative shops—traditional companies will still likely want traditional resumes.) 30.

Don’t Spend All Your Time on the Design. While making your resume look nice is essay the war, important, recruiters say job seekers spend far too much time worrying about it (that is, unless you’re working in a design field). Focus on the content, make sure the right information is highlighted, and essay to goa just make sure it looks nice enough to make the information easy to digest. Want your resume to look well designed—without the extra time? We’ve found 41 of the best resume templates ever. Argumentative Essay? They’ll make formatting a breeze.

And really, it’s best to dissertation, stick to one basic font. Unless you’re a designer and know a lot about argumentative essay about, typography, it’s easy to choose fonts that clash or are distracting. 33. Do Make Sure Your Job Titles or Companies Stand Out. Of course, you want to make sure the owl essays, most important information stands out and is easy to skim. Instead of using a different font to do this, use bold or italic text, a slightly larger font, or your layout to help make sure this information is findable. About? 34. Don’t Go Overboard With Text Effects. If every other word is bolded , italicized , or in purdue ALL CAPS, at best, your resume will be distracting—at worst, annoying. Use emphasis sparingly, for your most important info.

35. Argumentative About The War In Iraq? Do Align Your Dates and Locations to the Right. This small change will make your resume way easier on the eyes. You should be able to make a “column” of dates and locations for each job by creating a right tab. 36. Essay? Don’t Use More Than Two Lines Per Bullet. This strategy will make your resume easier to skim (which is argumentative essay, good, because most hiring managers will spend less than 20 seconds reading it). Again, cut it down to the most important information. Because 4 and 22% take less time to essays physics, read than “four” and “twenty-two percent.” Plus, using digits saves you space. 38. Don’t Send it as a Word Document.

Sending your resume off as a .doc file will most likely result in argumentative all of laptop, this careful formatting getting messed up when the about the war in iraq, recruiter opens the personal essays, file. Save your final version as a PDF to make sure everything stays just as is. 39. Do Swap Resumes With Colleagues. Essay About In Iraq? Look at how they describe their duties and the company. Chances are, you’ll get some inspiration for your own descriptions. Plus, having some fresh eyes look at your resume is always beneficial. Essay To Goa? Ask a few friends what about your resume makes an impact and what is boring, confusing, or too vague. If the same things keep popping up, it’s probably time to about, edit. And proofread. Multiple times.

For help, check out this editor’s guide to perfecting your resume. Remember rule number one on tailoring your resume? Well, creating a master resume that includes every position you’ve ever held will make that task much quicker. You’ll never send your master resume to anyone, so it doesn’t matter how long it is. Just write out ethics essays, each and argumentative essay in iraq every job experience you’ve ever had. With all of the possible corresponding bullet points. Then, when it comes time to essays physics, apply to a job, you can copy and argumentative essay about in iraq paste the relevant sections of your master resume into a new document. Want to essay, make sure you’re spending enough time on essay the right things in your resume? Run your resume through a word cloud generator like TagCrowd.

This will create an regents essay image representing the most frequent words, with the most common ones showing up larger and darker. With a quick glance, you’ll be able to see what terms employers will most associate with you—and whether you need to do some adjusting to have the right message shine through. Argumentative Essay About The War? Photo of typewriter courtesy of Shutterstock. Aja Frost is a freelance writer specializing in business, tech, career advice, and productivity. Check out her website or say hi on Twitter.

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Free Essays on History And Memory. Memories are more important than history in showing us our past. Do you agree with this statement based on your reading of the Fiftieth Gate? History alone is insufficient in understanding the past as it discounts the argumentative essay in iraq personal perspective that memory provides. Essay Trip To Goa. However, this distinctiveness results. History , a struggle over the past in the present to shape the argumentative the war in iraq future, is an exploration of the causal relationships between individuals and events. History has always been contested terrain, due to laptop dissertation, the fact that history is argumentative about established through individual and collective memories , which by nature are. History can be defined as “the methodical record of public events” where memory is defined as “the faculty by purdue which events are recalled or kept in essay about mind”. And Professional. Thus history and memory interrelate as history can be seen as the about contextual justification for memory . “The Fiftieth Gate”. MODULE C – History and Memory The Fiftieth Gate by Mark Baker suggests that a combination of history and memory is essential in making meaning, i.e. in shaping perceptions of the world around us. How does baker represent this combination to purdue, create meaning?

History can be viewed as a sequential series. which history and personal history are shaped and represented. History and memory alone are not an irrefutable collection of absolute truths. History can be seen as the documentation of the past, however there will always be contrasting perspectives and argumentative interpretations of any one event. Memory is the.

World War II. They both served honorably and passed down many stories of both tragic and valorous deeds. So when it was my turn to commit the creed to memory as so many other NCOs had done in dissertation the past, I tried to learn it while supplying a meaning to the words. It wasn’t easy, nor did it come as fast as. Extra Credit Assignment #1: Option #6 1. “Explain oral history in your own words.”- Oral History in my opinion is a great opportunity for the new era to experience the argumentative the war in iraq past life experiences of people who have recorded their memories on either audio or video. It is a little more modern and essays physics high-tech. Past, present, future History and memory - which one to believe? The people who survived the Holocaust are slowly disappearing. The number of these survivors is decreasing drastically year by year.

Does that mean the memory of these brave fighters leave this world with them? Yes? No? This is where. Global Dynamic Random Access Memory Industry 2015 Market Research Report. “2015 Global Dynamic Random Access Memory Industry Report is a professional and in-depth research report on the world’s major regional market conditions of the Dynamic Random Access Memory industry, focusing on the main regions (North America, Europe and Asia) and about in iraq the main countries (United States, Germany.

Traumatic Histories and Substance Abuse. ? Traumatic Histories Substance Abuse Mikayla DiPaola Addictions Dependencies Professor Darroch Midterm Paper The thing about and professional ethics, addiction is, it never ends well. Because eventually, whatever it is that was getting. with history and memory are reliant on about in iraq the relationship between purpose and selection. * Points to look out for: * History and memory * Relationship * Purpose - topic sentence * Selection - represent The interrelationship between factual history and factual memory allows. Commemorating the essay to goa Past: an Introduction to argumentative essay about in iraq, the Study of Historical Memory. Wesleyan University in essays physics Middletown, Connecticut, majoring in different fields and with different personal histories , we used these questions as the starting point for our class in Historical Memory . Over the course of the semester, we have examined the ways that Americans have commemorated the past. In. painful memories of argumentative essay the war, his past regarding his family. P12 “’Here in this carload, I am Hinda…’ – borrowing a well known Jewish poem and inserting his grandmother’s name serves as a way of representing his grandmother’s past and making sense of it. Baker compiles various documented records and nys ela regents rubric memories from.

History and Memory: Reflections of essay about the war, Texts. Analyse the way in which history and memory generate compelling and unexpected insights. The interaction between history and memory is a complex and dialectic process through which perceptions of the past are negotiated, reinforced or challenged. Regents Rubric. Despite official history’s dependency on validating. True History of Kelly Gang+ Forest Gump. relationship between history and memory explores this concept in your texts.

Through the representation of history via one’s memory , often there are acts of deliberate selection and emphasis to help support an in iraq, idea. History is owl essays a contested version of memory , and therefore memory on its own will be more. Why American History Is Not What They Say : an Introduction to Revisionism. WHY AMERICAN HISTORY IS NOT WHAT THEY SAY : AN INTRODUCTION TO REVISIONISM also by jeff riggenbach In Praise of essay about in iraq, Decadence WHY AMERICAN HISTORY IS NOT WHAT THEY SAY : AN INTRODUCTION TO REVISIONISM Jeff Riggenbach Ludwig von Mises Institute, 518 West Magnolia Avenue, Auburn, Alabama 36832;. time has passed, all that remains is laptop our perception of it. History is our collective perceptions of the past. And perception is not like time. Essay About The War In Iraq. It is not constant, it can be changed and easily. That is why it is important to look back at nys ela essay, history doing our best to see it from not just our point of view but.

History of IBM Founder: in () Although IBM was incorporated in the state of New York on June 16, 1911 as the Computing- Tabulating- Recording Company (C-T-R), its origins can be traced back to developments at the close of the 19th century. For example, the first dial recorder was invented by Dr. Collective Memory and National Identity In the the war in iraq first few weeks of this class, we were given three sources that have a common theme between them and in personal ethics essays this paper, I will discuss what it is, and what that theme means for us. Argumentative Essay About. The theme that has been predominate in our sources is: collective memory and. ingrained prejudices and watches their mother grow sicker, Derek wonders if his family can overcome a lifetime of hate. American History X by KE Monahan Huntley American History X, written by David McKenna and personal and professional ethics essays directed by argumentative the war Tony Kaye (also the cinematographer), is a highly polished presentation of an ugly. History and Memory, Trial Paper Essay. History and Memory Essay History and memory are inherently subjective; therefore there are difficulties when discovering the truth within them. They do however validate each other, as only through their interplay that a true representation of truth may be presented.

The individual determines the laptop dissertation entirely. The History of argumentative essay the war in iraq, Japanese Internment Research. The History of Japanese Internment Research An Executive Order approved by President Frederick D. Roosevelt on nys ela essay rubric April 24, 1942 (Murray, p.10-11), ordered all Japanese in Western United States to gather only previsions they could carry and to report to Japanese processing centers so that they could. Alexander Pushkin and Fictionising History. subcontinent and give every little place a new name? What would it change? The whole thing is a mirage; the argumentative in iraq whole thing is a mirage. How can anyone divide memory ? If freedom was possible, surely Tridib's death would have set me free.

For some reason, after finishing it my immediate urge was to reach out essays physics for. records say. Usually, records of history that survive are both incomplete and argumentative in iraq often contradictory, and the historian therefore has to try, in some fashion, to address those gaps and contradictions(BBC). That is, he or she has to research papers themes, act as an interpreter to be able to mold our history . Essay About The War In Iraq. This interpretation utilizes. Ncient History Pompeii and Herculaneum. Ancient History Pompeii and Vesuvius Geographical context The Nature of Sources and Evidence Sources of Evidence | Written | Archaeological | * Ancient texts in letters (epigraphic), poems, speeches, histories * Inscriptions on buildings and statues * Business documents on waxed.

Memories Improbable: Recovered Memories Memories Improbable: Recovered Memories in Perspective Travis Gee, M.A. Paper presented to the Department of Psychology, Carleton University, in partial fulfillment of the requirements of the PhD programme. Abstract The recent phenomenon of essays physics, recovered memories of argumentative about, childhood trauma - particularly. “Every man’s memory is his private literature.” As illustrated in this quote from Huxley, individual memory can narrate a story that differs from documented events; it is through a combination of the two that we uncover a more reliable account.

Peter Carey’s prose novel True History of the Kelly Gang. The Study of History Places Too Much Emphasis on Individuals. the rubric Most Significant Events and Trends in about History Were Made Possible Not by the Famous Few, but by Groups of People Whose Identities Have Long Been Forgotten. I do not agree with the statement that history has given too much of emphasis to only a very few people and ignoring groups of people.History is a subject that studies about the and professional essays important events that had occured in the past and the people who have been the argumentative essay about the war in iraq tools for such important events to laptop, have taken. Breath, Eyes, Memory: Women in Society. ?Women in Society The book Breath, Eyes, Memory by Edwidge Danticat, tells the argumentative essay about the war in iraq story of a young Haitian girl named Sophie Caco, her mother Martine, and the journey they both have as being women in essays physics their Haitian society. Being a woman in their society is especially difficult considering the poverty that. Talking with Your Doctor About Memory Loss. Talking with Your Doctor About Memory Loss Many people who call our office or who attend one of our educational seminars ask questions about the argumentative about in iraq best way to approach their physicians with concerns about memory loss. Sometimes their questions relate to whether changes they have noticed in laptop themselves.

documented evidence, personal history or memory inevitably reflects a one sided biased view of history . Evaluate the proposition in relation to your prescribed text and at least one related text. Personal history or memory inevitably reflects a one sided biased view of history . However through an analysis. ? History and argumentative about the war sights of essays physics, London. London is the capital of essay about the war in iraq, Great Britain, its political, economic, and commercial centre. It is one of the largest cities in purdue the world and the war the largest city in Europe. Its population is about 8 million. So I think it is necessary to talk about history and sights of London. Running heading: EFFECTS OF MEMORY CONCEPTS ON STUDYING 1 Effects of Memory Concepts on Studying Lucia, Lai Tsz Yu (11650516) GS 0042-61 College of purdue, International Education Hong Kong Baptist University EFFECTS OF MEMORY CONCEPTS ON STUDYING . History of My Life Alexandria Renquinha Adult Growth and Development Psy 202 Professor Pamela Bartlett July 22, 2012 History of My Life 1. Essay About. Family History 1. Personal Essays. Military Child 2. Divorced parents 3. Absent Mother . ‘Physical and Sexual abuse’ The physical and sexual abuse the women went through in Breath,Eyes, Memory by Edwidge Danticat was horrific. Today, in my literary analysis paper I will be talking about how the violence in Haiti in the 80’s especially the sexual violence towards women with traumatized. A Documentary Based on an Article by argumentative about Jon Junod. more of the 9/11 terrorist attacks.

The video uses techniques such as images, commentary, juxtaposition, photos, sounds and interviews to convey history and research themes memory . The podcast embarks on argumentative essay about a systematic process with the clear intention of using the twin towers not as a representation of regents essay rubric, two buildings but. A Trip Down Memory Lane Everyone has a past or a history , and about the war in iraq some can remember their childhood. Essay Trip. Some of argumentative the war, those experiences have been good or bad, but no matter what it is still your childhood. Some authors have decided to write about their childhoods and come up with different ways of writing. Laptop. Some. itself ranging from psychotherapy to neuropsychology.

Even the argumentative about in iraq sections itself are broken down into are more specified but, we will take a look at the history of Clinical psychology dealing particularly with neuropsychology and its specifics. Neuropsychology deals with the brain and its connection to psychology. Write in clear, concise English. Essay. Use the least number of argumentative the war, words possible to make your point. Essay. Always write in the past tense: this is, after all, history . The events have occurred already and should be treated as such. Do not use colloquial or abbreviated English. Complex points of debate or material. challenged your ways of thinking about ‘ History and Memory ’? Make detailed to your prescribed text and at argumentative, least ONE other related text of your own choosing. “That men do not learn very much from the lessons of history is the most important of all the lessons that history has to teach.” Perhaps in recognising.

that the earth was round right? Weren’t the Puritans pure? Didn’t the Civil War begin to rubric, abolish slavery? There are many of the questions in a U.S. History course that everyone must face and answer.

However, unknown by many people, these “truths” that are taught in the war in iraq our schooling system are very wrong and. History and essays physics Systems of essay, Psychology. History and Systems of essays physics, Psychology has given me a strong grasp on the history and founders of modem day psychology. Starting out argumentative essay the war with the essays physics first week I learned that the history of Psychology has been around for a long time and even though people didn’t name it Psychology they were still actively seeking. The interrelationship of argumentative the war, history and memory show that each is personal ethics essays individually limited- memory presents limited perspective while history presents limited account- this conflicting nature ensures that without considering both we have a less reliable history . This concept is argumentative about the war portrayed in the prescribed text. CONCEPTS OF HISTORY What is papers History ? • History is a branch of knowledge concerned with the study of argumentative in iraq, past events. • History is made up of many people's stories of the essays physics past. • History is the study of the past with special attention to the written record of the activities of human beings. Analysis of Gate 32 Summary of the gate In gate 32, Mark questions Genia’s memory of her period in hiding however his mother is able to recite The Lord’s prayer in Polish while she was concealed by the catholic family.

Genia recounts her experiences of hiding, focusing on the darkness of the bunker. Bibliography Nathan Saiz His 204 / GSN1404A Andre Tijerina February 10, 2014 The West Virginia Archives and History Library contains a wealth of books and pamphlets on the American Civil War, covering nearly every possible aspect of the conflict. However, this particular. ?In contrast to documented evidence, personal history or memory inevitably reflects a one sided or biased view of history . Evaluate the extent to which the representation of events or situations in the texts you have studied reflects this view. In your essay refer to your prescribed text and. History is a gallery of pictures in which there are few originals and many copies. Alexis de Tocqueville, 1856.

History is to society as what memory is to the individual. Argumentative The War In Iraq. It is a continuum of the themes recorded events from the past up until the present. History much like memory is a meta-cognitive process. Social History 1 Running Head: SOCIAL HISTORY Social History Nakeia Coston-Robinson SWRK 330 Human Behaviors the Social Environment June 11, 2009 Ms. Tamara Carter, MSW, LCSW Social History 2 Social History In this paper I will be interviewing a young lady by argumentative in iraq the name of Ms. Vanessa. the concept of history and essays physics memory , and how these ideas can change from either individual to individual, or have a changing presence throughout time. Argumentative Essay The War. History and memory are independent concepts, but largely rely on each other to interpret the full meaning behind a certain event. Research. History can be anything. ?Past HSC and Practice Questions for History and Memory 2009 Analyze the about ways history and memory generate compelling and unexpected insights Representing an ‘absolute truth’ is purdue impossible.

Inherent human bias affects both history and memory . We unintentionally falsify parts of the past in order. Modern China History - the Proletarian Cultural Revolution. Modern China History – The Proletarian Cultural Revolution History has judged the Cultural Revolution to be both successful and unsuccessful. One argument from Hsu, E[1] is that “Industrial and agricultural productions suffered severe setbacks and the war in iraq the disruption in education caused the loss of a generation. Official history is created by reshaping collective memory in order to essays physics, represent a specific understanding of the past.

This implies that by supplementing documented history with the memories of those directly affected by the September 11 attacks, the Smithsonian website is able to represent the emotional. Global NAND Flash Memory Market 2015 Industry Trend, Analysis, Survey and Overview. Global NAND Flash Memory Industry 2015 Market Survey Study Analysis and argumentative about in iraq Overview : Industry Trend, Size, Share, Growth and Forecast A Detailed analysis of the research papers international and China NAND Flash Memory market is presented in the Global NAND Flash Memory Industry 2015. In Iraq. The report analyses of the NAND. in what ways are heriatage and history simaler and in what ways do they differ. ?In what ways are history and heritage similar, and in what ways are they different? For many years the difference between heritage and history has been confused.

Often the laptop line between the two is merged creating a general measure of difficulty when it comes to separating the two. ‘The relationship. A Comprehensive History of Computer Languages. A Comprehensive History of Computer Languages The history of computer languages can be traced back to the 1940's. In that day, the primitive nature of computers forced programmers to write hand-tuned assembly code. This was tedious and demanding. In 1948, a man named Konrad Zuse, published a paper. To know the truth of argumentative the war in iraq, history is to realise its ultimate myth and its inevitable ambiguity. The relationship between both History and memory allows us to realise its ultimate myth and its inevitable ambiguity. History alone is not always accurate when determining the truth. There will always be contrasting.

Its Not Finished,, , but My Speech on Reflect Upon How Your Understanding of Representation, History and Memory Has Been Shaped by personal and professional ethics essays This Elective' Speech – Reflection on in iraq History and Memory Throughout time, perspectives of history and memory have changed. They have been moulded by the events of our time as well as the nys ela essay rubric texts and we read. The question of argumentative essay the war, what is history and memory is being raised. Is it a scholarly discipline that claims to record.

and strong reactions to bright lights. He also states that he has recently remembered parts of his childhood that he had totally forgotten. These memories were also preceded by reactions to flashes of light. Nys Ela Essay Rubric. His current symptoms are often juxtaposed by in iraq stressful situations, such as having to fight, or.