Essay on food production and management

#8216;Antigone#8217; by Jean Anouilh Essay Sample. Production! #8220;Antigone#8221;, written in studies uk 1942 by the French playwright Anouilh, is based upon the original #8220;Antigone#8221; the third play in the trilogy of #8220;The Theban Plays#8221; written by Sophocles, of essay Ancient Greece, in around 450 BC. #8220;Antigone#8221; is based upon the age-old conflict between the requirements of human and divine law. Employee Studies Uk! Although Anouilh#8217;s version of #8220;Antigone#8221; is significantly similar to its original by Sophocles, there are substantial differences between the two plays. There is the chorus depicted as one person who sets the scene, the many different characters who draw out different perspectives of Antigone#8217;s persona and production and management the introduction of the character of the nurse. During #8220;Antigone#8221;, contempt of death enables a weak maiden to conquer a powerful ruler, who, proud of his own wisdom, ventures in his unbounded arrogance to his pit his royal word against essay writing the duty to kin and human sentiment, and learns all to late by destruction, that fate, in due course, brings fit punishment. Due to the fact that the play is based on conflict, the story of the play is revealed over the dispute about the burial of Antigone#8217;s brother, Polynices, in on food which King Creon#8217;s views are that of a political nature opposed to Antigone#8217;s religious duties and opinions, whilst both retaining the belief that they are in the right. As the audience, we can only anticipate the most dramatic scene that will therefore be the confrontation between these two characters when Antigone is arrested, as their positions are conflicting.

This essay is to analyse what effects the dramatic devices used by Anouilh have in the scenes leading up to Antigone#8217;s arrest and I will endeavour to highlight those that do so. The opening speech by the chorus sets the scene for the conflict in the play, the tension and suspense of engagement #8220;Antigone#8221; is felt immediately. The chorus begins by opening with a description of all the characters of the essay and management play, setting the stage for the story of Antigone, telling us that Antigone feels that its her duty to bury her dead brother; as the best proofreader Greek view of death was that a person#8217;s soul could never come to rest unless their body had been buried, otherwise they would remain eternally on Earth. On Food! It is Creon#8217;s contrasting views on Polynices#8217; welfare that makes the play so intriguing. The chorus in of the the up-dated version of #8220;Antigone#8221; by essay on food production, Anouilh is singular, whereas in the original by Sophocles, the chorus was of a group of men who spoke in unison and order. The tactic of using just one person as the chorus makes the narration seem more human and realistic and rubric history essay the chorus plays the part of setting the scene for the story, narrating and essay maybe commenting on the events that might have just taken place. In the opening tableau, the college chorus informs the essay on food production audience of rubric for art what will is going to happen, which is surprising, as the audience now know the fate of essay production and management Antigone, due to Creon believing that he has to stand by best proofreader, his predetermined edict whilst Antigone feels that the state law is inadequate by comparison to the divine law and duty to her brother.

The fact that the chorus has notified the audience of and management Antigone#8217;s fate it makes them focus more on the situation at present and introduces Antigone much more realistically and human. The chorus tells the story unemotionally and the contrast between what is being said and the way is looks, evokes emotion from the audience. The opening verse told so factually and essay unresponsively by the chorus alters the production way that the house of usher audience perceives the play it makes things inevitable and the audience anticipates the development of what they already know will happen rather than what may happen. This device creates tension very early on in the essay on food production play continuing as a theme throughout leading up to the confrontational arrest of Antigone. This dramatic device of using a chorus, narrating each scene predetermining what will happen, used by Anouilh is extremely clever as it captures the audience fascinating them as although they know what is going to happen due to course the speeches from the chorus, the audience can only await the fate of essay production Antigone.

This tactic is clever in the aspect of that not only college are the audience captivated, they are enjoying every moment building up to the final confrontation, desperate to see how the on food situation will unravel itself rather than anticipating what will happen next in the story. This dramatic device used by Anouilh plays a major part in creating suspense as the audience#8217;s attention is drawn only to and sexuality in sports the chorus who tells the tale of Antigone simply and truthfully, intensifying the anxiety from the beginning of the play, playing on the audience#8217;s emotions making it tragically dramatic. The characters along with their personalities are described realistically displaying them as normal people, rather than the Kings and essay production Princesses that they truly are. Similar to ordinary people, they are going through the everyday trials and tribulations of love, friendship, work and relationships, making the audience feel a closeness towards them from the essays beginning. Upon first impressions, Antigone appears vulnerable, almost childlike due to on food her distinctive description from the chorus in the opening scene, initially indicating this from the way that she sits, deep in thought, her hands clasped around her knees describing her as #8220;the thin little creature sitting by herself, staring straight ahead, seeing nothing, is Antigone.

She is thinking#8221;. Creon, in contrast, is an intimidating well-built man, living up to the part as king, a strong and powerful leader claiming that #8220;His face is lined. He is tired. He practises the difficult art of a leader of essay course men#8221;, and on slightly closer inspection, it is apparent that he seems to be carrying the world on his shoulders. Once Antigone is introduced to the audience, you are made to feel that you have known her all of your life. You do not know that she has broken the edict laid down by Creon to begin with, but she seems to be acting out of character, giving an initial indication that she had done something out of the ordinary, coming across extremely romantic and idealistic. In her opening conversation with her nurse, she seems to be in a daydream, almost reminiscing about her most recent experience that morning. Essay On Food Production And Management! As she talks, she seems unusually aware of her surroundings being especially appreciative of the smallest things that she may not have noticed before. She talks of best her morning being #8220;like a postcard; all pink and green and yellow#8221;, and the beauty of the garden being #8220;still asleep#8221; and #8220;how lovely the garden looked when not yet thinking of men#8221;. The nurse doesn#8217;t seem to essay on food production register Antigone#8217;s daydream, continuing to scold her for leaving her room in the middle of the night.

Then, when the nurse starts to quiz Antigone about where she has been and what she has been doing that morning, Antigone can only answer with idyllic responses with no relevance to essay course what she may have been asked, seemingly in a trance. On Food Production And Management! Her behaviour is obviously completely out of the ordinary, and not surprisingly, the nurse picks up on this, and begins to worry about engagement case studies, Antigone. The nurse continues her inquisition, and essay on food production and management Antigone, still overwhelmed about the events that took place earlier that morning, answers simply a yes or no, infuriating her nurse even more and becomes exasperated and so asks #8220;you#8217;d tell me why your bed was empty when I went along to tuck you in, wouldn#8217;t you?#8221;. The language Antigone uses during this conversation with her nurse displays her age, showing up the younger aspects of her personality. Although Antigone is engaged, she is portrayed as vulnerable needing to have the character of the nurse picking up after her, and this is fall of the house critical essays especially noticeable when her nurse starts crying from frustration due to Antigone#8217;s antics Antigone admits to feeling like a child again by saying to her nurse #8220;When you cry like that, I become a little girl again; and production and management I mustn#8217;t be a little girl today#8221;. From this discussion, you can instantly recognise Antigone#8217;s characteristics and by comparing the nurse to Antigone, you can see their differences the nurse is practical and conservative whilst Antigone seems to case studies be impulsive and at essay production and management, liberty.

This is an obvious dramatic device used by Anouilh because by introducing a character with a contrasting personality, it shows up flaws and certain aspects of Antigone#8217;s personality that may not have been made apparent. Just at this point in the play, Antigone#8217;s older sister, Ismene, enters, the nurse leaves and offers an opportunity for the sisters to talk about the college essay writing course burial of on food and management their brother and how they would be put to death if caught. Ismene reminds Antigone of the seriousness of the edict, the risk of fall of the of usher defying it and how the on food and management whole ordeal seems horribly terrifying, trying to dissuade her little sister by case studies, saying #8220;I thought about it all night long. Essay Production! Antigone, you#8217;re mad#8221;. Antigone states that they are bound to die, acting impulsively, whereas Ismene reacts much more maturely, considering the consequences of her actions before making any decisions. Ismene remarks on Antigone#8217;s restlessness and that once an idea was in her head, nothing would be able to deter her from it, making it evident that Antigone and Ismene have distinctly different personalities and employee case uk perspectives on life Ismene is able to see both points of view where concerning the edict, whereas Antigone can only see her own point of view, which in essay on food and management her opinion is right, displaying an aspect of stubbornness, risking to die for what she believes in. Ismene leaves, and once she is gone, Antigone realises that her only fate is death, making it questionable for the audience to whether or not she had already buried Polynices body. Employee Studies! She acts insecure and precarious, prophesising her fate and talks finally about certain issues to her nurse, for example, about the essay on food well being of her dog, knowing that she may not be able to employee engagement case studies uk continue looking after it and says to her nurse #8220;My dog Puff #8230; promise me that you will never scold her again#8221;. The nurse seems confused, but seems to think that Antigone is playing a game with her and so agrees to all of Antigone#8217;s pleas and leaves her in peace. Antigone#8217;s fiance, Haemon, enters soon after the production and management nurse#8217;s departure and Antigone starts by blurting out some puzzling comments about the future she starts talking in a conditional sense and tells him that #8220;I wanted you to know I would have been proud to be your wife#8221;.

The night before, she went to Haemon with the intention of seducing him by taking Ismene#8217;s perfume, clothes and make-up but was laughed away by Haemon due to her appearance, and as a virgin, she indicates that she is air pollution by cars essay aware of what she will miss of essay on food production and management being his wife when she dies, although to the audience it is not apparent that she has done something to deserve the death penalty. Haemon begins to worry about Antigone due to her premonitions of the future, her strange manor has alerted him into thinking that something is definitely wrong and her strange actions build up the tension on the topic of whether she will go through with the for art essay burial of on food her brother. Haemon leaves feeling confused just as Ismene enters concerned that her sister may go ahead with the burial of Polynices. The suspense heightens when Antigone admits to Ismene that she has in fact, already buried the body. The scene changes to Creon#8217;s palace, where the air pollution by cars essay guard who witnessed the burial has been sent as a messenger to inform Creon of on food production what has happened, obviously worried about the King#8217;s reaction and although he eventually tells the King of the burial, he makes it long-winded, building up greater suspense for the audience whilst they envision Creon#8217;s reaction. The guard carries the story on in a trivial way, changing the tone of the play, ceasing its flow, creating even greater tension as he attempts to lift the atmosphere by joking when there is a matter of life or death to be dealt with and as a contrast to his humour, the seriousness of what he is saying, heighten the tension surrounding the rubric history edict. Creon wearily accepts the essay production news conceding the political obligation to follow his edict through although the traitor is his own niece, Antigone.

It is apparent that Creon is obsessed with his power and feels that he has to portray himself as in control, although inside his head, it may be a completely different matter. Creon leaves the scene, leaving the chorus to enter with another speech concerning Antigone#8217;s fate and welfare. Employee Case Studies Uk! He begins to talk about tragedy, linking the scenario of the story to a theme of tragedy using the and management metaphor #8220;the spring is wound up tight, it will uncoil itself. That is what is so convenient in tragedy, the least little turn of the wrist will do the air pollution by cars job.#8221; By this, the chorus is saying that the essay and management spring already has a lot of gender in sports tension to be released, and the smallest thing could set it off, the tension of the play concerning the on food production and management inevitability of death. The chorus makes you wait, heightening the tension in the atmosphere, the fall of the house speech focuses on tragedy and inevitability, both of which topics are main themes of the play. Production And Management! The imagery used to rubric history talk about all of the on food production clues that lead to tragedy, comparing it with melodrama, all relate to what has already happened. As it had been predetermined, Antigone has been caught and from the chorus#8217;s speech, they explain how tragedy seems to be #8220;calm#8221;, reflecting the calm nature of Antigone. The dramatic devices used by Anouilh leading up to the arrest of Antigone are extremely effective and leave the audience anticipating Antigone#8217;s next move. The dramatic devices he uses are that of the chorus, the tableau and the uses of other character#8217;s personalities to reveal disguised aspects of Antigone#8217;s own personality. The tableau opens the play, being told by the chorus, setting the scene for and sexuality Antigone to start speaking.

The tableau gives an inside view of the characters backgrounds and on food production and management personalities to the audience, making them recognise them as typical everyday people rather than that of the high positions they hold and feel like they have known these people their whole lives. This technique is very effective as they audience become drawn into the story, being taken away from where they are, captivated by a story set in Ancient Greece. The characters are described competently, recapitulating each characters personality and and sexuality appearance. The chorus stands detached from the essay on food production and management characters of the play, and informs the gender and sexuality in sports audience of the situations that the characters may be in, the troubles they may be facing and what they are thinking which is an production effective dramatic device as the audience gain a greater knowledge of employee engagement these people which they couldn#8217;t have achieved without the chorus from just by observing their appearance. The use of the essay on food production and management tableau and engagement case uk the chorus at on food, the beginning of the play create tension immediately hooking the audience, captivating them so that they anticipate what will happen next. The chorus talks during the tableau whilst all of the characters are frozen. Antigone is sat centre stage and the way she sits, deep in thought, curled up tightly draws out the childish aspects of her persona, proving her vulnerability when faced with a dilemma. Another dramatic device used by Anouilh is that of the contrasting personalities of those characters who surround Antigone. By using conflicting natures of Antigone#8217;s friends and family, it brings out aspects of fall of the house essays her personality that may not have been recognised beforehand.

This tactic is extremely useful foe the essay production audience as they gain a greater understanding of the girl that is Antigone. Best Online Proofreader! When compared with her sister, Antigone appears impulsive and chaotic in comparison to the calm, logical and beautiful Ismene, when compared to Haemon, Antigone seems neurotic and insecure whereas he is production represented as stable and comforting and again, when compared with her anxious nurse, Antigone appears slightly selfish. These characters surrounding Antigone draw out different, contrasting guises and without them, she could appear to be something she is not. In conclusion, the college essay writing dramatic devices used by Anouilh set the scene perfectly, captivating the audience, intriguing them further with the powerfully delivered tableau, the insightful views of the chorus and the opposing personalities to Antigone create a heightened atmosphere of suspense. Is this the perfect essay for you? Save time and order #8216;Antigone#8217; by Jean Anouilh. essay editing for only $13.9 per page. Essay On Food And Management! Top grades and quality guaranteed!

Relevant essay suggestions for #8216;Antigone#8217; by Jean Anouilh. Usually, in rubric history essay novels, the and management main character#8217;s strength overshadows his weaknesses. In the Greek tragedy #8220;Antigone#8221;, however, the online proofreader main character of the same name has as many strong points as weak#8230; Antigone vs Creon as Tragic Hero in Sophocles#8217;s #8220;Antigone#8221; According to Aristotle, a tragic hero in a Greek drama must meet certain requirements. The tragic hero must be of noble birth, be basically good, must have a tragic flaw,#8230; Sophocles: #8220;Antigone#8221;- The differences between Creon and Antigone. Throughout the play, the difference between Creon and Antigone is vividly shown.

By the end of the play, Antigone, it is evident that a total of five characters have lost#8230; Compare the portrayal of Creon in Oedipus the King and Antigone. In both plays Creon is of high social status. In Antigone he is the king of Thebes. In Oedipus the King he is the essay production brother in law to Oedipus and#8230; Compare #038; Contrast Essay #8220;Antigone#8221; with #8220;Romeo and Juliet#8221; In Antigone, Ismene must decide between the will of the gods and the will of the writing course state, life and essay on food production death. On one hand, if she follows the benevolent will of#8230; #8220;Antigone#8221; by Sophocles and rubric history essay #8220;The Long Walk Home#8221; In Sophocles#8217; inferential play, Antigone, the characters, and story line very much compare with the movie, #8220;The Long Walk Home.#8221; In the story, Antigone, a young girl named Antigone is#8230;

How to Give a Killer Presentation. For more than 30 years, the TED conference series has presented enlightening talks that people enjoy watching. In this article, Anderson, TED’s curator, shares five keys to great presentations: Frame your story (figure out where to start and where to end). Plan your delivery (decide whether to memorize your speech word for word or develop bullet points and essay production, then rehearse it—over and over). Work on stage presence (but remember that your story matters more than how you stand or whether you’re visibly nervous). Plan the multimedia (whatever you do, don’t read from PowerPoint slides).

Put it together (play to your strengths and be authentic). According to Anderson, presentations rise or fall on the quality of the idea, the narrative, and the passion of the college writing course speaker. It’s about and management, substance—not style. In fact, it’s fairly easy to “coach out” the problems in a talk, but there’s no way to “coach in” the basic story—the presenter has to have the raw material. Gender In Sports Essays! So if your thinking is not there yet, he advises, decline that invitation to on food production speak. Instead, keep working until you have an idea that’s worth sharing. A little more than a year ago, on a trip to Nairobi, Kenya, some colleagues and I met a 12-year-old Masai boy named Richard Turere, who told us a fascinating story. His family raises livestock on the edge of online proofreader, a vast national park, and production and management, one of the biggest challenges is protecting the animals from online lions—especially at night.

Richard had noticed that placing lamps in a field didn’t deter lion attacks, but when he walked the field with a torch, the essay on food production lions stayed away. From a young age, he’d been interested in electronics, teaching himself by, for example, taking apart his parents’ radio. He used that experience to devise a system of lights that would turn on and off in sequence—using solar panels, a car battery, and a motorcycle indicator box—and thereby create a sense of movement that he hoped would scare off the lions. He installed the lights, and the lions stopped attacking. By Cars Essay! Soon villages elsewhere in essay on food production Kenya began installing Richard’s “lion lights.” The story was inspiring and worthy of the broader audience that our TED conference could offer, but on employee engagement case studies, the surface, Richard seemed an unlikely candidate to give a TED Talk. He was painfully shy. His English was halting. When he tried to describe his invention, the sentences tumbled out incoherently.

And frankly, it was hard to imagine a preteenager standing on a stage in on food and management front of 1,400 people accustomed to hearing from polished speakers such as Bill Gates, Sir Ken Robinson, and Jill Bolte Taylor. But Richard’s story was so compelling that we invited him to speak. In the months before the 2013 conference, we worked with him to frame his story—to find the case right place to begin, and to develop a succinct and logical arc of events. Essay On Food Production And Management! On the back of his invention Richard had won a scholarship to one of Kenya’s best schools, and there he had the by cars chance to on food production and management practice the talk several times in rubric for art history essay front of a live audience. It was critical that he build his confidence to the point where his personality could shine through. On Food! When he finally gave his talk at gender and sexuality essays TED, in Long Beach, you could tell he was nervous, but that only made him more engaging—people were hanging on his every word. Essay Production And Management! The confidence was there, and every time Richard smiled, the audience melted. Online Proofreader! When he finished, the response was instantaneous: a sustained standing ovation.

Since the essay production first TED conference, 30 years ago, speakers have run the gamut from political figures, musicians, and TV personalities who are completely at ease before a crowd to lesser-known academics, scientists, and writers—some of employee engagement case studies uk, whom feel deeply uncomfortable giving presentations. Essay On Food And Management! Over the years, we’ve sought to develop a process for helping inexperienced presenters to frame, practice, and deliver talks that people enjoy watching. It typically begins six to nine months before the best online proofreader event, and involves cycles of devising (and revising) a script, repeated rehearsals, and plenty of fine-tuning. We’re continually tweaking our approach—because the essay on food art of public speaking is evolving in college essay writing course real time—but judging by public response, our basic regimen works well: Since we began putting TED Talks online, in 2006, they’ve been viewed more than one billion times. On the basis of this experience, I’m convinced that giving a good talk is essay on food highly coachable. In a matter of hours, a speaker’s content and delivery can be transformed from muddled to studies mesmerizing. And while my team’s experience has focused on TED’s 18-minutes-or-shorter format, the lessons we’ve learned are surely useful to other presenters—whether it’s a CEO doing an IPO road show, a brand manager unveiling a new product, or a start-up pitching to VCs. There’s no way you can give a good talk unless you have something worth talking about. Conceptualizing and framing what you want to say is the most vital part of preparation.

Find the essay on food and management Perfect Mix of Data and Narrative. by Nancy Duarte. Most presentations lie somewhere on the continuum between a report and a story. A report is data-rich, exhaustive, and informative—but not very engaging. Stories help a speaker connect with an audience, but listeners often want facts and information, too. Great presenters layer story and information like a cake, and writing course, understand that different types of talks require differing ingredients.

From Report: Literal, Informational, Factual, Exhaustive… If your goal is to communicate information from a written report, send the full document to the audience in essay and management advance, and limit the air pollution essay presentation to essay key takeaways. Don’t do a long slide show that repeats all your findings. Anyone who’s really interested can read the report; everyone else will appreciate brevity. Financial audiences love data, and they’ll want the college essay course details. On Food Production And Management! Satisfy their analytical appetite with facts, but add a thread of narrative to appeal to house critical essays their emotional side. Then present the key takeaways visually, to help them find meaning in the numbers.

Instead of covering only production specs and features, focus on the value your product brings to the world. Essay! Tell stories that show how real people will use it and why it will change their lives. For 30 minutes with a VC, prepare a crisp, well-structured story arc that conveys your idea compellingly in 10 minutes or less; then let QA drive the rest of the meeting. Anticipate questions and rehearse clear and concise answers. Formal talks at essay and management big events are high-stakes, high-impact opportunities to take your listeners on a transformative journey. College Essay Course! Use a clear story framework and aim to engage them emotionally. …to Story: Dramatic, Experiential, Evocative, Persuasive. Nancy Duarte is the author of HBR Guide to Persuasive Presentations, Slide:ology, and Resonate. She is the essay and management CEO of Duarte, Inc., which designs presentations and teaches presentation development. We all know that humans are wired to listen to stories, and metaphors abound for the narrative structures that work best to course engage people. When I think about compelling presentations, I think about taking an audience on a journey.

A successful talk is on food production a little miracle—people see the world differently afterward. If you frame the employee engagement case studies uk talk as a journey, the on food and management biggest decisions are figuring out where to start and college writing course, where to end. To find the right place to start, consider what people in the audience already know about essay production and management, your subject—and how much they care about it. If you assume they have more knowledge or interest than they do, or if you start using jargon or get too technical, you’ll lose them. The most engaging speakers do a superb job of very quickly introducing the topic, explaining why they care so deeply about rubric history essay, it, and on food and management, convincing the audience members that they should, too. The biggest problem I see in first drafts of presentations is that they try to cover too much ground. You can’t summarize an entire career in a single talk. If you try to of the critical cram in everything you know, you won’t have time to include key details, and your talk will disappear into abstract language that may make sense if your listeners are familiar with the subject matter but will be completely opaque if they’re new to and management it.

You need specific examples to gender and sexuality flesh out your ideas. On Food Production And Management! So limit the scope of your talk to that which can be explained, and brought to life with examples, in the available time. Best! Much of the early feedback we give aims to correct the impulse to sweep too broadly. Instead, go deeper. Give more detail.

Don’t tell us about your entire field of study—tell us about your unique contribution. A successful talk is essay a little miracle—people see the world differently afterward. Of course, it can be just as damaging to overexplain or painstakingly draw out the employee uk implications of a talk. Essay On Food Production! And there the remedy is different: Remember that the people in the audience are intelligent. Let them figure some things out for themselves. Let them draw their own conclusions.

Many of the best talks have a narrative structure that loosely follows a detective story. The speaker starts out by air pollution essay presenting a problem and then describes the search for a solution. There’s an “aha” moment, and the audience’s perspective shifts in a meaningful way. If a talk fails, it’s almost always because the speaker didn’t frame it correctly, misjudged the audience’s level of interest, or neglected to essay on food and management tell a story. Even if the topic is important, random pontification without narrative is always deeply unsatisfying.

There’s no progression, and you don’t feel that you’re learning. I was at an energy conference recently where two people—a city mayor and a former governor—gave back-to-back talks. The mayor’s talk was essentially a list of impressive projects his city had undertaken. It came off as boasting, like a report card or an essay advertisement for his reelection. It quickly got boring. Essay Production! When the best governor spoke, she didn’t list achievements; instead, she shared an on food production idea.

Yes, she recounted anecdotes from her time in office, but the idea was central—and the stories explanatory or illustrative (and also funny). By Cars Essay! It was so much more interesting. Essay On Food Production! The mayor’s underlying point seemed to be how great he was, while the online proofreader governor’s message was “Here’s a compelling idea that would benefit us all.” As a general rule, people are not very interested in essay on food production and management talks about organizations or institutions (unless they’re members of college, them). Ideas and stories fascinate us; organizations bore us—they’re much harder to essay on food production and management relate to. Air Pollution By Cars! (Businesspeople especially take note: Don’t boast about your company; rather, tell us about the problem you’re solving.) Once you’ve got the essay production framing down, it’s time to focus on your delivery. There are three main ways to college course deliver a talk. You can read it directly off a script or a teleprompter. You can develop a set of on food production and management, bullet points that map out gender in sports essays, what you’re going to say in each section rather than scripting the whole thing word for word.

Or you can memorize your talk, which entails rehearsing it to the point where you internalize every word—verbatim. My advice: Don’t read it, and essay production, don’t use a teleprompter. It’s usually just too distancing—people will know you’re reading. And as soon as they sense it, the way they receive your talk will shift. Suddenly your intimate connection evaporates, and everything feels a lot more formal. We generally outlaw reading approaches of any kind at TED, though we made an exception a few years ago for a man who insisted on engagement case, using a monitor.

We set up a screen at the back of the auditorium, in the hope that the on food and management audience wouldn’t notice it. At first he spoke naturally. Online Proofreader! But soon he stiffened up, and you could see this horrible sinking feeling pass through the audience as people realized, “Oh, no, he’s reading to essay and management us!” The words were great, but the talk got poor ratings. Many of our best and most popular TED Talks have been memorized word for word. Of Usher Essays! If you’re giving an important talk and you have the time to do this, it’s the best way to go. But don’t underestimate the work involved. One of our most memorable speakers was Jill Bolte Taylor, a brain researcher who had suffered a stroke. She talked about what she learned during the eight years it took her to recover. After crafting her story and essay production, undertaking many hours of solo practice, she rehearsed her talk dozens of times in front of an audience to be sure she had it down. Obviously, not every presentation is worth that kind of engagement case uk, investment of time. On Food Production And Management! But if you do decide to memorize your talk, be aware that there’s a predictable arc to the learning curve.

Most people go through what I call the “valley of awkwardness,” where they haven’t quite memorized the talk. If they give the talk while stuck in that valley, the audience will sense it. Their words will sound recited, or there will be painful moments where they stare into the middle distance, or cast their eyes upward, as they struggle to remember their lines. Proofreader! This creates distance between the speaker and on food production and management, the audience. Getting past this point is simple, fortunately. It’s just a matter of rehearsing enough times that the flow of words becomes second nature. Then you can focus on delivering the talk with meaning and authenticity. Don’t worry—you’ll get there. But if you don’t have time to learn a speech thoroughly and get past that awkward valley, don’t try.

Go with bullet points on note cards. Gender In Sports! As long as you know what you want to say for each one, you’ll be fine. Focus on and management, remembering the transitions from studies one bullet point to the next. Also pay attention to on food production your tone. Engagement Case Studies! Some speakers may want to come across as authoritative or wise or powerful or passionate, but it’s usually much better to just sound conversational. Don’t force it. Don’t orate. Just be you. If a successful talk is a journey, make sure you don’t start to annoy your travel companions along the way.

Some speakers project too much ego. They sound condescending or full of themselves, and the audience shuts down. Don’t let that happen. For inexperienced speakers, the physical act of being onstage can be the most difficult part of giving a presentation—but people tend to overestimate its importance. Getting the words, story, and substance right is a much bigger determinant of success or failure than how you stand or whether you’re visibly nervous. Essay On Food Production And Management! And when it comes to stage presence, a little coaching can go a long way. The biggest mistake we see in rubric for art essay early rehearsals is that people move their bodies too much.

They sway from side to side, or shift their weight from one leg to the other. Essay On Food And Management! People do this naturally when they’re nervous, but it’s distracting and rubric for art history, makes the speaker seem weak. Simply getting a person to keep his or her lower body motionless can dramatically improve stage presence. Essay Production! There are some people who are able to walk around a stage during a presentation, and that’s fine if it comes naturally. Of The Of Usher! But the vast majority are better off standing still and and management, relying on hand gestures for emphasis. Perhaps the most important physical act onstage is making eye contact. Find five or six friendly-looking people in different parts of the audience and look them in the eye as you speak. In Sports Essays! Think of them as friends you haven’t seen in on food production a year, whom you’re bringing up to air pollution essay date on your work.

That eye contact is incredibly powerful, and it will do more than anything else to essay production and management help your talk land. Even if you don’t have time to prepare fully and have to best proofreader read from a script, looking up and making eye contact will make a huge difference. Another big hurdle for inexperienced speakers is nervousness—both in advance of the talk and while they’re onstage. Essay Production! People deal with this in for art history different ways. Many speakers stay out in the audience until the moment they go on; this can work well, because keeping your mind engaged in the earlier speakers can distract you and limit nervousness. Amy Cuddy, a Harvard Business School professor who studies how certain body poses can affect power, utilized one of the more unusual preparation techniques I’ve seen. She recommends that people spend time before a talk striding around, standing tall, and extending their bodies; these poses make you feel more powerful.

It’s what she did before going onstage, and she delivered a phenomenal talk. But I think the essay production and management single best advice is simply to breathe deeply before you go onstage. It works. In general, people worry too much about nervousness. Best! Nerves are not a disaster. The audience expects you to on food production be nervous. It’s a natural body response that can actually improve your performance: It gives you energy to perform and keeps your mind sharp.

Just keep breathing, and you’ll be fine. Nerves are not a disaster. The audience expects you to be nervous. Acknowledging nervousness can also create engagement. Showing your vulnerability, whether through nerves or tone of voice, is fall of the house essays one of the essay on food production most powerful ways to win over an audience, provided it is authentic. Essay Course! Susan Cain, who wrote a book about introverts and spoke at our 2012 conference, was terrified about giving her talk.

You could feel her fragility onstage, and it created this dynamic where the audience was rooting for her—everybody wanted to hug her afterward. The fact that we knew she was fighting to keep herself up there made it beautiful, and essay on food production and management, it was the most popular talk that year. With so much technology at our disposal, it may feel almost mandatory to use, at a minimum, presentation slides. By now most people have heard the advice about PowerPoint: Keep it simple; don’t use a slide deck as a substitute for notes (by, say, listing the bullet points you’ll discuss—those are best put on note cards); and don’t repeat out loud words that are on the slide. Not only is fall house critical essays reciting slides a variation of the teleprompter problem—“Oh, no, she’s reading to us, too!”—but information is interesting only once, and hearing and seeing the same words feels repetitive. That advice may seem universal by now, but go into essay on food production and management, any company and you’ll see presenters violating it every day. Many of the best TED speakers don’t use slides at all, and many talks don’t require them. If you have photographs or illustrations that make the essay topic come alive, then yes, show them. If not, consider doing without, at least for some parts of the presentation. And if you’re going to use slides, it’s worth exploring alternatives to on food PowerPoint. For instance, TED has invested in the company Prezi, which makes presentation software that offers a camera’s-eye view of a two-dimensional landscape.

Instead of essay, a flat sequence of images, you can move around the essay production and management landscape and zoom in to it if need be. Used properly, such techniques can dramatically boost the visual punch of a talk and best online, enhance its meaning. Artists, architects, photographers, and designers have the best opportunity to use visuals. Slides can help frame and pace a talk and help speakers avoid getting lost in production jargon or overly intellectual language. (Art can be hard to talk about—better to experience it visually.) I’ve seen great presentations in which the artist or designer put slides on an automatic timer so that the image changed every 15 seconds. I’ve also seen presenters give a talk accompanied by video, speaking along to it.

That can help sustain momentum. The industrial designer Ross Lovegrove’s highly visual TED Talk, for instance, used this technique to bring the audience along on a remarkable creative journey. Another approach creative types might consider is to build silence into their talks, and just let the work speak for itself. The kinetic sculptor Reuben Margolin used that approach to powerful effect. The idea is not to air pollution think “I’m giving a talk.” Instead, think “I want to give this audience a powerful experience of my work.” The single worst thing artists and essay on food and management, architects can do is to retreat into house of usher critical essays, abstract or conceptual language. Video has obvious uses for and management many speakers.

In a TED Talk about the intelligence of by cars essay, crows, for instance, the scientist showed a clip of a crow bending a hook to fish a piece of food out of a tube—essentially creating a tool. It illustrated his point far better than anything he could have said. Used well, video can be very effective, but there are common mistakes that should be avoided. A clip needs to essay on food production be short—if it’s more than 60 seconds, you risk losing people. Employee Engagement Case! Don’t use videos—particularly corporate ones—that sound self-promotional or like infomercials; people are conditioned to production tune those out. Online! Anything with a soundtrack can be dangerously off-putting. And whatever you do, don’t show a clip of yourself being interviewed on, say, CNN.

I’ve seen speakers do this, and essay and management, it’s a really bad idea—no one wants to gender and sexuality in sports go along with you on your ego trip. Essay Production And Management! The people in college essay your audience are already listening to you live; why would they want to simultaneously watch your talking-head clip on a screen? We start helping speakers prepare their talks six months (or more) in advance so that they’ll have plenty of time to practice. On Food Production And Management! We want people’s talks to be in air pollution by cars final form at least a month before the event. The more practice they can do in essay the final weeks, the better off they’ll be. Ideally, they’ll practice the talk on their own and in front of an proofreader audience. The tricky part about rehearsing a presentation in essay on food front of other people is that they will feel obligated to offer feedback and constructive criticism. By Cars Essay! Often the feedback from different people will vary or directly conflict. Essay On Food! This can be confusing or even paralyzing, which is why it’s important to be choosy about the people you use as a test audience, and whom you invite to fall house of usher critical essays offer feedback. In general, the more experience a person has as a presenter, the and management better the criticism he or she can offer. I learned many of these lessons myself in 2011.

My colleague Bruno Giussani, who curates our TEDGlobal event, pointed out that although I’d worked at TED for nine years, served as the employee engagement case studies emcee at our conferences, and introduced many of the speakers, I’d never actually given a TED Talk myself. So he invited me to give one, and essay, I accepted. It was more stressful than I’d expected. Even though I spend time helping others frame their stories, framing my own in a way that felt compelling was difficult. For Art Essay! I decided to essay on food and management memorize my presentation, which was about how web video powers global innovation, and that was really hard: Even though I was putting in a lot of hours, and getting sound advice from my colleagues, I definitely hit a point where I didn’t quite have it down and began to doubt I ever would. I really thought I might bomb. I was nervous right up until the moment I took the stage. But it ended up going fine. It’s definitely not one of the best all-time great TED Talks, but it got a positive reaction—and I survived the stress of going through it. As hard as it may be to give a great talk, it’s really easy to essay on food production blow it. Here are some common mistakes that TED advises its speakers to avoid.

1. Take a really long time to explain what your talk is about. 2. Speak slowly and dramatically. Why talk when you can orate? 3. Make sure you subtly let everyone know how important you are. 4. Refer to your book repeatedly. Even better, quote yourself from it. 5. Air Pollution By Cars! Cram your slides with numerous text bullet points and multiple fonts. 6. And Management! Use lots of unexplained technical jargon to make yourself sound smart. 7. In Sports Essays! Speak at great length about the history of your organization and its glorious achievements. 8. Essay On Food And Management! Don’t bother rehearsing to check how long your talk is running.

9. For Art Essay! Sound as if you’re reciting your talk from memory. 10. Never, ever make eye contact with anyone in the audience. Ultimately I learned firsthand what our speakers have been discovering for three decades: Presentations rise or fall on the quality of the idea, the narrative, and the passion of the speaker. It’s about substance, not speaking style or multimedia pyrotechnics. It’s fairly easy to “coach out” the problems in a talk, but there’s no way to “coach in” the basic story—the presenter has to have the raw material.

If you have something to and management say, you can build a great talk. But if the central theme isn’t there, you’re better off not speaking. Decline the invitation. Go back to work, and wait until you have a compelling idea that’s really worth sharing. The single most important thing to remember is that there is no one good way to do a talk.

The most memorable talks offer something fresh, something no one has seen before. The worst ones are those that feel formulaic. So do not on any account try to emulate every piece of advice I’ve offered here. Take the bulk of of the of usher critical essays, it on and management, board, sure. But make the talk your own. You know what’s distinctive about you and your idea.

Play to your strengths and give a talk that is truly authentic to you.

D.A.R.E.’s keepin’ it REAL Elementary and Middle School Curriculums Adhere to Lessons From Prevention Research Principles. Production. Posted on April 5, 2015 by D.A.R.E. in Curriculum. D.A.R.E.’s keepin’ it REAL Elementary and Middle School Curriculums Adhere to history, Relevant National Institute of Health Lessons From Prevention Research Principles. The principles listed below are the result of production long-term research studies on the origins of online drug abuse behaviors and the common elements of production effective prevention programs. Employee Uk. These principles were developed to help prevention practitioners use the results of prevention research to address drug use among children, adolescents, and young adults in communities across the country. Parents, educators, and community leaders can use these principles to help guide their thinking, planning, selection, and delivery of drug abuse prevention programs at the community level. Prevention programs are generally designed for use in a particular setting, such as at home, at school, or within the community, but can be adapted for and management, use in several settings. In addition, programs are also designed with the intended audience in college writing course mind: for everyone in the population, for on food and management, those at by cars essay greater risk, and for on food production and management, those already involved with drugs or other problem behaviors. Some programs can be geared for more than one audience. NIDA#8217;s prevention research program focuses on risks for drug abuse and other problem behaviors that occur throughout a child#8217;s development, from pregnancy through young adulthood. Research funded by essay course NIDA and and management, other Federal research organizations—such as the National Institute of Mental Health and the Centers for Disease Control and Prevention—shows that early intervention can prevent many adolescent risk behaviors.

Principle 1 Prevention programs should enhance protective factors and reverse or reduce risk factors (Hawkins et al. Essay Writing Course. 2002). Essay On Food Production. The risk of becoming a drug abuser involves the relationship among the number and type of risk factors (e.g., deviant attitudes and behaviors) and protective factors (e.g., parental support) (Wills et al. 1996). The potential impact of specific risk and protective factors changes with age. For example, risk factors within the family have greater impact on a younger child, while association with drug-abusing peers may be a more significant risk factor for and sexuality in sports, an adolescent (Gerstein and Green 1993; Dishion et al.

1999). Early intervention with risk factors (e.g., aggressive behavior and poor self-control) often has a greater impact than later intervention by on food production changing a child#8217;s life path (trajectory) away from problems and toward positive behaviors (Ialongo et al. 2001; Hawkins et al. 2008). Essay. While risk and protective factors can affect people of all groups, these factors can have a different effect depending on production and management a person#8217;s age, gender, ethnicity, culture, and rubric for art essay, environment (Beauvais et al. 1996; Moon et al. 1999).

Principle 2 Prevention programs should address all forms of drug abuse , alone or in on food combination, including the underage use of legal drugs (e.g., tobacco or alcohol); the use of illegal drugs (e.g., marijuana or heroin); and essay, the inappropriate use of legally obtained substances (e.g., inhalants), prescription medications, or over-the-counter drugs (Johnston et al. 2002). Principle 3 Prevention programs should address the type of drug abuse problem in essay production and management the local community , target modifiable risk factors, and strengthen identified protective factors (Hawkins et al. 2002). Principle 4 Prevention programs should be tailored to address risks specific to population or audience characteristics , such as age, gender, and ethnicity, to course, improve program effectiveness (Oetting et al.

1997; Olds et al. Production And Management. 1998; Fisher et al. 2007; Brody et al. 2008). Principle 5 Family-based prevention programs should enhance family bonding and relationships and include parenting skills; practice in developing, discussing, and enforcing family policies on substance abuse; and training in drug education and information (Ashery et al. 1998). Family bonding is the bedrock of the relationship between parents and fall of the house, children. Bonding can be strengthened through skills training on parent supportiveness of children, parent-child communication, and parental involvement (Kosterman et al.

1997; Spoth et al. 2004). Parental monitoring and supervision are critical for drug abuse prevention. These skills can be enhanced with training on essay rule-setting; techniques for monitoring activities; praise for appropriate behavior; and moderate, consistent discipline that enforces defined family rules (Kosterman et al. 2001). Air Pollution By Cars Essay. Drug education and information for parents or caregivers reinforces what children are learning about the harmful effects of drugs and essay production and management, opens opportunities for family discussions about the abuse of legal and illegal substances (Bauman et al. 2001). Brief, family-focused interventions for the general population can positively change specific parenting behavior that can reduce later risks of employee studies drug abuse (Spoth et al. 2002b). Principle 6 Prevention programs can be designed to intervene as early as infancy to address risk factors for drug abuse, such as aggressive behavior, poor social skills, and essay on food production and management, academic difficulties (Webster-Stratton 1998; Olds et al. 1998; Webster-Stratton et al.

2001; Fisher et al. 2007). Principle 7 Prevention programs for elementary school children should target improving academic and social-emotional learning to gender essays, address risk factors for drug abuse, such as early aggression, academic failure, and school dropout. Education should focus on the following skills (Conduct Problems Prevention Research Group 2002; Ialongo et al. 2001; Riggs et al. 2006; Kellam et al. 2008; Beets et al.

2009): Principle 8 Prevention programs for middle or junior high and high school students should increase academic and social competence with the following skills (Botvin et al. Essay And Management. 1995; Scheier et al. 1999; Eisen et al. 2003; Ellickson et al.

2003; Haggerty et al. 2007): study habits and academic support communication peer relationships self-efficacy and assertiveness drug resistance skills reinforcement of of the house of usher anti-drug attitudes and essay on food and management, strengthening of personal commitments against for art history drug abuse. Essay Production And Management. Principle 9 Prevention programs aimed at general populations at key transition points, such as the transition to middle school , can produce beneficial effects even among high-risk families and children. Such interventions do not single out for art history, risk populations and, therefore, reduce labeling and on food production and management, promote bonding to school and community (Botvin et al. 1995; Dishion et al. 2002; Institute of Medicine 2009).

Principle 10 Community prevention programs that combine two or more effective programs, such as family-based and school-based programs, can be more effective than a single program alone (Battistich et al. 1997; Spoth et al. 2002c; Stormshak et al. 2005). Principle 11 Community prevention programs reaching populations in multiple settings—for example, schools, clubs, faith-based organizations, and the media—are most effective when they present consistent, community-wide messages in house of usher critical each setting (Chou et al. 1998; Hawkins et al. Essay Production And Management. 2009).

Principle 12 When communities adapt programs to match their needs, community norms, or differing cultural requirements, they should retain core elements of the original research-based intervention (Spoth et al. 2002b; Hawkins et al. 2009), which include: structure (how the program is rubric, organized and constructed) content (the information, skills, and strategies of the program) and delivery (how the program is adapted, implemented, and evaluated) Principle 13 Prevention programs should be long-term with repeated interventions (i.e., booster programs) to reinforce the original prevention goals. Research shows that the essay and management benefits from employee engagement uk, middle school prevention programs diminish without follow-up programs in essay production high school (Botvin et al. 1995; Scheier et al. 1999). Principle 14 Prevention programs should include teacher training on good classroom management practices , such as rewarding appropriate student behavior. Such techniques help to foster students#8217; positive behavior, achievement, academic motivation, and school bonding (Ialongo et al.

2001; Kellam et al. 2008). Principle 15 Prevention programs are most effective when they employ interactive techniques , such as peer discussion groups and parent role-playing, that allow for active involvement in air pollution essay learning about drug abuse and reinforcing skills (Botvin et al. Production. 1995). Principle 16 Research-based prevention programs can be cost-effective . Fall Of The Of Usher Critical Essays. Similar to on food production, earlier research, recent research shows that for each dollar invested in prevention, a savings of up to $10 in treatment for alcohol or other substance abuse can be seen (Aos et al. 2001; Hawkins et al.

1999; Pentz 1998; Spoth et al. 2002a; Jones et al. 2008; Foster et al. 2007; Miller and air pollution essay, Hendrie 2009).

Essay zum Deutschen Fernsehen: Stirbt das Land vor Langeweile? Es ist, wurde in essay on food einer Ecke des Wohnzimmers ein stummgeschalteter Jahrmarkt stehen. Ich habe mal richtig viel Fernsehen geschaut, Ende der Neunzigerjahre ist das gewesen. Writing! Ich benutzte Fernsehen als Betaubungsmittel, um uber den Tod meines Vaters hinweg zu kommen. Production! Monatelang schaltete ich morgens Kerner an employee studies uk, und schaute durch bis Domian.

Dazwischen Arabella, VIVA, VIVA II, MTV, Nachrichten, Promi-Flashs, Raab, Dings, Soft-Erotik. Alles war laut und hasslich, genau das, was ich brauchte, aber eines Nachts sah ich in on food der Wiederholung einer Barbel Schafer-Folge eine so brutale Uberdosis von Hasslichkeit und Niedertracht (zwei Saufer freuten sich, nicht als Vater eines unglucklichen Sauglings infrage zu kommen), dass ich geheilt war. Es ist sowieso ein Irrtum, das Fernsehen fur das Medium der Schonheit zu halten. College Essay! Hier regiert das Hassliche, selbst die Models, die dauernd irgendwo gecastet werden, sehen in essay on food ihrer buckelnden Eifrigkeit scheu?lich aus. Fall! Schonheit gibt es nur im Zusammenhang mit Produkten, in on food den Asthetik-Inseln der Werbung. Gerade war da noch der Parfum-Mann oder der Bier-Mann oder der Chips-Mann, der mit den vielen Freunden, jetzt sitzt da wieder Rainer Calmund oder der, der mal einen Schnauz hatte oder der, der bei Bild.de Witze macht, oder der, der fruher mal Fernsehen gemacht hat und jetzt seine Rente auf dem Bildschirm abfeiert: Harald Schmidt. Engagement Uk! Irgendwann wird er so eine Art gro?er alter Mann des Bumswitzes sein, jetzt ist er das Mehltau gewordene Mahnmal der Langeweile, ein nicht enden wollendes Schlafwandeln, nein, Irrtum: Er ist ein Ghost Jobber.

Ein Ghost Job ist eine Stelle, meistens in on food einer gro?en Firma, die langst uberflussig geworden ist, aber bei irgendeiner Umstrukturierungsma?nahme hat irgendein 23-jahriger Unternehmensberater vergessen, diese Stelle abzuschaffen. Essays! Nun ist dem Ghost Jobber niemand mehr vorgesetzt, er muss niemandem Zahlen prasentieren, er kommt zur Arbeit, nur fur den Fall, dass es mal einen arbeitsrechtlichen Prozess gibt, er will sich dann nichts vorwerfen lassen mussen, aber es ist alles so schrecklich egal. Essay On Food And Management! So egal. Endlos-Talk und die nackteste Frau der Welt. Es ist, als hatte ich in in sports einer Ecke des Wohnzimmers einen stummgeschalteten Jahrmarkt stehen. And Management! Wurde man ihn zum Leben erwecken, dann ware er zunachst einfach nur wahnsinnig laut, dann erst wurde man die einzelnen Gerausche als Werbung deuten konnen oder als Frauke Ludowig oder als Polizeisirene. Fernsehen, das sind afro-amerikanische Knastinsassen, die in best online der aberwitzigen Synchronisation Buhnenhochdeutsch sprechen. Production! Fernsehen, das ist Bohlen mit seiner gebraunten Haut und seinen blassen Augen,der Blockwart des Ballermann.

Fernsehen, das ist Micaela Schafer, die nackteste Frau der Welt. Engagement! Und Fernsehen, das ist Talk. On Food Production And Management! Endloser Talk. Writing Course! Immer wieder Talk. And Management! Nicht uber alles. College Writing Course! Sondern immer uber dasselbe. Man sollte keine Sekunde glauben, dass es sich bei den auf staatstragend lackierten Abendtalkshows um etwas anderes handelt als bei den beruchtigten Nachmittagtalkshows der Neunzigerjahre. Production! Niemand erinnert sich an writing, den letzten Skandal, der von Journalisten einer Fernsehsendung ins Rollen gebracht wurde. Fruher deckte man Skandale auf, heute spricht man druber. Essay On Food! Was denkt denn wohl Helmut Dietl uber Christian Wulff?

Ist irgendein ehemaliger Politberater noch nicht befragt worden, ob er Guttenberg fur einen Plagiator halt? Kenne ich etwa die Meinung von Roger Willemsen zur drohenden Griechenland-Pleite nicht, kann mir entgangen sein, was Veronika Ferres von der Bankenkrise halt? Aber es gibt ja nicht nur Talks, sondern auch die Journalismusplacebos „frontal 21“ oder „ZDF-Reporter“. Employee Engagement Case Studies Uk! So wie dort die Off-Sprecher hatten die Moderatoren der „2-Minuten-Hass-Sendung“ in production and management Orwells „1984“ gesprochen, hatte er eine Ahnung gehabt, wie denunziatorisch ein Sprechorgan klingen kann. Beim Fernsehen etwas anderes machen. Als ich mich entschlie?e, mich noch einmal genauer mit dem Fernsehen zu befassen, schaue ich zunachst auf TVSpielfilm.de nach, was denn gerade so lauft. College Essay! „Auf Oland liegt Schloss Solliden, die Sommerresidenz der schwedischen Konigsfamilie. And Management! Adelsspezi Rolf Seelmann-Eggebert (75) stellt die Insel und ihre Besonderheiten vor, begleitet das Konigspaar auf eine Oldtimer-Rallye und verfolgt das alljahrliche Geburtstagsritual fur Prinzessin Viktoria.“ So preist das TV-Magazin den dritten Teil der Reihe „Wo Konige Ferien machen“ an. College! Auf dem Vorschaubild schaut der Konig wohlgefallig ein kleines Madchen mit Blumenkranz an, das von seiner Frau in on food and management Bauerntracht begru?t wird. Employee Case! So etwas lauft im NDR, burgerliche Gebuhrengelder fur offentlich-rechtliche Adelspropaganda, die aber auch als passive Sterbehilfe mit Sicherheit ganz ordentlich funktioniert.

Der Filmjournalist und Drehbuchautor Daniel Bickermann kann erklaren, warum so etwas lauft. On Food! Die Sender zielten darauf ab, die Intensivseher an and sexuality essays, das Programm zu binden. On Food And Management! Intensivseher sind jene 33 Prozent der Zuschauer, die 80 Prozent des Fernsehkonsums ausmachen. Employee Uk! Sie schauen bis zu acht Stunden taglich fern. Essay On Food Production! Richtiger ware es zu sagen: Sie lassen den Fernseher acht Stunden lang laufen. Essay Writing! Sie wollen beim Fernsehen etwas anderes machen. So boomt das Fernsehen und kommt auf schwindelerregende Quoten – die Plasmakasten flimmern noch ein paar Minuten langer pro on food production and management Tag als je zuvor – und damit das mit den Quoten so bleibt, darf das Programm auf keinen Fall storen.

Mit anderen Worten: Das deutsche Fernsehen ist dafur da, dass man nicht hinsieht. And Sexuality Essays! Da fallt so ein vor sich hin sendender Ex-Komiker wie Schmidt nicht nur nicht weiter auf, gerade die Gleichgultigkeit seines Humors sichert seine Bildschirmexistenz. Wer auf das Fernsehen pfeift, schaltet ein, wer es mag, bringt es nicht uber sich, die Kiste anzumachen. Production And Management! „Menschen, die besonders gerne Fernsehen gucken, gucken kein Fernsehen mehr“, schrieb der Medienjournalist Stefan Niggemeier zur Einfuhrung von ZDFneo in college essay der FAZ. On Food Production And Management! „Die Generation unter 30 und die hoheren Bildungsschichten haben sich vom Fernsehen als Medium weitestgehend verabschiedet“, so Bickermann. Die nach Milieus unterteilte Quotenverteilung zeige „praktisch alle deutschen Programme im linken unteren Eck, wo sich relativ geringes Einkommen und relativ geringer Bildungsstand treffen“. Rubric For Art History Essay! ZDFneo, als digitaler Spartenkanal gedacht fur junge Menschen mit Gehirn, hat einen Marktanteil von 0,3 Prozent.

Wie immer, wenn das Gemeinwesen versagt, leiden die Armen und Ungebildeten am meisten darunter. Production And Management! Sind die offentlichen Schulen schlecht, schicken die wohlhabenden Bildungsburger ihre Kinder auf private Gymnasien, ist das offentlich-rechtliche Fernsehen schlecht, kaufen sie DVDs mit amerikanischem Kulturgut. History! Schichten werden so zementiert. Production And Management! Eine ganze Generation ist dabei, sich vom Fernsehen abzuwenden und schaut: Fernsehen. Seit Jahren dominieren amerikanische Serien die Freizeitkultur jungerer Deutscher. Best Online Proofreader! Sie werden auf DVD gekauft, aus dem Netz geladen, gestreamt, getauscht, ganze Freundeskreise werden von Dealern statt mit Haschisch mit dem neuesten hei?en Schei? aus Amerika versorgt.

Die amerikanische Vormachtstellung in essay on food production and management unseren Kopfen ist kein Zufall, sondern eine Frage der Tradition. Air Pollution By Cars Essay! Larry David, Autor und Hauptdarsteller des unfassbar komischen „Curb your Enthusiasm“, schaute als Kind die „Phil Silvers Show“, eine Serie, die von 1955 bis 1959 in essay on food production and management der CBS lief. Essays! Phil Silvers wiederum arbeitete seit den Drei?igerjahren am Broadway, seit 1940 in essay on food production Hollywood, er schrieb etwa den Text fur den Song „Nancy (with the house of usher laughing face)“, den Frank Sinatra 1945 veroffentlichte. Eine Traditionslinie, die vom Broadway der Drei?iger uber das Hollywood der Vierziger bis ins Heute reicht, die eine vitale Industrie, vor Kreativitat berstend, hervorbringt, eine Traditionslinie, die es naturlich bei uns nicht gibt. Wir wollten statt Glamour lieber Uniformen, hatten dann statt Woody Allen (und Richard Pryor, Robin Williams, Eddie Murphy, Bill Hicks und George Carlin und noch tausend mehr) Otto und nun statt Louis CK unseren Martin „Maddin“ Schneider. Dass die Humorproduktion in production Deutschland so komisch ist wie Kosmetiktests an for art history, Kaninchenaugen, das ist nicht die Schuld von Otto, nicht einmal von Maddin, so wenig wie es die Schuld von Chengdong Zhang, dem Mittelsturmer der chinesischen Nationalmannschaft, ist, dass er nicht wie Cristiano Ronaldo trifft. Was China im Fu?ball, das ist Deutschland in on food and management der Unterhaltung. Online Proofreader! Ein Entwicklungsland. Essay On Food Production! Ein Entwicklungsland allerdings, dessen Unterhaltungsbeamte sich gebarden, als hatten sie den begehbaren Kleiderschrank erfunden, und das ein Schweinegeld hat. Writing! Da werden Filmballe gegeben, die gerade durch den Glamourversuch am Ende doch immer so aussehen wie die Abifeier der Jean-Sans-Terre-Oberschule.

Das deutsche Fernsehen steht so patschzufrieden im eigenen Saft, dass es mit gro?er Frohlichkeit darin ersaufen wird, in and management der Karnevalsbruhe aus Kustenwachenwiederholungen und Serien mit Tieren in college essay course der Hauptrolle und Selbstversicherungskabarettsendungen und Redaktionen nach Parteiproporz, die Politsendungen simulieren, und ist die Rente sicher und kippt der Euro und stirbt das Land? Ja, das Land stirbt. Essay On Food! Vor Langeweile. Fur die Berliner Zeitung beantwortet unser Autor auch jede Woche eine Beziehungsfrage. College Essay Course! Ein ausgebildeter Experte ist er nicht, aber mit der Liebe ist es wie mit Fu?ball: Da konnen auch nur die richtig tippen, die keine Ahnung haben. On Food Production! Lesen Sie seine Antworten in engagement studies uk der Kolumne Die Frage nach der Liebe . Essay Production And Management! Schreiben Sie ihm: liebe@berliner-zeitung.de. Das Misstrauen zwischen den deutschen Sendern und ihren ehemaligen Zuschauern ist mittlerweile so gro?, dass selbst die Versuche der Programmleiter, es mit genau den begehrten Produkten zu versuchen, zum Scheitern verurteilt sind.

Ich habe die Sopranos nicht geschaut, weil sie im ZDF liefen. By Cars Essay! Nach der dritten Staffel stellte der Sender die Serie dann ein, nachdem der Sendetermin nach und nach von Samstagabend auf Sonntagnacht verschoben worden war. And Management! Die Zielgruppe war nicht an best online, der Sendung interessiert, hie? es beim Sender. On Food And Management! Oder war die Zielgruppe nicht am Sender interessiert? Und wollte gar nicht Ziel von dessen Bemuhungen sein, dass er irgendwann nur noch von Hundertjahrigen in case uk Begleitung ihrer Eltern gesehen werden wird? Bestimmt findet man im deutschen Fernsehen etwas, das einem gefallt, wenn man blo? lang genug sucht. Essay On Food And Management! Aber wann immer mir Fernsehen geschieht, fuhlt es sich an, als sei ich in case der Kneipe von zwei Hunen angerempelt und mit Bier eingenasst worden. Essay On Food! Ich werde aggressiv, bekomme Kopfschmerzen, kann aber nichts machen. In Sports! Soll ich etwa selbst besseres Fernsehen machen?

Durfte ich mich auch beim Zahnarzt uber eine mangelnde Betaubung nicht beschweren, blo? weil ich nicht selber Zahnmedizin studiert habe? Fernsehen macht aggressiv und angstlich. Fernsehen macht nicht nur aggressiv, es macht auch Angst. Essay And Management! Denn die Vorstellung, dass hinter all dem lieblosen Auswurf, dem reinen Betrug und den dreckigen Witzen menschliche Intelligenz sitzen konnte (das hei?t: die, die fur das Pro7-Lifestyle-Magazin „taff“ verantwortlich sind, nehmen auch am Stra?enverkehr teil!), ist so grauenhaft, dass man sich stattdessen lieber vorstellt, in of usher critical essays der Redaktion von „Die ultimative Chartshow“ sa?en Androiden. Bei den Privaten wird alles kaputtgespart.

Bickermann rechnet vor, dass eine Folge „Dr. Essay Production And Management! House“ etwa 100.000 Euro an engagement studies, Lizenzgebuhren kostet, eine selbstproduzierte RTL-Serie wie „Alarm fur Cobra 11“ jedoch das Zehnfache. Essay On Food And Management! Daher gibt es heute blo? noch zwei wochentliche Sendeplatze fur Eigenproduktionen beim gro?ten deutschen Privatsender. Doch Geld ist nicht das Problem der Offentlich-Rechtlichen. College Essay Writing Course! 50 Millionen Euro hat das ZDF ubrig fur die Ubertragungsrechte an on food production, der Champions League.

Mit dieser Summe konnte man sogar spielend ein deutsches „The West Wing“ produzieren, eine der mit sechs Millionen Dollar pro by cars essay Folge teuersten amerikanischen Serien – und eine der besten. Essay On Food! Aber fur so etwas ist kein Etat vorhanden. Der Bezahlsender Sky wird ab Mai den Kanal Sky Atlantic HD starten, wo alle neuen HBO-Produktionen zu sehen sein werden, so dass es moglich wird, das begehrte Gut nun legal und ohne Verzogerung zu schauen. Gender And Sexuality Essays! Und doch ist auch damit das eigentliche Problem nicht gelost. Essay And Management! Denn es geht ja nicht nur um Unterhaltung. Es geht um unsere Identitat. Essay! Wo bleibt das gro?e Werk uber Kohl? Wer ergrundet dessen Nachfolger, der sich das Haar nicht farbte und jetzt fur den russischen Diktator arbeitet?

Keine Serie uber einen Medienmogul, der sich die Regierung kauft? Kein Kinofilm uber einen adeligen Abschreiber, nichts uber einen gefallsuchtigen Fallschirmspringer und seine koksende Nemesis. On Food Production! Wer erzahlt unsere Geschichte? Man mag glauben, dass es die totale Kommerzialisierung sei, die das Fernsehen so schlecht sein lasst. Air Pollution Essay! Aber das amerikanische Fernsehen, Hollywood gar, kann wohl kaum als Heimstatte des Sozialismus gelten. Essay And Management! Gier schadet der Unterhaltung nicht unbedingt, Dummheit, Drogheit und angema?te Kompetenz tun es. Der franzosische Soziologe und Journalist Frederic Martel ist in air pollution seinem Buch „Mainstream“ der Frage nachgegangen, wie weltweit erfolgreiche Kultur hergestellt wird. On Food Production! In dem Kapitel uber Disney kommt er zu dem fur Kulturpessimisten erstaunlichen Befund: „In dem Wort ’Kreativindustrie’ liegt der Hauptakzent auf ’kreativ’.“

Erfolgreich ist, wer den Kreativen Freiraume schafft. Gender And Sexuality Essays! Warum sollte man auch einem Regisseur Unsummen zahlen, wenn im Grunde seines Herzens der Senderboss glaubt, einen besseren Film hinzubekommen? Die Buchhalterei den Buchhaltern, die Kunst den Schopfern! Diese Art der Arbeitsteilung besteht gerade nicht aus Liebe zur Kunst, sondern aus Liebe zum Erfolg. Essay On Food! Das Gegensatzpaar lautet nicht Qualitat und Masse – oder wer wurde Blockbuster wie „Pulp Fiction“, „Das Schweigen der Lammer“ oder selbst „Titanic“ als plumpe Volksbelustigung abtun? „Herr der Ringe“ ist gar eine Literaturverfilmung! Den allmachtigen Redakteuren in course den Amtsstuben des deutschen Fernsehens ist alles immer gleich „zu duster“, „zu schwierig“ oder „zu komplex“.

Wenn nicht jede Viertelstunde erklart wird, wo der Kommissar nun hinfahrt und warum, wird der Unterhaltungsbeauftragte nervos. Essay On Food! Bickermann erzahlt von der Reaktion eines Privatsenderredakteurs, dem eine Serie uber die Angehorigen deutscher Soldaten in essay Afghanistan vorgeschlagen wurde: „Zuviel Realitat. Essay Production And Management! Dafur sind wir nicht zustandig. Fall House! Wir machen eher Eskapismus.“ Kein Wunder, dass der Zuschauer da Fluchtgedanken bekommt. Essay On Food Production And Management! Von einer ZDF-Redakteurin geht die Legende, sie habe nach Sichtung eines Fernsehfilms gesagt, ihr gefalle der Hund, der in college essay course einer kurzen Szene zu sehen war. Essay Production! „Von dem will ich mehr sehen“, sagte sie dem Regisseur, worauf der empfahl, sie solle sich dann doch so einen Hund kaufen. Der Regisseur soll sich seitdem auf der Schwarzen Liste befinden. Employee Studies! Immerhin gilt diese Redakteurin als die „boseste Frau im deutschen Fernsehen“ – bose sind die Verantwortlichen naturlich normalerweise nicht. On Food! Dafur fehlt ihnen wohl die Energie. Stefan Niggemeier schrieb angesichts der lieblosen Versendung der NDR-Serie „Der Tatortreiniger“ in for art history essay seinem Blog: „Es ist ein unfassbares, allumfassendes Elend und vermutlich steckt nicht einmal bose Absicht dahinter, sondern die ubliche Mischung aus Ahnungslosigkeit, Desinteresse und burokratischen Zwangen.“ Kurz zuvor hatte die ARD den gelungenen Polizeiruf „Denn sie wissen nicht, was sie tun“ aus der Primetime verbannt, weil er – naturlich – zu duster gewesen sei, und sogar das gro?e dunkle „Im Angesicht des Verbrechens“ schamvoll im Programm versteckt. Das Versagen der deutschen Fernsehkultur grundet tief in essay production der geistigen Verfassung des Landes: Individualitat ist verdachtig, wer herausragt, wird einen Kopf kurzer gemacht.

Es lohnt sich, einmal bei Youtube ein paar Ausschnitte aus „Inside the of the of usher essays actor's studio“ zu betrachten. Essay! Dort interviewt James Lipton, Dekan der „Actor’s Studio Drama School“ Hollywoodstars wie Johnny Depp. Es wird mit unglaublicher Liebe und Hingabe uber die Schauspielkunst geredet, die Stars sind als Kunstler und Handwerker dort und bekommen vom Publikum eine so aufrichtige Verehrung und Bewunderung entgegengebracht, dass man sich unweigerlich fragt: Gibt es das im deutschen Fernsehen irgendwo? Dass der Kunstler fur seine Kunst gefeiert wird und nicht dafur, dass er Naddel verfuhrt hat oder gegen Kindesmissbrauch ist oder seine Scheidung besonders blutig war? Ja, doch: Im aktuellen Sportstudio. Ansonsten wird bis in rubric history den Bereich der Hochliteratur hinein gefragt, wie viel vom Autor im Erzahler steckt, nicht blo? bei Charlotte Roche uberwiegt die Tratschlust die intellektuelle Redlichkeit, aber die ist ein gutes Beispiel, weil sie neben Sarrazin das einzige Buch geschrieben hat, das mehr als ein paar Tausend Deutsche gekauft haben. War sie wirklich im Puff mit ihrem Mann? Hatte sie so uber den Unfall schreiben durfen? „Darf der/die das?“ ist die Urfrage des deutschen Pop. On Food Production! Durfen Rammstein mit tiefer Stimme singen, darf der Rapper Nutte sagen? Auf Youtube gibt es einen Auftritt von Falco in air pollution der „NDR Talk Show“ zu sehen.

Falco war der einzige deutschsprachige Kunstler, der je einen Nummer 1-Hit hatte in essay on food den USA. Rubric Essay! Falco also wird allen Ernstes gefragt, warum er keine politischen Lieder schreibe, nein, er wird nicht gefragt, er wird vorgefuhrt als amoralischer Unernstling. Essay On Food Production! Leider hatte Falco nichts von Klaus Kinski in online proofreader sich, sonst hatte er dem bornierten Qualgeist gesagt, wohin er sich seine Moral schieben kann. Dass niemand sich die Kulturerzeugnisse eines solchen Landes antun will, ist da ja wohl kein Wunder. On Food Production And Management! Nicht nur der Kulturaustausch mit den USA ist eine Einbahnstra?e, auch im Nachbarland Frankreich verirrt sich kaum jemals jemand in critical einen deutschen Film. Wahrend der franzosische Film „Ziemlich beste Freunde“ in on food and management Deutschland knapp sechs Millionen Besucher hatte, war der erfolgreichste deutsche Film in gender and sexuality essays Frankreich der Aufklarungsfilm „Helga“ aus dem Jahr 1968. Essay On Food! Der letzte deutsche Film, der in writing course Frankreich wenigstens einen Achtungserfolg erzielte, war „Goodbye Lenin“. On Food! Auch schon wieder fast zehn Jahre her. Die Einfallsreichsten gehen in college course die USA, die Unis haben keine Anbindung an essay on food production and management, die Kreativindustrie, dem Internet steht man zogerlich gegenuber und die Kultur der Migranten wird abgelehnt. Best Online! Wahrend in essay den USA von Dean Martin bis Ricky Martin die Einwanderer ihre eigene Note mitgebracht haben, gilt bei uns das Reinheitsgebot.

Kultur mit Migrationshintergund, die bleibt im Ghetto der gutgemeinten Kultursender, der Mainstream macht einen weiten Bogen um alles, was nicht blauaugig ist (au?er Verona Pooth), und das, obwohl „Turkisch fur Anfanger“ in employee engagement case studies uk jeder Hinsicht gut funktioniert hat. Das ist vielleicht das Niederschmetterndste: Dass auf einen Gluckstreffer hin nicht noch einmal versucht wird, Gluck zu haben. Essay On Food! Dass das Beamtentum so dominierend ist, der Kleinmut so gigantisch (was ja vollig widersinnig ist), dass man Gold nicht einmal findet, wenn es einem auf den Kopf fallt. Fall House Essays! Wo keine Tradition besteht, konnen nur Wunder geschehen, nie echte Entwicklungen. Essay Production! Gottschalk, der vor 30 Jahren wirklich frisch und neu war, kam aus dem Nichts. College Writing! Er hinterlie?: Lanz. Massenerfolg bringt die Ablehnung durch die Eliten mit sich und seine Stars (so es sie denn gibt) verachtet man. Essay And Management! Obwohl selbstempfundenes Land der Ingenieure, hat man doch Angst vor neuer Technik. Essay! Das Internet gilt als Hort der Kinderpornographen und Raubkopierer, wahrend es in on food production and management den meisten Teilen der Welt als Moglichkeit gesehen wird, zu publizieren, Gedanken zu teilen, mit geringeren Kosten zu kreieren.

Lieber wiegt man sich an college essay writing, die Bruste der ARD-Abendunterhaltungsikonen als auch nur einmal aufgeregt zu werden, etwas zu riskieren, lebendig zu sein. Kultur aber ist Lebendigkeit, bedeutet Verbundenheit, Gemeinschaft, Entwicklung. Production! Alles, was uberhaupt versucht wird, ist gut. Rubric Essay! Es war gut, dass in essay production and management den Neunzigern mit VIVA ein deutschsprachiges Musikfernsehen gestartet wurde, es ist gut, dass das ZDF mit ZDFneo einen Versuch wagt, jungere Zuschauer zu gewinnen (wenn auch die Frage bleibt, warum man es versucht mit einem Sender, den kaum jemand empfangen kann), es ist sogar gut, dass Soaps wie „Gute Zeiten, Schlechte Zeiten“ gedreht werden. Deutschland braucht eine popkulturelle Infrastruktur, Deutschland braucht Menschen, die sich professionell der Herstellung von Unterhaltung widmen konnen, also: Geld damit verdienen, dass sie Kultur jenseits vom Stadttheater schaffen. Proofreader! Kultur erzeugt Kultur.

Jede Folge „Breaking Bad“ (eine viel, viel zu dustere Serie uber einen an on food, Lungenkrebs erkrankten Chemielehrer, der Drogendealer wird) kann man sich im Netz in best proofreader Fanforen und Fernsehblogs erklaren lassen, Enthusiasten suchen Losungsansatze oder spinnen Theorien, wie die Serie weitergehen konnte. Mit den Serien werden auch die Kritiken immer elaborierter, langst sind die Besprechungen neuer Folgen beispielsweise auf avclub.com nicht weniger anspruchsvoll als hierzulande die Feuilletonartikel zum jeweils aktuellen Handke-Roman. Essay And Management! Aus Fans werden Autoren. Wer in best proofreader seiner Jugend mit maandernden Epochenportrats wie „Mad Men“ und „Boardwalk Empire“ oder mit klugen und komischen Serien wie „30 Rock“ und „Curb your Enthusiasm“ aufgewachsen ist, der wird, wenn er drei?ig und selber Schreiber ist, Kunstwerke entwerfen, von denen wir heute nur traumen konnen. Die Zukunft ist strahlend. On Food! Blo? nicht in college course Deutschland. Essay On Food Production And Management! Das Leiden an essays, der deutschen Kultur ist kein geschmacklerischer Elitismus. Essay On Food Production And Management! Mit der Kultur stirbt auch in and sexuality in sports essays anderen Gebieten die Schopfungskraft. Essay On Food Production And Management! Wer hat die Playstation erfunden, wer die X-Box?

Siemens, Bosch? Welcher deutsche Konzern produziert das Smartphone der Zukunft? Ein Fernsehabend in history Deutschland ist eine Vorschau: So doof, so alt, so verklemmt und laut und totgespart wird irgendwann das ganze Land aussehen. Essay On Food Production And Management! Aber vielleicht geschieht ja einmal ein Wunder. Immobilienwelten : Das Magazin fur Immobilien, Wohnen, Bauen und Design. Immobilienwelten : Das Magazin fur Immobilien, Wohnen, Bauen und Design. Was ist heute los in air pollution by cars Berlin?

Wir bringen Dir die wichtigsten Nachrichten des Tages direkt auf Dein Smartphone! So meldest Du Dich an! Fuge die Nummer Deinem Adressbuch hinzu. Schreibe uns eine WhatsApp-Nachricht mit dem Text Start Berliner Jobmarkt : Mit aktuell 99.000 Stellenanzeigen eines der gro?ten Jobportale. Immobilienwelten : Das Magazin fur Immobilien, Wohnen, Bauen und Design. Berliner Jobmarkt : Mit aktuell 99.000 Stellenanzeigen eines der gro?ten Jobportale. Immobilienwelten : Das Magazin fur Immobilien, Wohnen, Bauen und Design. Immobilienwelten : Das Magazin fur Immobilien, Wohnen, Bauen und Design. Personalmangel immer gro?er : Lost eine neue Werbekampagne Berlins Lehrer-Notstand? Berlin wirbt in essay on food production anderen Bundeslandern.

Bisherige Versuche waren kaum erfolgreich. Pankow : Autofahrer rast nach Verfolgungsjagd in best online proofreader Gartenlaube. Zuvor wollte die Polizei den Honda an production and management, einer nahegelegenen Tankstelle kontrollieren. Stress fur Pankow : Lufthansa schickt alten Larm-Jumbo dreimal taglich nach Tegel. Frankfurt statt Rio: Normalerweise fliegt das Auslaufmodell nur Langstrecke. Polizeibericht : Motorradfahrer rast mit Tempo 200 uber Stadtautobahn. +++ 17-Jahriger versucht Handtasche zu rauben +++

Maischberger : SPD-Politiker von Dohnanyi fordert Schulz' Rucktritt. „Tage der Uneinheit – Ist Deutschland gespalten?“, fragte Sandra Maischberger. Verkehr Berlin-Brandenburg : So wollen Bahn und Lander genervten Pendlern helfen. 480.000 Berufsreisende sind taglich unterwegs. Fall Essays! Alternative zum Auto im Fokus. Antwort auf Brandbrief : Katrin Lompscher weist Vermieter zurecht. Die sechs landeseigenen Unternehmen erhielten eine klare Ansage.

Tief „Xavier“ : Heftiger Sturm konnte am Donnerstag Berlin treffen. Deutscher Wetterdienst warnt vor Windboen von bis zu 100 km/h. Parallelwelt eines Reichsburgers : Todliche Schusse im „Regierungsbezirk Wolfgang“ Ein 49-Jahriger halt die Deutschland fur eine GmBH - und totete einen Polizisten. Massaker von Las Vegas : Freundin des Todesschutzen will von nichts gewusst haben. Die Polizei versucht weiterhin, das Motiv des Taters zu verstehen. Unverhofft Millionar : Nutzer erhalt irrtumlich Bitcoins – darf er sie behalten?

Nicht immer landen Bitcoins da, wo sie hin sollen. On Food Production And Management! Darf man sie trotzdem behalten? Regeln fur Hundebesitzer : Wo bleibt der Leinenzwang? Ein Kernpunkt der entsprechenden Verordnung ist immer noch nicht in college course Kraft getreten. Bestatigung fehlt noch : Jupp Heynckes kehrt als Trainer zum FC Bayern zuruck.

Der 72-Jahrige soll das Amt nach der Ancelotti-Entlassung bis Saisonende ubernehmen.

Persuasive Essay on Eating Disorders. “Eating disorders such as anorexia, bulimia, and and management binge eating disorder include extreme emotions, attitudes, and behaviors surrounding weight and history essay food issues. Anorexia Nervosa is a serious, potentially life-threatening eating disorder characterized by self-starvation and excessive weight loss. Binge Eating Disorder (BED) is a type of eating disorder not otherwise specified and is characterized by recurrent binge eating without the essay on food, regular use of compensatory measures to case studies uk counter the binge eating. Bulimia Nervosa is on food production and management, a serious, potentially life-threatening eating disorder characterized by a cycle of bingeing and compensatory behaviors such as self-induced vomiting designed to undo or compensate for the effects of binge eating.

A person does not have to by cars be diagnosed with Anorexia, Bulimia or BED to have an eating disorder. On Food Production! An eating disorder can include a combination of signs and best symptoms but not meet the full criteria,” – NEDA. Dear the People, The self image in most teens is worse than ever before; not only because we constantly put each other down mentally, but who we idolize makes a huge difference, too. Tall, thin, caramel colored models walk down the production and management, catwalk and look fierce, our most famous actresses are a size three and rubric history essay look stunning, on production and management the cover of magazines we see how it is air pollution by cars, big of essay on food production a deal if a celebrity has gained weight. All around us we see how being thin is of the critical, perfection and essay production and management how the number on the scale matters. These reasons: the idolization, the numbers, the strive to be perfect, are all factors in eating disorders today. “It is estimated that 8 million Americans have an eating disorder – seven million women and one million men,“ says the fall of the critical essays, South Carolina Department of Mental Health. Studies say that “nearly half of all Americans personally know someone with an essay on food production, eating disorder.” But even though half of us know people with eating disorders, how do we end it? Simple answer: We get the victims help and stop putting others down. Having an eating disorder isn’t shameful, but it is avoidable.

If everybody watches what they say about people and if we see signs of depression or anxiety, talk to the person with these signs; and of usher essays if they tell you how sad, depressed, suicidal, fat, or ugly they say they are, get them help immediately. But we’re not the only place facing this disease. It is production and management, said that, ”eating disorders are one of the most common psychological problems facing young women in Japan.” Also, the disorder is not only common in whites: Rates of minorities with eating disorders are similar to those of white women 74% of house critical American Indian girls reported dieting and purging with diet pills Essence magazine, in 1994, reported that 53.5% of production their respondents, African-American females were at best online proofreader risk of an eating disorder. “Anorexia is the 3 rd most chronic illness among adolescents,” says the South Carolina of essay production Mental Health. Rubric For Art! “95% of those who have eating disorders are between the ages of 12 and 25,” and on food production and management “50% of girls between the rubric for art essay, ages of essay and management 11 and 13 see themselves as overweight.” The way I see it is case studies uk, that once you start 5 th grade, girls start to on food develop and their hips start to rubric history widen, making them larger.

Adults view this as maturing physically, while children view this as “getting fat.” People calling other people “fat,” “ugly,” and essay production and management “undesirable,” are what fuel this passion to get “skinny.” So watch what you say, because if can really affect people. This disorder is deadly. Eating disorders have the by cars, highest mortality rate of any mental illness. A study by the National Association of Anorexia Nervosa and Associated Disorders reported that 5 – 10% of anorexics die within 10 years after contracting the disease; 18-20% of anorexics will be dead after 20 years and only 30 – 40% ever fully recover. On Food! “The mortality rate associated with anorexia nervosa is 12 times higher than the death rate of ALL causes of death for females 15 – 24 years old,” and rubric essay “20% of people suffering from anorexia will prematurely die from complications related to their eating disorder, including suicide and heart problems.” However, the treatments for eating disorders are expansive: Only 1 in 10 people with eating disorders receive treatment About 80% of the essay production, girls/women who have accessed care for their eating disorders do not get the intensity of treatment they need to stay in recovery – they are often sent home weeks earlier than the recommended stay Treatment of an eating disorder in the US ranges from gender in sports essays $500 per essay on food and management, day to $2,000 per day. The average cost for a month of inpatient treatment is $30,000.

It is estimated that individuals with eating disorders need anywhere from 3 – 6 months of inpatient care. Health insurance companies for employee engagement studies uk several reasons do not typically cover the essay on food and management, cost of treating eating disorders The cost of best proofreader outpatient treatment, including therapy and medical monitoring, can extend to $100,000 or more. If we dropped costs for treatment, probably 4 in 10 people with eating disorders will receive treatment instead of 1 in 10 and will be able to stay longer if dropped the costs even $10,000. The Rise of Eating Disorders: Significant increase in incidence of anorexia from 1935 to on food and management 1989 especially among young women 15­24. • A rise in incidence of anorexia in rubric history essay, young women 15­19 in each decade since 1930. • The incidence of bulimia in and management, 10­39 year old women TRIPLED between 1988 and engagement case studies uk 1993. Only 6% of people with bulimia receive mental health care.

Dieting and The Drive for on food Thinness. •Over one­half of teenage girls and nearly one­third of teenage boys use unhealthy weight behaviors such as skipping meals, fasting, smoking cigarettes, vomiting, and taking laxatives (Neumark­Sztainer, 2005). • Girls who diet frequently are 12 times as likely to house of usher critical binge as girls who don’t diet (Neumark­ Sztainer, 2005). • 42% of production and management 1st­3rd grade girls want to be thinner (Collins, 1991). • 81% of 10 year olds are afraid of being fat (Mellin et al., 1991). •The average American woman is proofreader, 5’4” tall and weighs 140 pounds. And Management! The average American model is 5’11” tall and weighs 117 pounds. • Most fashion models are thinner than 98% of air pollution essay American women (Smolak, 1996). • 46% of 9­11 year­olds are “sometimes” or “very often” on diets, and 82% of their families are “sometimes” or “very often” on diets (Gustafson­Larson Terry, 1992).

• 91% of women recently surveyed on a college campus had attempted to control their weight through dieting, 22% dieted “often” or “always” (Kurth et al., 1995). • 95% of all dieters will regain their lost weight in 1­5 years (Grodstein, et al., 1996). • 35% of “normal dieters” progress to pathological dieting. Of those, 20­25% progress to partial or full­syndrome eating disorders (Shisslak Crago, 1995). • 25% of American men and 45% of American women are on essay and management a diet on any given day (Smolak, 1996). • Americans spend over $40 billion on dieting and diet­related products each year (Smolak, 1996). I have spoken to rubric history essay three girls who are struggling with an eating disorder who I have met at a Timberline Knolls Residential and here’s what they said:

Me: What type of and management eating disorder do you have? Me: Did you go in knowing that you would end up being in an eating disorder and in sports what did you expect out of your actions? Sophia: When I was younger I knew a little about on food production and management, eating disorders, what they were and how they worked. Ever since I was a child I would go on crazy diets and go days without eating, until I discovered bulimia in the 6th grade. I would try and try to purge but it never worked until around the end of 6th grade, and ever since, I was hooked. My goal was to just lose weight, which I did. Air Pollution! But I lost many other things; friends, family relationships, trust, and hope. Me: How did your family react? Sophia: My parents kind of expected it when they found out from my therapist. They had always saw that I had weird eating habits and distorted body image but never said anything until they knew my ED was for essay and management real.

They weren’t very mad, they tried to be supportive but it took a lot of family therapy for best proofreader them to finally understand it and come to terms with it. Me: How did you feel with bulimia? Did you feel beautiful while you were doing it? Sophia: I felt horrible. Every day I’d purge up to 12 times and it’s the worst feeling ever.

Every time I did it I just hoped that maybe the next day I’d feel beautiful but it never happened. Essay On Food Production And Management! I just got physically sick and depressed, nothing good ever comes from eating disorders. Me: What was your starting weight before ED and then your weight at your lowest point? Sophia: My starting weight was about 149 and my lowest weight was somewhere in the 120s, i forgot. Employee Engagement Case Studies! I never really got underweight because I was forced to go to treatment, which I don’t regret. And now I’m maintaining a healthy weight of 137 pounds with the help of essay my nutritionist. Me: Did anyone knowingly or unknowingly encourage it? Was there someone you were idolizing or was it just the number on the scale?

Sophia: It was mainly just to prove my peers wrong. And Sexuality! I was always the and management, fat kid in school and once I started getting compliments on how much thinner I looked, it helped fuel my eating disorder. Me: How long did you have your ED before recovery and what was early recovery like? Sophia: Luckily I only of the critical essays had it about 5 months before I started outpatient treatment, but outpatient wasn’t enough for me and production I was just getting worse. So about 7 months into my ED I was admitted into of the of usher critical essays Timberline Knolls Residential. Me: What was Timberlines Knolls like? How did you respond to recovery? Sophia: At first it was rough.

The first 5 weeks out of the and management, 9 weeks I was there I didn’t want to recover. Best Online Proofreader! But then I finally found a higher power and started my road to recovery. TK was the best thing that ever happened to me. On Food And Management! It saved my life in air pollution essay, so many ways and has led me to on food production doing as well as I am now. Me: Can you tell me about Anonymous meetings and group therapy, and engagement case studies what they have done for you? Sophia: Anonymous meetings helped me connect with a higher power who has helped guide me through my struggles and group therapy helped me connect with other’s a realize that I’m not alone and that support is possible. Me: What are you doing now to stay in recovery?

Sophia: I keep in contact with the on food production, friends I made in treatment, I go to therapy twice a week, I take my meds and I am in a therapeutic school right now which helps provide me with a stable learning environment. Me: If possible, what’s one thing you would say to anyone with an eating disorder and what would you say to other people to help prevent it? Sophia: To those who have an eating disorder, reach out; tell a friend, a family member, a teacher, or a guidance counselor. Engagement Studies! Eating disorders are fatal diseases that cause millions of deaths world-wide yearly. And to others who don’t have one, think before you speak. Because even if it was “just a joke” when you called someone fat, you have no idea what their situation might be, and you never know how someone will react. And to all people suffering with any mental illness, stay strong. Me: What type of eating disorder do you have?

Catie: Bulimia and a “starve and then purge” kind of situation. Me: Isn’t that bulimia though? Catie: Bulimia is binging and then purging to on food production make up for the calories. Me: How did your family react when you told them about your bulimia? Catie: They were scared, and kind of angry, and grossed out, but after awhile they were supportive. Me: What inspired you to obtain an eating disorder? Did you realize that you were a possible candidate for getting addicted?

Catie: I hated the way my body was and a guy I liked went out with this really skinny girl, so it made me feel like I had to be that way. I had no idea I wouldn’t be able to best stop, because I kept telling myself I would stop if it got too bad, but obviously I couldn’t. Me: What was your weight before your ED and what was it at your lowest point? Did you ever get sick? Catie: Mylowest was 115, I think, and highest 168. I was in the hospital for on food production and management 5 days the first time and 3 days the gender and sexuality in sports essays, second. I was sick with a bunch of production and management illnesses just because my immune system was so weak. Me: What was it like admitting into the Timberline Knolls Residential center? What was early recovery like for you?

Catie: It was scary because it seemed like a fancy place and and sexuality reviews online were mixed like, some people said it was really good and production some said it was HORRIBLE; I loved it though. Employee Engagement Case Studies! Recovery was hard because I was upset gaining weight and such. Me: How are you doing now that you’re home? What’s your outlook on eating disorders? Catie: I’m not doing too well just because I was released too early from TK due to insurance, and production and management my outlook on ED is essays, that it’s a serious disease, not a lifestyle choice or something you can just stop. Me: What’s one thing you would say to someone with an eating disorder and on food production what’s one thing you would say to people who don’t have or aren’t aware of eating disorders? Catie: To people suffering with an eating disorder: The thing telling you that you’re not skinny enough or not good enough is your disease. Your disease is fall of usher essays, telling you that you need to essay production keep going, but you don’t.

To people not suffering with an house critical, eating disorder: Watch what you say to essay on food and management people, because you’re not sure what makes them insecure. A simple joke about their body could be taken hard by best online them, and essay cause them to fall deeper into employee engagement uk their disease. Even if they don’t seem like they have an on food production and management, ED, anyone could, so just be careful of that. Me: What type of best online eating disorder do you have? Stephanie: Compulsive Overeating and Bulimia. Compulsive Overeating is basically a food addiction, its uncontrolled eating, which is eating excessive quantities of food uncontrollably then purging . Me: What was it like going into your ED? What fueled it? Stephanie: my eating disorder started at the age of 12, with compulsive overeating, I was severely depressed and used food to essay and management soother myself. I felt out of control, disgusting, and crazy. Online! My bulimia developed at essay on food and management the age of 14, it was a result of feeling out of rubric for art history control in eating too much (bingeing) then I started wanting to lose weight compulsively so i decided to purge it out to soothe myself. Me: How did your family react when you told them?

Stephanie: My family didn’t believe it at production and management first, they didn’t understand. They were confused and angry that I was hurting myself in best online, that manner. Me: What was your lowest point in your ED? Stephanie: This summer 2012 before I went back to essay production and management TK for the second time. My bulimia was overcoming me, binging and purging at least twice a day, every day. Me: What was your stating weight and you at your lowest? Stephanie: I’ll tell you this: With my eating disorder, my specific case, I never lost more than 10 pounds per episode, coupled with my compulsive overeating not much was productive and critical I’m no longer ashamed to essay and management say so. Me: Do you have any other mental illnesses and best online do you think they contributed to your eating disorder? Stephanie: I have a couple mental illnesses but my depression contributed most. Me: What was it like being admitted into Timberline Knolls the second time? Stephanie: The second time it was hard, for a couple reasons: one of my primary reasons for going back was my eating disorder.

As for the first time, it was for drug addiction so I felt weird in essay on food and management, a new thing. The second thinking was that I had failed the first time which hurt a lot. Me: What do you mean by “…so I felt weird being in best proofreader, a new thing,”? Stephanie: Focusing on a new aspect. Me: Can you explain to me what “cross addiction” is? Stephanie: cross addiction is most usually an addiction to multiple substances but it can also mean an on food and management, addiction to drugs/eating/food/gambling/sex etc… coupled with another addiction. Me: What are you doing now to stay in recovery?

Stephanie: I am going to 12 step meetings, taking meds monitored by a psychiatrist, I am in treatment school, and visit with a therapist weekly, also I follow a pretty lenient meal plan. Me: If possible, what would you say to anyone with an ED and essay another thing to people without an ED? Stephanie: People with ED: SEEK HELP, seeking professional help is the only way to begin recovery, THE ONLY WAY; and and management people without ED: Don’t judge, get informed, research, and be understanding. People all around the by cars essay, world, of different ethnicities, of different genders, and on food production and management of different ages are suffering with this mental disorder, but we have the power to end it. Numbers to call if you or someone you know has an eating disorder, or if you want to and sexuality know more: Hope Line Network.

Thank you to essay and management Sophia Charimonte, Catie Gackowski, and Stephanie for telling me about and sexuality in sports, their eating disorders.