Essay about crash the movie

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JetBlue: Culture of the movie, Service Excellence. Transitioning to a More Customer-Focused Culture. When an ap world history, organization sets a vision as audacious as “become the the movie, Americas’ favorite airline by bringing humanity back to air travel,” it is making a firm commitment to deliver an experience in service that is unrivaled. In 2010, that is exactly what JetBlue Airways did. It would be no small feat in the best of times, but in the post-September 11 era of airline travel, when air travelers felt they were often treated more like cattle than like human beings, it was truly daring. JetBlue, a New York City-based airline that launched operations in 2000, had already established a reputation for a strong internal culture of harper lee, empowerment.

Throughout its first decade, JetBlue enjoyed its share of successes while becoming known for about the movie its innovative approach to air travel, but had also suffered some growing pains. As JetBlue prepared to enter its second decade, the organization’s leaders had to confront some difficult realities. On the surface, the situation looked rosy. For six consecutive years, JetBlue had received the prestigious J.D. Power Associates honor for highest customer satisfaction. But something gnawed at the back of Chief Operating Officer Rob Maruster’s mind—he wasn’t sure what specifically was driving those results, and and other essays his lack of confidence in them translated to a feeling of vulnerability. So the company did some digging, and what it learned was eye-opening. Maruster’s concerns were valid; the the movie, airline had stayed atop the leader board not because of oxford brookes creative writing, service itself (i.e. a human connection from crewmember (at JetBlue, employees are referred to as crewmembers) are to customers, but because of the material commodities it served on board (i.e. Essay Crash? leather seats, free DirectTV at every seat, and unlimited snacks and drinks). For years, external reviews and recognition had focused on these tangible items and created an ap world history, illusion that was tough to crack. In fairness, the service delivered to customers was not bad per se, but it was not the essay, differentiator many inside the company assumed it was. Worse still, leather seats, television and other amenities was something that could be replicated by any other carrier that had the wherewithal to do so and thus not what would continue to ensure JetBlue would remain the top carrier for customer service.

So, the imperative was clear. For JetBlue to richard essays ensure a hold on the lead it had captured, it had to about differentiate how it served customers versus what it served them. If it could do this, JetBlue would bring a welcomed dose of humanity back to air travel and achieve its vision of becoming a the “America’s favorite airline by history, bringing humanity back to air travel”. Together, a small cross-functional team of JetBlue leaders and essay about the movie a team from gothamCulture developed a hypothesis: if JetBlue can heighten the intense loyalty and a deep emotional connection with its crewmembers, the same type of connection will be made between crewmembers and ap world history the customers whom they served. Of course, transforming organizational culture can be a monumental feat: current values and beliefs must be assessed, the ideal future state must be probed for, the gaps between the two must be explored and explained, and the strategies to move from the current state to the future state must be developed, tweaked, and eventually deployed. Additionally, time must pass to see if new beliefs and values—which drive organizational behavior—take root and create the crash, transformative change that the the best american, organization is seeking. It would have been easy to send crewmembers to “charm school” and teach them how to be nice, but fundamentally JetBlue believed that this directive approach would not achieve the results there were seeking. There were three situations at play that were particularly vexing. Essay Crash The Movie? The first was that after the significant winter storms of 2007, when hundreds of JetBlue customers were stranded for up to 10 hours on the tarmac at New York’s JFK International Airport, the organization appropriately focused its efforts on improving operations to dbq essays history prevent another meltdown, even when outside forces such as weather wreaked havoc on the system. Second, many in the organization already believed that service was an established differentiator, and that operational reliability was the only major area that required improvement.

The proponents of the service initiative faced an uphill battle in convincing others that an essay about crash the movie, investment of time and resources should be made to improve an area that many believed was running optimally. And third, though unknown at the outset, efforts to improve operational reliability would sometimes collide with the delivery of a world-class customer service experience. Tensions can exist between the complex task of dbq essays ap world history, pushing an airplane on schedule—often under time pressure, for example, while simultaneously providing great service. Why Fix Something That’s Not Broken? One inevitable challenge in crash, this situation was convincing crewmembers of the need to change given years of recognition for service.

Crewmembers would need to day of understand that, upon deeper analysis, the airline was winning awards because customers were responding to essay about crash what they received during their flight experience, not necessarily how the service was delivered. Dbq Essays History? Secondly, they needed to internalize the about crash the movie, fact that, year-after-year, JetBlue’s margin of victory was beginning to erode; competitors were closing in on the leader position. Oxford? If nothing changed, JetBlue faced the real possibility of losing its reputation of being the “Best Customer Service Provider” in about crash the movie, the airline industry. Oxford Creative Writing? This, the airline’s leaders felt, was enough of a case to essay about crash convince even the most ardent believers that a change in its service approach was necessary. Comprehensive strategies are often developed by senior leadership. History? They are pushed onto an unconvinced audience which can leave employees feeling disengaged and isolated in their work. JetBlue decided to take a markedly different approach with this effort. In order to “bring humanity back to air travel,” JetBlue decided to crash use the occasion of its 10-year anniversary as an opportunity to kick off the change effort by my life, starting new conversations with crewmembers and help them reconnect with JetBlue’s mission; to link what they did day-in and day-out to the success of the organization, and to create a community of corporate citizens who were willing to expend their discretionary energy to delight customers. The basic premise behind the methodology was that crewmembers who are not engaged and essay about informed about where the company is headed and why—and who therefore are not emotionally bonded to the organization—will not display the attitudes and behaviors necessary to achieve the service vision.

Rather than just cascading a complex strategy developed by executives in the “ivory tower” in hopes that people would be able to link their individual contribution to the overarching purpose, JetBlue took a much more engaging and collaborative approach to ensuring their strategy was implemented successfully. Leadership at all levels connected with frontline crewmembers in a way that would reinvigorate them and change their relationship with the organization. Consistent with the agricultural cultural, JetBlue way, senior leaders initiated one-on-one conversations with the “rank and file” about the strategy and how they could contribute. At JetBlue, long-term success meant delivering magnificent service to each and every customer—every flight, every interaction—to achieve world-class hospitality. JetBlue set out to create company-wide ownership of the strategy by engaging crewmembers in order to find out what both enabled and prevented them from delivering magnificent service.

While the theory is simple, putting it into practice takes thoughtful planning. Changing a Culture: Getting the Ball Rolling. In February 2008, the price of crash, oil had reached $147 a barrel, the highest recorded price at the time of this writing. Oil had slowly become the number one or two line-item cost for all airlines and, at 4 essays by nelle lee, $147 per about crash the movie, barrel, forced new decisions that had implications throughout the organization. For some airlines, it meant going out of business (SkyBus). For others, it meant mergers (America West and 4 essays harper US Airways), and for crash the movie others still, it meant bankruptcy (United, Delta). For JetBlue, it meant making the oxford brookes writing, tough decision to start charging for amenities that had previously been included in the ticket price. This led to confusion for the frontline crewmembers, and complication around JetBlue’s core identity as a “no first class, no second class citizens” brand.

JetBlue realized that, in order to maintain its brand position in spite of the decision to charge for amenities, it had to crash carefully manage the tension between the on happiest day of, business needs and the service imperative. On a macro level, the organization had to about the movie shift its mindset, but the richard judaism and other essays, only way to make that happen was team-by-team and about crash the movie crewmember-by-crewmember. Crewmembers who would be forced to ask for a customer’s money had to fully understand why they were now being put in that position so as not to consciously or unconsciously erode the brand while doing so. In order to shift the organization’s mindset, a cross-functional team of internal operational subject matter experts and an experienced team from gothamCulture in large-scale culture change embarked on on happiest day of my life a journey to plan the transition from essay about crash the movie, loss to profit, and from service laggard back to service leader. It was estimated that the average Flight Attendant interacted with about 7,000 customers each month and that these interactions tended to be longer in duration than other customer touch points. For this reason the team started with them, followed by Airport Customer Service and then Customer Support crewmembers (a.k.a. Cultural Essay? reservation agents) located in Salt Lake City. In order to help guide the lengthy process of culture transformation, a three-phase approach was used: Create JetBlue’s vision for service Inform and engage leaders and frontline crewmembers through dialogue Work together at all levels to provide the necessary resources and to crash the movie remove obstacles that would uphold magnificent service. The idea was to richard judaism in music essays engage leadership at all levels in understanding the airline’s vision for its second decade, its strategy of essay about crash the movie, customer service, and how those provided the guardrails for the airline to execute its business strategy.

This dialogue would focus on the crewmember’s role in the company’s success based on their functional responsibility, and how to in music and other help crewmembers make the mental shift from essay about crash, a transactional focus to one more balanced on judaism and other both the company’s operational needs and the customer experience. Once leadership across the airline was on board and about the movie clear about oxford writing, their role, front-line crewmembers were invited to attend one of two summits in New York City and Salt Lake City, which included small groups of their peers, their divisional leadership, and leaders from every JetBlue city and department. The purpose of the about, summits was to involve the people who would be most affected by the strategic direction. They would be invited to personally contribute to the development of tactics that would enable the organization to execute the strategy. Not only would they be asked to help determine the way forward, they would “own” it. The Best Essays? As it unfolded, they learned about the company’s business objectives, how their attitudes and behaviors impact organizational performance, and the link between their day-to-day contribution and customer experiences, both positive and negative. The summits were a shock to the system. For both groups, the charge was to be inclusive by giving crewmembers a voice, while also being innovative and essay about crash engaging in order to keep things exciting and on-message. For the Flight Attendants that were brought to the best american essays table of contents New York City, Broadway performers made parallels between creating unique memories for audiences every day – even if it is their 5,000th performance—and the role of the the movie, Flight Attendant creating a unique travel experience for their customers, even if it was their 5,000th flight. For the Customer Support crewmembers, summits took place in Park City, Utah, host to the 2002 Winter Olympic Games.

The summits focused on what it takes to be a world-class athlete—training, dedication, sacrifice, and an excellent support team—and how that related to dbq essays ap world being a Customer Support crewmember for essay about JetBlue. Just prior to the summits, JetBlue had transitioned to harper lee a new reservation system, with a net effect of erasing all of the experiential expertise accumulated among the 2,400 agents. The message of training, resilience, and “sticking with it”, that were felt by Customer Support Crewmembers in the Olympic Village resonated with them. The core element of the summits was built around a heightened sense of individualism and the open, two-way dialogue that changed the company’s conversation from essay about, top-down, to a much more collaborative discussion about where the organization was headed, why, and harper how the about the movie, frontline could help in realizing the shared vision for the future. The summits created space for crewmembers and leaders to identify with the vision and strategy and to dbq essays history engage in discussions about how their individual behaviors and essay about attitudes helped the organization achieve success. The summits also allowed space for wagner and other participants to essay engage in history, dialogue with each other and with their leaders about the things in the day-to-day workplace that made it difficult for essay about crash the movie them to deliver magnificent service. This type of feedback is often collected in organizations in an attempt to understand the barriers that exist, but all too often managers become overwhelmed by the sheer amount of feedback they receive and the never-ending task list such feedback creates.

As a result, in these situations often nothing changes. Employees end up feeling like management was simply paying them lip service and never really considered their opinions and input, thereby creating discontent. Feedback from the summit became the basis for crewmembers to coalesce and volunteer for essay teams that were focused on tackling the issues that would interfere with the success of the strategy. These included training, crewmember recognition, and about the movie organizational processes, among others. Each team was led by a mid-level manager, which provided a unique leadership development opportunity and was directly focused on the business.

The summits were intended to reinvigorate crewmembers and help them understand the direction of the organization for the next decade and the critical role they would play in by nelle harper lee, achieving the vision. After leaving the summits, the third phase of the process was to refine the thousands of pieces of feedback into a series of tasks and projects that aligned with the current strategy of developing a world-class service organization. These projects were then prioritized, funded, and essay crash the movie integrated into the organization’s strategic plan and then executed by essay on happiest day of my life, the interest teams with support from senior leadership. This resulted in a comprehensive strategic plan that was guided by market analysis and big-picture considerations of the executive team but also refined with tactical projects that were necessary for crewmembers to essay be able to implement the strategy in day-to-day operations. The way in published by nelle harper, which crewmembers were integrated into the process created a citizen-like mentality. Rather than “engaging” their workforce with a once-a-year survey and then leaving leaders to figure out how to essay about solve a litany of issues, JetBlue invited those charged with delivering excellent service to help develop the very tactics needed to do so.

And that’s where the rubber met the judaism, road. Embedding the Importance of Customer Focus Into the Fabric of the Organization. The process of sharing the vision and strategy with crewmembers and inviting them to participate in creating it was a critical part of the puzzle, but how it was done and essay crash the signals that were sent in my life, doing it were equally crucial. Essay About Crash? Taking action to ensure that a customer focus was embedded into the fabric of the by nelle lee, organization was paramount, but it had to be done in a way that balanced the essay about, tension between service and operational performance. Specifically, the pendulum could not swing so far toward service that the organization de-emphasized the operational performance that had led to its prior success. While competitors typically approach the essay day of my life, service issue by sending employees through training programs on how to be nice with the hope that it will change behavior in the long-term, JetBlue realized that its crewmebers already knew how to do that. Training would address gaps such as conflict resolution, team dynamics, and interpersonal skills, but the deeper challenge would be to inspire people to use their discretionary energy—to want to exhibit those behaviors on a daily basis—and ensure they had the right tools and a work environment that would support and reward them for delivering magnificent service. When that could be seen on a regular and measurable basis, a real culture transformation would have occurred. It took the collaborative effort of about crash, subject matter experts in richard wagner judaism, the field of organizational culture and large-scale change, internal corporate communications, marketing and brand, as well as internal leadership involvement at all levels to accomplish this ongoing effort. The team had targeted the issue, identified the root cause, and focused its efforts on implementing a solution.

By leveraging pre-existing communication processes and meeting structures, the team was literally able to change the about crash, conversation, maximizing the use of face-to-face dialogue and minimizing the use of conventional one-way “communication” methods such as email blasts and memos. Additional outlets were created to supplement these pre-existing channels in order to continually reinforce the 4 essays lee, message that JetBlue was focusing on the customer experience while maintaining its operational integrity in essay, order to maintain their title of J.D. Power and Associates’ best-in-class. Organizational artifacts such as painted tiles that crewmembers painted during the summits that conveyed cultural significance were posted throughout the workplace in areas such as break rooms and essays table of contents service counters in order to instill pride and a sense of crash the movie, belonging, and to support and reinforce the crewmembers’ shared past. Interest teams dove into agricultural cultural essay, analyzing the customer experience at all touch-points in order to create and embed standard “signature moves” that all crewmembers would perform as the minimum standard customer service actions. Because, as part of the essay about the movie, summit experience, the crewmembers themselves had identified the “signature moves,” compliance to the standard was unquestionably superior to american 2011 of contents a “top-down” approach. The principles of service were also integrated into all training and leadership development experiences, orientation, and other pre-existing gatherings in order to crash the movie support and reinforce the need for customer focus. At the corporate level, human resources processes such as recruiting, selection, rewards and recognition, and talent management evolved to support and reinforce the focus on wagner in music the customer as well. The methodology became an integral part of how the essay about crash the movie, organization did business. One critical consideration for brookes writing this effort was the need by various stakeholders to understand how these efforts were helping to move the needle over time. This initiative represented a significant investment on essay about crash the part of oxford, JetBlue and, rightfully, they wanted to make sure that it was yielding results.

Measurement was not an afterthought, as it so often is when designing large-scale initiatives, but rather a key part of the planning process from the start. JetBlue’s internal assessment and evaluation team created a comprehensive measurement plan that was comprised of the operational metrics that had been determined to be key drivers of essay about crash the movie, success. This measurement plan helped track progress on the effort and allowed the team to make revisions, where needed, to ensure the brookes writing, gaps were closed. Key metrics were analyzed, and each departmental leadership group was given detailed measurement reports on a monthly basis so they could see their progress over time. For example, Customer NPS (Net Promoter Score) is a metric widely used by service organizations including JetBlue, to measure the impact they are having on their customers. With scores ranging from negative 100 to essay about the movie positive 100, companies are always striving to have higher raw scores. When NPS was examined in the context of this initiative, it was found that when two out on happiest day of, of the three Flight Attendants on a coast-to-coast flight had gone through these summits, NPS saw a full 6 point increase on average; a jump that would make all like-focused companies envious! Additional metrics increased as well, such as the Compliment to about Complaint Ratio and crewmember engagement scores. The concentration on on happiest measurement ensured that leaders and crewmembers stayed focused and could see how changes led to bottom-line business results.

In addition to quantitative measurement, qualitative data was gathered from stakeholders as well. This qualitative data took many forms, adding color and depth to the quantitative metrics and providing stories of crewmembers who were displaying customer-focused behaviors throughout the operation. Essay About Crash? These stories and “heroes of 4 essays harper lee, service” were publically acknowledged, thereby further reinforcing the desired attitudes and behaviors that the organization needed in order to execute their strategy. Crewmembers by-and-large felt more engaged with the company both within the summit environment and essay about crash afterwards. They were appreciative of the opportunity to wagner judaism and other essays participate in crafting JetBlue’s plan for the future and experienced a renewed connection to the company. When considered together, this information served as an impetus to further prioritize key projects and enhance leadership support in pockets around the essay about crash, organization.

JetBlue continues to engage crewmembers in its critical transformation from “New York’s hometown airline” to “The Americas’ Favorite Airline.” Evidence proves that this cultural transformation process enables crewmembers to deliver magnificent service to customers and the results are helping to ensure that JetBlue “grows the gap” between itself and the competition. On Happiest Day Of My Life? Just six months after the initiative commenced, which is now named Culture is Service within JetBlue , the New York Times columnist, “The Haggler,” who normally focuses on complaints, wrote a column that was tantamount to a love letter to JetBlue about the essay about the movie, way in which crewmembers went above and beyond to deliver a magnificent customer experience. “In a vast majority of service-related interactions in this country, you own your problem. You may get some script-recited sympathy — “I am sorry for the best essays table of contents this situation, sir” — but it’s all yours. JetBlue’s success clearly stems from about, a culture that a lot of very smart and committed people have created, and cultures are very hard to capture or explain,” said the New York Times. After one year since JetBlue embarked on this journey to transition to a more customer-focused culture, the 4 essays by nelle lee, company earned its seventh J.D.

Power and Associates honor for best customer experience among low cost carriers. Essay About Crash? Typical of the data-driven company, COO Rob Maruster wanted to see the line-item scores, and there was his proof. Cultural Essay? The biggest line-item score increases were in the soft skills scores (helpful, friendly): everything from the reservations experience and airport check-in to essay communication and service from crewmembers saw double-digit increases. As Mr. Maruster said, “This year, I felt we earned it.

We put the work in, we know the way forward, and now, if we achieve the highest honor going forward, it will be because we are doing the right thing.” This inclusive approach and methodology is based on table of contents the belief that the relationship between crewmembers and customers is a critical component in about, driving customer loyalty, brand recognition, and crewmember engagement. This initiative continues to seek ways to make JetBlue’s strategy actionable by 4 essays published harper, frontline crewmembers, provide them genuine opportunities to develop and deliver the JetBlue Experience, and build leadership’s capability to listen.

mr lytle an essay Get Our Overly Personal. The Rumpus Interview with John Jeremiah Sullivan. April 24th, 2012. With Pulphead , John Jeremiah Sullivan has written an essay about crash the movie, incisive, alive, wit-filled book. In a collection of essays with topics spanning from Bunny Wailer and the caves of wagner, Tennessee to TV culture and the Tea Party, again and again Sullivan employs a discriminating, yet encompassing eye when looking at his subjects.

I recently spoke with him about his book, Guy Davenport, rereading, and his new essay in the Paris Review’s 200th issue. The Rumpus: “This is us, a people of about, savage sentimentality, weeping and lifting weights.” I was never on the lookout for history, a sentence that encapsulates American culture at this moment and maybe for essay about, the last fifteen years, but when I read that one in your essay on MTV Reality stars—“Getting Down to What is Really Real”—I thought you had undoubtedly nailed it. It comes at published by nelle lee the end of a very plangent paragraph lamenting our country. It seems to me that if we aren’t weeping and crash the movie lifting weights in the open as those on TV, many of us are at least the picture of your words behind closed doors. A number of people hold things in until there is an american 2011 table, explosion. People hurt in our culture but it seems a message reigns that it’s more important to have stronger abs than to get to know our mother. Essay About Crash The Movie! How does the making of a sentence happen for you? And how can a culture so swamp bitten by the parade of ego-gratifying devices and websites still hold onto ap world our soul and about the movie our imagination in essays, the face of the pressure to be popular?

John Jeremiah Sullivan: That’s wonderful, your response to that sentence. Thanks for it. About Crash The Movie! You described it in a way I might never do, but that seems equally legit. Brookes Creative! I can’t remember the actual thoughts involved in writing that, or what it felt like. The Movie! I do know it was a visual, an image in my mind’s eye that I wanted to catch. Looking back, I must have been thinking crypto-politically about our longstanding tradition, as a people, of oxford brookes creative, holding forth self-righteously while dropping bombs on your village.

The way niceness and essay crash the movie violence walk hand in hand through our history. Rumpus: Your essay on lee the naturalist Rafinesque is dedicated to essay crash Guy Davenport, a writer of great eminence in American letters. Ap World! About ten years ago you interviewed Davenport for the Paris Review —one of the few extended interviews he ever gave. Can you speak about essay about crash his influence on you? He speaks of iconology (the identification, description, and the interpretation of the content of images) as being the “true study of the world, the true way to criticize anything.” In some of the pieces you are looking critically at cultural phenomenons like reality TV, the Tea Party, and oxford brookes creative Christian Rock, but you’ve also written a very fine review of David Foster Wallace’s The Pale King (not in the book)—giving an overview of his career in essay about, the same piece. How does this method play into your own writing? Sullivan: Guy lived down the street from my grandmother, in Lexington, and my brother had taken English classes from 4 essays published lee, him at University of Kentucky, so he was in my imagination before I read or understood any of his stories, not that I really understand all of them now. Essay The Movie! When I was an editor at Harper’s , around 2000, Roger Hodge, who went on to edit the whole magazine, had the idea of doing a New Books column, in the line of what some of the British mags were doing—one writer reviews several books at a time, allowing each one a few paragraphs, and makes a little essay of it. If it’s done right, if the writer is good enough, you end up getting not just “notices” but an impression of somebody’s sensibility.

Anyway, Guy was the oxford brookes creative writing, first person I called. The Movie! I’d been corresponding with him for a couple of years by that point, mostly just to ask questions about dbq essays his work. Essay! We became friends—I mean, at first, it was an dbq essays ap world history, odd kind of friendship. I doubt there was enough equality between us for it to crash the movie be a real, enjoyable thing for him. He probably felt like he was talking to an idiot much of the time. He was a certified genius, after all, and oxford creative writing that can be isolating. But I was happy to be his—what?—student? Yeah, I was his student. And that relaxed him, because he knew how to teach. I would visit him at his house on Bell Court, and essay the movie take notes while he thought out loud.

For about 4 essays published harper lee three years I read nothing but books he’d mentioned. That was a lot of books. As time went by, the dynamic did develop into something deeper. I got to know Erik Reece, Guy’s real apprentice during those years. About The Movie! I got to know Wyatt Mason, another of Guy’s correspondents. Guy brought people together that way. History! Knowing him was an invisible college.

And I got to know his fascinating wife, the research librarian Bonnie Jean Cox, who still lives in crash the movie, Lex. Point being: he was a magnificent, complicated creature—sure-minded and neurotic, sweet and ornery, gossipy, touchy at times, yet invariably quick to laugh at himself or retract some nasty remark if you called him down on it—those are only my late-in-his-life notebook observations. There are people who really knew him, as a man. Essay! I never did. About! But well enough to 4 essays published by nelle harper lee feel his absence very keenly. There were things, having to do with writing and history, that you could only call Guy about.

Now that he’s dead, you won’t ever call anybody about them. The last time I heard his voice, he was quoting Kipling, on young men going to about war, and crying. He did not try to hide that he was afraid—he did not give death the honor of having forced him to pretend that. I got to tell him my wife was pregnant with our first daughter. He said, “I envy all young people the enjoyment of their bodies.” I dedicated that “Rafinesque” piece (a mushroom grown in his shadow, to use one of his phrases) to his memory because… I don’t believe in reincarnation, but I do have a vestigial hippie suspicion sometimes that our cells pass into other people somehow, and theirs into ours, and Guy had some of Rafinesque’s cells in him. If they’d been in Lexington at the same time, they would have become best friends, and ap world then had a hideous falling out. Rumpus: In some pieces in the book, most notably in essay about the movie, “Upon This Rock,” “Mr. Lytle: An Essay,” “At a Shelter,” “American Grotesque,” “Unknown Bards,” “The Last Wailer,” and Peyton’s Place,” you yourself are a main part of the piece. The Best American Essays! The “Mr. Crash! Lytle” essay is one of the brookes writing, most fascinating because it’s a reminiscence of yourself at a younger age where you say about Lytle: “I came to love him. Essay The Movie! Not in the way he wanted, maybe, but not in a way that was stinting.

Mon vieux. I was twenty and I believed that nothing as strange was liable to happen to me again. I was a baby.” It seems that one reason that your book has touched such a cord is the openness between the essay, author and the reader. We might feel you are being more of a pal than many other essayists and essay about your trust in dbq essays history, us is matched by our trust in about crash, following you into any subject. American Essays Table Of Contents! As with a John McPhee, you are a writer whose audience would be happy to buy you a beer. How do you keep the balance between what is too personal? Do you have a line you won’t cross? Sullivan: If I do I haven’t found it. But then… in a way, the line is total. I never really feel like I’ve given myself away, in a piece; the “first person” isn’t you; you’re zero.

The first person already involves the assertion of a mask. As for the balance, I feel about about crash it precisely as one would at a meal or on 2011 a boat with strangers, wanting to talk about myself enough not to seem closed off, but never so much as to essay crash the movie bore them, and always watching, in the best american 2011, a probably paranoid way, for that moment, that line, when I’ve talked a sentence too long, and added a detail after they’d lost interest in essay about crash the movie, the subject. The eyes people get at on happiest that moment, they glaze over and go dead, in about crash the movie, an uncontrollable primate way—we can’t help it. I hate and fear those eyes. This isn’t exactly a heroic vision of the writer, but it’s natural. I am trying to charm the reader because I want him and her to come with me deeper into the piece . If you can bring them with you there, things get more interesting. Rumpus: I know you’ve said you’ve gotten many angry comments on “The Violence of the Lambs” piece. It’s about the animal kingdom’s growing attacks on agricultural human beings, detailing the sharp increase in incidents in the last decade or so. Essay Crash The Movie! I was surprised by ap world history the ending, but it wasn’t enough to sever that trust that the essay the movie, rest of the book had basically cemented. Why did you feel you had to make a fiction out of the situation surrounding these attacks?

Did you want to make it a better “story?” Adding characters and a travel trip to cultural essay unearth more bad news to essay about crash the movie up the tension? Sullivan: I’m not into bullying readers with my own interpretation of agricultural cultural, my stuff. If they see it differently than I do—if they care enough to “see” it at all—this tells me it’s alive in the world, so I’m happy. I back off. But with that piece, it was more… a question of genre. There are people who think I was trying to write a serious report, and essay crash the movie using deception to keep them hooked. They got mad at the end, when I revealed it.

But the 4 essays by nelle lee, deception was the essay about crash, point of the the best american of contents, piece. It was a hoax. Not a “Ha ha, I’m clever and you’re gullible” sort of about the movie, hoax, I hope, but a “Don’t you see how easy it is to do this, to make totally insane things seem plausible?” sort of hoax. A satirical hoax. It was written in dbq essays ap world, the thick of post-9/11 fear-mongering. I don’t know.

I don’t suppose I have a right to complain, if some people took it wrong or continue to about think it sucks, for that matter. He who lives by the hoax dies by the outrage. Rumpus: Your new essay, “Two Princes: A Reconstruction,” in the Paris Review’s 200th issue, is a little different from many of the essays in the book—yourself as writer has disappeared, with no references to cultural your life and little to the world as we currently know it. In a way you’ve taken on the guise of essay about, a nameless scribe or chronicler, but one who is sorting out history as made jumbled and diffuse by many sources and viewpoints related to the Indian princes and their master, Captain Pecht/John Pight, who was in truth one man but with two names and two similar stories in brookes creative, the annals. Crash! What made you pursue this particular story? Was it the history, ability to reconstruct—to right a flaw in history? What also stands out is the 300-year-old attitude toward Native Americans from the sources you quote: the parading around, the examining them as specimens. In light of living in a time of many occupations across the world, particularly by the U.S., I can’t help but be unsettled by a glimpse into the impact of the largest genocide in history.

How did your feelings about these topics play out in shaping the piece? Sullivan: I’m glad it unsettles you. Yes, my whole interest in the early eighteenth century is a sublimated interest in the present. Essay Crash The Movie! That’s a suppressed phase in our history. We have a couple of 2011 of contents, myths for the beginning of the South—we have Ponce de Leon finding the fountain in Florida, for the Spanish, and we have the whole Pocahontas thing in Virginia, for the English—but then it’s as if the essay, South disappears for a couple of hundred years, in my life, terms of our collective historical imagination—reemerging with the antebellum period, and then fully visible in the Civil War. But there were two centuries in between those phases. What was happening? Plantation slavery was happening, for crash, one thing, getting codified, and the English were starting to export it west. The west was open now, which again in our textbooks happens as if by magic, “as settlement expanded,” but it was because of over two centuries of violence against and among the the best american essays, eastern Native American tribes.

Disease epidemics were causing fatalities among the Indians that we don’t even know how to calculate, because in essay about crash, some cases they hit tribes whose existence and languages weren’t recorded, and the remnant populations disappeared into other tribes, if they were fortunate. You had this strange institution that the vast majority of Americans don’t even know existed here (but that existed for more than a hundred years)—Indian slavery. A scholar named Alan Gallay wrote the first really good book about it less than a decade ago. As the Indian populations declined, Africans started arriving to Carolina in newly massive numbers. An ugly, bloody period, but vivid and dramatic. I don’t think you can understand much about American history without it. Wagner Judaism Essays! And it generated some wonderful, haunting stories. My piece on the two American princes is an attempt to capture one of those and put it in a bottle. Rumpus: What do you re-read? Are there certain pieces and about crash the movie authors you go back to?

Does reading ever interfere with your writing? Is the relationship antagonistic or easeful? Sullivan: With some books, it’s not so much re-reading as perpetually reading, and never finishing, since what would finishing even mean? Boswell is that way for oxford creative, me. A house where I know I’ll be spending time for the rest of my life.

Pepys, and Burton’s Anatomy of Melancholy , books like that. Essay About The Movie! The most recent book I re-read was Dame Frances Yates’s Rosicrucian Enlightenment . For a project I’m working on. Greg Gerke’s fiction and non-fiction has appeared or is brookes, forthcoming in Tin House, The Kenyon Review Online, Denver Quarterly, Quarterly West, Mississippi Review, LIT, Film Comment, and others. He lives in Brooklyn. More from this author →

25 Songs That Tell Us Where Music Is Going. By THE NEW YORK TIMES MAGAZINE MARCH 9, 2017. By Nitsuh Abebe. Essay About Crash The Movie. A strange thing you learn about American popular music, if you look back far enough, is that for a long time it didn#x2019;t much have #x201C;genres#x201D; #x2014; it had ethnicities. Vaudeville acts, for the best table instance, had tunes for just about essay about crash the movie, every major immigrant group: the Italian number, the Yiddish number, the Irish one, the Chinese. Essay On Happiest Day Of My Life. Some were sung in a spirit of essay about crash the movie, abuse; others were written or performed by members of those groups themselves. And of course there were the minstrel shows, in which people with mocking, cork-painted faces sang what they pretended were the harper, songs of Southern former slaves.

This was how we reckoned with our melting pot: crudely, obliviously, maybe with a nice tune and a beat you could dance to. About The Movie. Sometime in the 1950s, the mainstream saw its last great gasp of this habit. American Essays 2011 Table. A nation that considered itself very space-age and worldly enjoyed quaint spins on sentimental Italian music (#x201C;That#x2019;s Amore#x201D; and its pizza pies) and Trinidadian calypso songs about essay about crash the movie, hard, simple labor (#x201C;Day-O#x201D; and its bananas). Essays Table. You had your #x201C;Latin#x201D; numbers, your Hawaiian ones, your #x201C;Asian#x201D; songs #x2014; light ethnic pastiches laid out cheerily, like an international buffet that serves falafel one day and about, schnitzel the next, never too bothered about how accurate the recipes are. There was a simple notion behind all this stuff, and it was the belief that music, like food, came from someplace, and from some people. Even when it was played in a condescending ethnic-joke burlesque of who those people actually were #x2014; even when it was pretty aggressively racist #x2014; the notion remained: Different styles sprang from different people.

Then all of this changed, and we decided to start thinking of pop music not as a folk tradition but as an art; we started to picture musicians as people who invented sounds and styles, making intellectual decisions about their work. But music is still, pretty obviously, tied to people. How else do you create a situation in which, after decades of oxford, hip-hop#x2019;s being the about the movie, main engine of on happiest, pop music, it can still be a little complicated when nonblack people rap? That vexed thing we call #x201C;identity#x201D; leans its considerable weight on all kinds of crash, questions: which sounds comfort us or excite us; where and how we listen to them; how we move our bodies as they play. Watch a mere silhouette of a human being dancing to music, and you can immediately guess things about the best 2011 table of contents, who they are and where they came from. In 2017, identity is the topic at the absolute center of our conversations about music. There may be times when this fact grates at us, when it feels as though there must be other dimensions of the world to about attend to; #x201C;surely,#x201D; you moan, #x201C;there are songs that speak to basic human emotions in ways that transcend the particulars of who we are!#x201D; But if you look through the essays in this magazine, you may notice two things.

One is the best, that, unbidden and according to no plan, they find themselves continually reckoning with questions of identity. The other is essay about, that they#x2019;re doing this because the and other, musicians are, too. The Movie. A Japanese-American musician writes a song called #x201C;Your Best American Girl.#x201D; An R.B. singer titles one #x201C;F.U.B.U.#x201D; #x2014; or, #x201C;for us, by us.#x201D; Are you part of her #x201C;us#x201D;? The house music in Kanye West#x2019;s #x201C;Fade#x201D;: Does it make you picture the black Chicagoans who helped invent it or the dbq essays ap world, club-going Europeans who embraced it? How does it work when a queer woman matches the sexual braggadocio of male rappers, when L.G.B.T. Essay About Crash. activists sing a country song for essay my life a restaurant chain that once fired gay employees, when Leonard Cohen revisits his childhood religious inheritance? This is essay about the movie, what we talk about now, the music-makers and the music-listeners both. Not the essay day of, fine details of essay the movie, genre and style #x2014; everyone, allegedly, listens to everything now #x2014; but the networks of identity that float within them.

Maybe decades ago you could aim your songs at a mass market, but music does not really have one of those anymore. Artists have to figure out whom they#x2019;re speaking to and where they#x2019;re speaking from. The rest of us do the same. For better or worse, it#x2019;s all identity now. #x2666; Nitsuh Abebe is a story editor for the magazine.

All I want to do is dance #x2014; but it#x2019;s complicated. By Wesley Morris. Loving Adele shouldn#x2019;t be that hard. When a chorus brings her voice to its cruising altitude, it#x2019;s like you#x2019;re up there, flying with it. Down here, on richard in music earth, where her third album, #x201C;25,#x201D; made Adele the top-selling artist of 2015 and 2016, she has that realness we say we value in the people we elevate to stardom; last month, during the essay about crash the movie, Grammys telecast, she cursed as she interrupted a laconic version of George Michael#x2019;s #x201C;Fastlove#x201D; in order to get the tempo right.

But even Adele knows that loving Adele is 4 essays by nelle lee, complicated. At the Grammys, #x201C;25#x201D; won album of the year, and a poignant portion of her acceptance speech was a tribute to Beyonc#xE9;, whose album #x201C;Lemonade#x201D; broke the cultural Richter scale #x2014; and didn#x2019;t win any of the big awards. About Crash The Movie. The moment was poignant because it was earnest: Adele stood just a few feet in front of the woman she called her #x201C;idol#x201D; and spoke of how #x201C;Lemonade#x201D; had empowered her and #x201C;my black friends.#x201D; This was the sort of candor you usually have to wait for Kanye West to deliver, only with none of West#x2019;s biliousness, recrimination and, however myopic, sense of history. Adele didn#x2019;t have to acknowledge that history #x2014; of a white industry#x2019;s crowning preference for white artists. She was living it. Black people have never been necessary to agricultural cultural essay make black music. Crash The Movie. But it has become obligatory for white artists who do (and who win prizes for it) to pay a public contrition tax to their black peers, whether it#x2019;s Adele to Beyonc#xE9; or, three years earlier, Macklemore texting (then publicizing) an apology to Kendrick Lamar for having won (with Ryan Lewis) the oxford brookes creative writing, Grammys in the rap category. Essay Crash. That#x2019;s the wagner judaism in music and other, future of music: recognizing, in the present, that you#x2019;re permanently indentured to the past.

Setting aside its enormous sales, #x201C;25#x201D; is not the artistically catholic landmark that #x201C;Lemonade#x201D; is but an old-fashioned record, built around the essay crash, bloom and flare of Adele#x2019;s singing. Dbq Essays. Some of the essay about the movie, hooks, though, could catch a whale. And isn#x2019;t whaling pop#x2019;s whole point? Yes, certain cultural institutions have a habit of setting traps that trigger trauma. But when it#x2019;s just me and by nelle lee, Adele #x2014; very good Adele, catchy-as-hell Adele #x2014; the essay about the movie, triggers lock. #x201C;Send My Love (to Your New Lover),#x201D; the agricultural cultural essay, second track on #x201C;25,#x201D; makes you mad that we live in essay, a world where what happens at the Grammys can#x2019;t not matter. It makes you mad that we put a political price tag on dbq essays history this kind of perfection. I must have danced to this song 200 times, in blocks of repeats. (Why doesn#x2019;t this woman make more fast songs?) It starts with her saying, #x201C;Just the essay the movie, guitar. Ap World. O.K., cool.#x201D; Then comes the rhythmic plink of a guitar Lindsey Buckingham might have picked. The plink is married to a kick drum#x2019;s heartbeat. Then comes The Voice, at a low smolder, the smoke still rising from a crater of about, disillusionment. By the prechorus, her voice is flanked by richard wagner judaism essays other Adeles swooping in, on multiple tracks, to dispel the dismay of having dated someone with cold feet and to wish the best for this person#x2019;s next girlfriend. #x201C;Send my love to your new lover.

Treat her better,#x201D; she sings, going up a note and adding an extra, addictive breath to #x201C;lover.#x201D; Is this a black song? It moves in dance-hall time. The swelling repetitions are chillingly churchy. And the voice itself has what can be only called soul. It#x2019;s in the pews, the rafters and the aisles. I love this song because it makes me feel strong #x2014; as strong as singing #x201C;We gon#x2019; slay#x201D; any time Beyonc#xE9; does. In other words, #x201C;Send My Love#x201D; sets out to catch a whale. This song makes me feel ridiculous for reacting to institutional biases that pressure us into calling Adele a trespasser. All I want to do when I hear it is call her Ishmael.#x2666; Wesley Morris is the movie, a critic at large for The Times and a staff writer for the magazine.

After a long life, he was ready. By Jonathan Mahler. History. It wasn#x2019;t an email from God, but it was close. Leonard Cohen had written to ask if Gideon Zelermyer, the cantor of Congregation Shaar Hashomayim near Montreal #x2014; Cohen#x2019;s childhood synagogue #x2014; was interested in recording with him. Zelermyer was soon sitting inside the essay, synagogue#x2019;s sanctuary with a few members of Shaar#x2019;s all-male choir, playing with different arrangements for #x201C;You Want It Darker,#x201D; the title track of Cohen#x2019;s 14th and final studio album. Some of the the best american essays 2011, words Cohen had given them to work with were familiar; they were borrowed from two of Judaism#x2019;s holiest prayers. One is the Kaddish, recited by mourners after the about crash the movie, death of a loved one. The other is the High Holy Days prayer Hineni #x2014; literally, #x201C;Here I am#x201D; #x2014; a personal entreaty to God, the worshiper asking plaintively for essay mercy. The choir#x2019;s voices are the first sounds you hear on the album, their ethereal harmonics giving way to essay crash the movie sparse instrumentation and Cohen#x2019;s weary, subterranean growl, then returning to back up the song#x2019;s choruses and cultural, final movement.

This was hardly the first time that Cohen had drawn on his Judaism for essay about crash his music. 4 Essays Published Harper Lee. Though he had a complicated relationship with his religious inheritance, it provided a natural vocabulary for him; it was what he knew, and its stories of human suffering and, occasionally, redemption suited his poet#x2019;s pull toward the existential. But never before have Cohen#x2019;s biblical references felt so charged, so dark, so pointed. #x201C;Magnified, sanctified, be thy holy name,#x201D; he sings. #x201C;Vilified, crucified, in the human frame. A million candles burning for the help that never came. You want it darker.#x201D; Then, echoing the words that Abraham spoke as he answered God#x2019;s command to crash sacrifice his only son: #x201C;Hineni, I#x2019;m ready, my Lord.#x201D; You can#x2019;t listen to creative these words without thinking about the fact that Cohen was dying when he recorded them. It#x2019;s one thing to meditate on faith and mortality when death is an abstraction. It is surely another when you can feel it bearing down on you. And yet the choir#x2019;s harmonies manage to transform the song, lifting Cohen#x2019;s solitary struggle into something universal, even eternal. Cohen once said that he did not think of himself as a religious person, but his life was in many ways an extended spiritual journey. Buddhism, Scientology, kabbalah, Hare Krishna, Hinduism #x2014; Cohen sampled them all. Yet in his final years, he found himself drawn back to the 171-year-old synagogue where he had become a bar mitzvah, where both his grandfather and great-grandfather served as presidents, where a photograph of essay the movie, his Hebrew-school class taken in 1949 still hangs on the wall.

Cohen was living in Los Angeles, but a cousin in cultural, Montreal sent him a recording of Zelermyer and crash, his choir, reuniting Cohen with sounds that had never stopped echoing in his head. Dbq Essays Ap World. He and the cantor struck up an email correspondence. #x201C;May your voice reach that Place and bring down the blessings,#x201D; Cohen wrote Zelermyer in 2008, before the High Holy Days. Essay The Movie. (#x201C;He can#x2019;t write anything normally, can he?#x201D; the cantor remembers thinking.) And then several years later came the note, asking for american 2011 of contents help with a new record. As Cohen put it, #x201C;I#x2019;m looking for a sound like the Shaar choir and about crash, cantor of my youth.#x201D; In October, the record-release event for #x201C;You Want It Darker#x201D; was held at the residence of the Canadian consul general in Los Angeles. Zelermyer was seated with the other V.I.P.s in the front row. It was the first time he had met Cohen in person.

It would also be the last. History. Weeks later, Cohen#x2019;s coffin was lowered into the earth at Shaar Hashomayim#x2019;s cemetery. Zelermyer stood next to Cohen#x2019;s family as they recited the about the movie, Kaddish.#x2666; Jonathan Mahler is 4 essays published by nelle harper, a staff writer for the magazine. A rap legend bends the present into a hopeful future. By Julianne Escobedo Shepherd.

When Missy Elliott divines the future in her science-fiction-inflected videos, she never envisions dystopia. Even in essay, the oversize jacket bearing the slogan #x201C;Save the Humans#x201D; that she wears in writing, the video for #x201C;I#x2019;m Better,#x201D; her optimism supersedes the plea. Positivity feels like an intrinsic part of her message and her temperament, and in essay about the movie, a climate of uncertainty and fear, #x201C;I#x2019;m Better#x201D; is an alien message of hope, full of sneaky inspiration meant to help us get up in the morning, rise-and-grind style. #x201C;It#x2019;s another day, another chance,#x201D; the Miami producer Lamb raps, helping Elliott out on the chorus. Essay. #x201C;I wake up, I wanna dance. So as long as I got my friends . Essay About Crash The Movie. I#x2019;m better, I#x2019;m better, I#x2019;m better!#x201D; Released in american 2011 table of contents, the last week of January, the signature futurism of essay the movie, #x201C;I#x2019;m Better#x201D; was a welcome jolt. The beat is so stark it#x2019;s almost jarring, with a tiptoeing synth melody that makes Elliott sound like some kind of gumshoe on wagner essays the case, tracking down dudes in the act of creeping.

Characteristically slick, the video features dancers in headgear that mimics light-therapy acne masks. About. Elliott gleams in outlandish feathered adornment and wagner judaism in music and other, lip gloss the color of a vinyl record, delivering cheeky brags about her coterie of admirers, who watch her #x201C;like he watchin#x2019; #x2018;Scandal#x2019; #x2014; but I#x2019;m just here with my girls.#x201D; Elliott#x2019;s approach has always been an essay about crash the movie antidote to conservatism, both within music and sometimes outside it. She#x2019;s unwilling to abide by any perceived rules of language. For years, she has bent rhythmic parameters and willfully warped nouns so that they rhyme, as if to prove that there#x2019;s always another, probably far cooler way of going about life and language than the richard essays, rest of us have recognized. About Crash The Movie. On #x201C;I#x2019;m Better,#x201D; she rhymes the agricultural cultural essay, Spanish word for #x201C;fire#x201D; with an essay crash the movie English word for a car #x2014; #x201C;He say I#x2019;m hot, I#x2019;m so fue-eh-go/Pull up on lee him in essay about the movie, my veh-heh-co.#x201D; These tricks carry such uncomplicated joy that they give us permission to oxford creative writing celebrate too. #x201C;He say I#x2019;m pretty, I#x2019;m pretty, you must be from Brazil, I must be from M#xE9;xico,#x201D; she concludes, rhyming the Spanish pronunciation #x2014; and giving dap to those of us with origins in the global South, who could use the shout-out these days. #x201C;I#x2019;m Better#x201D; also positions Elliott in the American South, the Virginia of crash, her upbringing, as well as Orlando, Miami, Atlanta. Its sound adheres to current trends in Southern hip-hop #x2014; which is curious, because Elliott sets trends but rarely follows them. Judaism In Music Essays. Yet by essay crash the movie employing the syrupy, stripped-down delivery so many young Southern rappers favor, she establishes a lineage, from published lee her work to theirs: Stylistically, it is essay about, difficult to imagine a Migos without a Missy Elliott.

For Elliott to position herself within a style that#x2019;s popular and yet often derided, usually by Northerners and hip-hop fans over the age of 25 #x2014; for her to sprinkle her flavor on ap world the 2017 iteration of music made for crash the movie the subwoofers in your Jeep #x2014; does a real service to youth culture. Oxford Brookes Creative. More than most rappers, she seems to bend time to her will. And if she can#x2019;t stop it, she will swerve around it.#x2666; Julianne Escobedo Shepherd is the culture editor for crash the movie Jezebel. Party music for the age of opiates. Dbq Essays History. By Amos Barshad.

I spent a large chunk of 2016 trying to talk to Future. I hounded and crash the movie, pressed his P.R. team. Around the wagner judaism essays, top of the year, my nagging paid off; as instructed, I flew from New York to about the movie London for an audience with the rapper. I was set to 4 essays published join his tour and follow him for a few days through Europe. Essay Crash. Very soon, I would find, things would not break my way. On the richard wagner judaism in music and other essays, first night I found myself at essay, a chicken shop called Nando#x2019;s, directly across the street from published lee his overflowing concert venue, rather than backstage as planned. Essay Crash The Movie. With great envy, I stared at richard in music, the crowd flowing in as I munched my breast-and-wing combo. Future had just sat down for about crash an interview with the lee, BBC#x2019;s Charlie Sloth, who asked him about his relationship with Blac Chyna, the Kardashian-affiliated reality-TV personality with whom he#x2019;d possibly been romantically involved. #x201C;Are yous two still cool?#x201D; Sloth asked, in a punchy London rumble. #x201C;We great,#x201D; Future responded, in his trademark flat-affect reserve. About The Movie. Privately, though, the entreaty into writing his personal life enraged him. He declared an immediate media blackout.

I was in line for his concert when I got the call from P.R.: The interview was decisively off. I spent a weekend eating delicious Pakistani food, watching Tottenham play Leicester City, hoping for about crash a change of mind that never came. At that point, Future was roughly two years into 4 essays published by nelle harper lee a radical public and artistic reimagining. It started in the fall of 2014, not long after his breakup with the R.B. singer Ciara and essay, the soft landing of essay my life, his pop-friendly sophomore album, #x201C;Honest.#x201D; The failure became an important inflection point. Over the next few years, he created a swelling mass of music with a cloaking grandness to it: Take a step inside, and you were entombed. The songs were lean and incessant and almost completely devoid of any other voice but Future#x2019;s.

And what that voice was intimating to us, from behind the thickest of blackout curtains, was that our man had given up on his conscience and essay crash, that he was guzzling the prescription cough syrup Promethazine and downing Xanax and that he was having sex with women he did not really care about and that this was neither making him feel good nor bad but rather it was making him feel nothing. And then, the cultural, really weird part: Suddenly, rightfully, Future was considered an about crash artist who could not be ignored, our best next hope for essay day of rap-star transcendence. About The Movie. Embracing personal destruction took him there. Was it a meltdown or a rise? What were we to make of a man who made party music out of a death rattle? How should I know? I was stuck at Nando#x2019;s.

This February, after a period of uncharacteristic dormancy, Future #x2014; born Nayvadius Wilburn in 1983 in Atlanta #x2014; returned with a barrage. He released two albums in two weeks, and there are rumors of 4 essays lee, a third. About Crash. On the heartbroken #x201C;HNDRXX,#x201D; he gushed and apologized and balladeered. Future has always had a cockeyed crooner alter-ego; here, it takes the whole stage, suggesting one tantalizing path forward for his discography. And on #x201C;Future,#x201D; he boasted and bragged and sounded weirdly content.

Take #x201C;Mask Off,#x201D; a down-tempo track built, by the elite producer Metro Boomin, around a bizarre but lovely woodwind sample. Essay Day Of. The song hints at a certain kind of violence and ruthlessness, the essay crash, kind suggested by oxford creative writing a criminal setting off into the night and about, choosing to american table leave the ski mask at home. And yet it#x2019;s the kind of song you would want the D.J. to slip on right when you#x2019;ve lost count of your drinks and you#x2019;re feeling buzzy and smiley and essay, warm. Historically, M.C.s have treated narcotics as product to be moved; today#x2019;s younger, party-happy rappers give drugs a gleeful knucklehead spin. But when Future describes his voluminous intake, he does so with all the zeal of a man popping open a days-of-the-week pill organizer. On the hook to #x201C;Mask Off,#x201D; Future rattles off drugs, unsentimentally: #x201C;Percocets/Molly, Percocets.#x201D; For him, sometimes the drugs are great; sometimes, not so much. On #x201C;Mask Off,#x201D; amid rhymes about how totally fun and good his life is, he calls Promethazine his #x201C;guillotine.#x201D; It feels reductive to try to pin an artist down on the sins of his persona. Hip-hop#x2019;s greatest running trick has been blurring the lines of #x201C;real life#x201D; and art. But with the rate at which Future was rapping about on happiest my life, drugs, one question was inevitably posed: Is this an crash addiction?

If so, it was a new spin on a classic trope. The arc of pretty much every drug movie mimics the whiz-bang of the initial high and the eye-blackening horror of the inevitable comedown. 4 Essays Published By Nelle Harper Lee. Future#x2019;s music acknowledged that drug addiction isn#x2019;t that cinematically neat: It#x2019;s the about crash the movie, high and the comedown over history, and over again. Crash The Movie. After London, Future#x2019;s P.R. staff and 4 essays harper, I got back into our little dance. Emails, calls, texts, pleadings. Soon, I received word that Future was ready to talk again. It was in Toronto that we actually met, and where it was so cold that the streets had a kind of essay the movie, a permafrost hue. The pavement felt as if it could, at any point, shatter. For a few days, I tagged along with Future and his affable crew.

The first order of business was an interview with a TV station on the 19th floor of a high-end hotel. The interviewer, a friendly reporter in all black, was drinking a glass of white wine. She showed Future the tattoos on her arm; I couldn#x2019;t quite see them, but they were apparently inspired by richard wagner in music and other essays his music. #x201C;Oh!#x201D; he said in delight, then waved away Shooter, his ever-present personal photographer. About Crash The Movie. #x201C;Let us have this moment.#x201D; Apparently emboldened, the reporter shared more. Cultural Essay. #x201C;I#x2019;ve been drinking #x2019;cause I#x2019;m nervous,#x201D; she told him. She had ended a long-term relationship, she said, because of his music. In person, Future provides no outward signs that you should approach him with confessionals. About Crash The Movie. He#x2019;s imposingly tall and more than a little grave. Essay On Happiest Day Of My Life. He is also beautiful. (L.A. Reid, chairman of Epic Records, who signed Future, told me of crash, their initial meeting: #x201C;Usually I ask people to oxford brookes creative writing audition.

Future, I didn#x2019;t even want him to move. Essay Crash The Movie. #x2018;Let#x2019;s get you signed while you#x2019;re sitting there looking like that.#x2019;#x2009;#x201D;) But the TV reporter went for it, and it was brave. And almost immediately, Future went back to thumbing through his phone. Essay On Happiest My Life. He either hadn#x2019;t heard what she said or he chose to ignore it. After a few beats of silence he finally looked up. #x201C;Ay, what#x2019;s the name of this hotel?#x201D; The next day, I finally had my chance to connect. We were upstairs at a middlebrow bistro with a lot of essay about crash, bare wood, and Future had just finished off an impromptu date. His partner had off-white blond hair tucked under an actually white baseball cap and was wearing a combination bodysuit/tunic (also white). She#x2019;d brought him a late Valentine#x2019;s Day gift, a nice puffy coat: #x201C;It#x2019;s that Chanel swag!#x201D; she announced. They ate sushi, chicken wings and steak salad. She told him that when she travels, she likes to in music and other essays stay at Airbnbs because that way you get #x201C;immersed#x201D; in crash the movie, local culture. And I know this because during the totality of the date, the team and I were sitting at richard wagner judaism in music essays, the adjoining table. Eventually his date left, and Future announced his verdict on about the holiday, to grins from the brookes creative writing, crew: #x201C;Man this Valentine#x2019;s Day [expletive] a setup.#x201D; Finally, we talked.

I brought up London. He smiled. I guess you could call it a sheepish smile. I told him it really didn#x2019;t seem as if he wanted to the movie do press at all. I asked him why he was going through with it. #x201C;I don#x2019;t wanna do it,#x201D; he said, maybe even relieved to day of my life say it out loud. #x201C;My publicist like: #x2018;Man, why you got a publicist if you don#x2019;t wanna do press?#x2019; I#x2019;m trying to give you the real me, but they want me to essay be fake, so I#x2019;d rather not even say nothing.#x201D; The conversation rolled on, meandered. It even clicked into gear at a few points. He talked about his itinerant childhood, how he never wanted to have a fixed address so no one with an dbq essays history antagonistic agenda would ever be able to about the movie find him. He talked about the love and care of the american 2011, family members that sorted him out. He remembered the joy of playing #x201C;Racks,#x201D; an early hit, for the first time and how the D.J. About. loved it so much he didn#x2019;t want to give the brookes writing, CD back.

And he said that it all, eventually, changed everything. #x201C;Back then, I had no feelings,#x201D; he told me. #x201C;It wasn#x2019;t until I started doing music that I started to essay really have a conscience.#x201D; It was nice, and fleeting. But I never was able to get a hook into richard wagner in music essays him. Crash The Movie. I never could formulate a question that made him want to really talk. Dbq Essays. When I called DJ Spinz, one of Future#x2019;s regular collaborators, he told me about Future#x2019;s work ethic, his remarkable ability to unfurl a whole song after 20 minutes of hearing a beat roll. But nothing he said felt as relevant as when he told me this: #x201C;Future doesn#x2019;t speak much.#x201D; I was reminded of about, a moment back in London. Richard In Music And Other. I had stuck around after Nando#x2019;s long enough to try to finagle my way into the show. My move was to sidle close to the stage door, in the alley, hoping for an opening. It never came. Upon Future#x2019;s arrival, his luxury sedan idled until minutes before his set time.

Then he exited the back seat and walked directly through the crash the movie, stage door, surrounded by an imposing security detail, with the richard judaism essays, massive hood of an arctic parka over his head. I never even saw his face. I chased Future through two separate sovereign nations and walked away remembering one thing: I love rappers. They never break character.#x2666; Amos Barshad is a senior writer for crash the movie The Fader magazine. Can choir nerds bring harmony to a divided country? By Amy Phillips.

#x201C;A cappella is cool again,#x201D; declared the Cracker Barrel Twitter account, an unexpected authority on such matters, in October 2015. Agricultural Cultural. The occasion was a new sponsorship deal with Pentatonix, the essay, astonishingly popular vocal quintet. Much like Cracker Barrel, Pentatonix is one of those cultural institutions whose existence you could go your whole life not noticing, until you do, when you realize it is everywhere. #x201C;3x Grammy Award Winning Multi-Platinum Selling Choir Nerds,#x201D; the agricultural essay, group#x2019;s Twitter bio boasts, and it#x2019;s true: Over the essay the movie, course of essay my life, almost six years, Pentatonix has sold more than six million records, put out the essay about, first a cappella album to debut at No. 1 on Billboard#x2019;s Top 200 chart and amassed over two billion YouTube views. The third of those Grammys, for Best Country Duo/Group Performance, came in published by nelle harper, February, for a collaboration with Dolly Parton on a new version of her #x2019;70s heartbreak classic, #x201C;Jolene.#x201D; The world has Cracker Barrel to thank for this team-up: Both Parton and about the movie, Pentatonix have partnerships with the chain, which brought them together to record #x201C;Jolene#x201D; as a promotional single. The result sounds like a barbershop quartet singing at an old-timey barn raising. #x201C;We#x2019;re both very family-centric and very wholesome,#x201D; Kirstin Maldonado, the Pentatonix mezzo-soprano, said in 2015, explaining why the group#x2019;s image meshes so well with the brand#x2019;s, #x201C;and I think our demographics really integrate well.#x201D; Pentatonix#x2019;s music is indeed relentlessly wholesome #x2014; just five voices cooing and my life, trilling and about, humming cheerily along. There is nothing dangerous or dark or threatening in dbq essays ap world, their work, which consists mostly of chaste covers of pop hits and essay, Christmas songs.

No sex, only agricultural, kissing. No bad behavior, no cursing and certainly no politics. About Crash. The five members of Pentatonix, though, represent a rainbow coalition of historically marginalized groups. Maldonado, the group#x2019;s lone woman, is dbq essays history, Hispanic. One of the male lead singers, Mitch Grassi, is openly gay. He and essay crash, the other male lead, Scott Hoying, have a side-project YouTube series called #x201C;Superfruit,#x201D; which sells tank tops that say #x201C;Marriage Is So Gay.#x201D; Avi Kaplan, the basso profundo, is Jewish, and agricultural cultural, Kevin Olusola, the beat-boxer, is black and a practicing Seventh-day Adventist. This #x201C;Sesame Street#x201D; version of American harmony makes the group#x2019;s association with Cracker Barrel #x2014; which has a history of essay about crash the movie, discrimination #x2014; particularly fascinating.

Despite looking like a United Colors of Benetton ad styled by the Kardashians, the members of Pentatonix sound like the jukebox at dbq essays history, a heavily chaperoned sock hop; through them, Cracker Barrel can dip its toes in the waters of inclusion without fearing any backlash. Indeed, if you#x2019;re looking for about criticism of wagner in music, Pentatonix, you#x2019;re more likely to find it on liberal music websites trashing its #x201C;nightmarishly hammy#x201D; sound (to quote Rolling Stone) than on conservative sites attacking its politics. Members have appeared on #x201C;All Things Considered#x201D; and #x201C;Fox and Friends,#x201D; and nobody batted an eye. Could it be that five choir nerds hold the secret to bridging a divided nation?#x2666; Amy Phillips is the news director for Pitchfork. Who makes the essay about crash the movie, protest music?

Of course it would be A Tribe Called Quest who gave the nation#x2019;s pop body politic its first acidly anthemic counterassault on Donald Trump#x2019;s anti-immigrant sentiments. 4 Essays. This is, after all, the Golden Age vintage hip-hop band with respective Trinidadian-American and Muslim founders in Phife Dawg and Ali Shaheed Muhammad, one half of the original team; the about the movie, one that gave dap to 2011 table of contents the plight of Haitian immigrants on its 1990 debut album, #x201C;People#x2019;s Instinctive Travels and essay about the movie, the Paths of Rhythm#x201D;; the group whose very name is a panegyric in praise of the hyphenated American dream. Of course they did it. Their performance of that snarky resistance song #x2014; #x201C;We the dbq essays, People . #x201D; #x2014; at last month#x2019;s Grammy Awards, alongside their Jamaican-American fellow traveler Busta Rhymes, didn#x2019;t just split ownership of the whole showcase with Beyonc#xE9;#x2019;s fertility-goddess spectacular. It had Busta addressing the president by a pungent new name: #x201C;Agent Orange.#x201D; Months earlier, their #x201C;Saturday Night Live#x201D; debut of the song (and its parent project, #x201C;We Got It From Here . Thank You 4 Your Service#x201D;) came in the same week the essay about, president blustered his way into on happiest day of my life the Oval Office, lost the popular vote and about crash the movie, set off a resistance movement in dbq essays ap world history, song and dance and sardonic album titling.

That moment made New York rap iconoclasm #x2014; and A Tribe Called Quest #x2014; matter again in one epic, epochal heartbeat: Who else are you gonna call when the dirty work of radical-oppositional boom-bap needs to essay about be done, live and direct, in irony-redolent rhyme? By February, A Tribe Called Quest#x2019;s Grammy performance was sustaining the cultural, same Black Panther- and Public Enemy-powered momentum that Beyonc#xE9; brought to last year#x2019;s Super Bowl #x2014; the same kind in Kendrick Lamar#x2019;s own fire-breathing, flame-throwing, plantation-to-penitentiary salvo at last year#x2019;s Grammys. To the extent that America#x2019;s current protest movement has provoked any pop paeans worthy of Bob Dylan or Curtis Mayfield, they have emerged out of Black Lives Matter #x2014; and in remarkably short order. It has been 31 months since #x201C;we the people#x201D; of Ferguson, and then Baltimore, inspired not just those cities#x2019; urban commandos but a generation of youthful-and-truthful hip-hop and R. B. standard-bearers. Whether the crash, white alt-rock left will seize this moment#x2019;s baton as frankly or as fruitfully remains to be seen. American Essays. We need not hold our breath waiting, though. #x201C;We the People . #x201D; is full of ready-to-rumble pushback. Its lyrics name and essay about crash, gather together all the targeted #x2014; Mexicanfolk, Muslimfolk, gayfolk, womenfolk, #BlackLivesMatterfolk #x2014; under one force field. And under one intersectional, Queens-bred guerrilla meal plan: #x201C;We don#x2019;t believe you #x2019;cause we the people. Are still here in the rear, ayo, we don#x2019;t need you. You in the #x2018;killing off good young nigga#x2019; mood. When we get hungry we eat the published by nelle harper, same [expletive] food.

Greg Tate is a writer and musician who lives in Harlem. Rap music fully unmoored from its past. By JAMIE LAUREN KEILES. Crash. There are two different ways you can keep up with pop. Dbq Essays Ap World History. The first is by drifting along with the current, bobbing immersed in the changing of the about the movie, charts #x2014; so lost from any point of reference on the shore that minor fluctuations (the downfall of an air horn, the 4 essays published harper lee, outflow of crash, a sound) hardly register. From there, in richard, the tide, you don#x2019;t ask, #x201C;How did pop get here?#x201D; because you were with it the whole time. You, most likely, are in high school, or college, or somewhere that music flows like water all around. Pop, in such places, is understood by osmosis.

The rest of us #x2014; less lucky #x2014; must accept the second system. Somewhere along the way we get busy with work, or prioritize movies, or decide to have kids and look up to find we#x2019;ve lost the thread. We emerge from our hiatus and about the movie, turn on the radio only to wonder, #x201C;How did pop get here?#x201D; We have no idea. It is then that we begin to study pop trends by rote #x2014; by reading reviews and listening to podcasts, by looking up songs on Shazam in the drugstore, by brookes creative writing turning to Google to ask it: #x201C;Who is Lil Yachty?#x201D; Before I heard Yachty#x2019;s music, I heard that he was awful. About Crash. I heard he had no flow and couldn#x2019;t rap, was a meme and american table, a poseur, wasn#x2019;t repping the culture.

Wiz Khalifa called his style #x201C;mumble rap.#x201D; His sound, I heard, was dinky. When I finally relented and listened to #x201C;One Night#x201D; #x2014; Yachty#x2019;s top-charting song of last year #x2014; nothing I heard could dispel what I#x2019;d been told. Essay About. Flow? Clumsy. Lyrics? Bland. The beat on judaism and other essays the track was the inverse of a banger #x2014; tinny and thin, compulsively looping, like something churned out with a really cool toy. In a voice that was somehow both droning and singsong, the essay crash, 19-year-old Atlantan wanly shrugged off commitment. It was an anthem for the player who can#x2019;t be tied down, run a thousand times though a Xerox machine. Dbq Essays. Catchy like a backing track in a commercial, it was sticky for all the texture it lacked.

I listened on repeat with car-crash infatuation. It wasn#x2019;t good rap by any technical metric #x2014; or at least not by any metric I knew #x2014; but for some unknown reason, I wanted to like it. Like any pop #xE9;migr#xE9;, I started to about the movie study. The hip-hop establishment had little to offer. Ebro Darden of Hot 97 took to Twitter to dbq essays history whine about Yachty; #x2019;90s production legend Pete Rock posted online, #x201C;He sucks mud on a rainy day!#x201D; Yachty, meanwhile, seemed to about the movie pay little mind to the genre conventions he#x2019;d supposedly betrayed. Of hip-hop forefathers Biggie and Tupac, he told Billboard, #x201C;I honestly couldn#x2019;t name five songs.#x201D; Instead, his influences were Fall Out Boy and Coldplay. He signed an endorsement deal with Target, alongside the essay day of my life, Canadian pop star Carly Rae Jepsen. In Nautica shirts and about crash the movie, plastic-beaded braids, he was an ungraceful hybrid of your grandpa and creative, your niece. In the style of Warhol backstage at essay about the movie, WrestleMania #x2014; awkward and quiet, but nonetheless enthused #x2014; he made the rounds, telling press outlets, #x201C;I#x2019;m not a rapper.#x201D; Instead, he claimed he was an artist, a brand. As old-schoolers and gatekeepers scratched their heads and wept, Yachty continued to rise through the ranks, buoyed by fans who had no trouble understanding. His come-up was something straight outta LinkedIn, an the best of contents origin uncaring toward the rap plot as we know it.

Before releasing a single track #x2014; before perhaps even rapping a single bar #x2014; he spent a summer networking with influencers in New York, befriending the internet cool-teen Luka Sabbat and A$AP-affiliate-slash-stylist Ian Connor. Essay Crash. It wasn#x2019;t a mixtape or even SoundCloud that brought #x201C;One Night#x201D; to fame but instead the track#x2019;s appearance in by nelle harper, a viral comedy clip on YouTube. The subsequent music video made a mockery of an older generation#x2019;s rap-vid fantasies. What begins as Yachty on a yacht with three women quickly descends into about crash the movie maritime madness #x2014; jump-cuts from hammerhead sharks and cultural, harpoons, to dress-up in wet suits and other nautical garb, to glitch-art graphics of slow-swimming fish, calling to mind the the movie, early days of home computers. It#x2019;s a sloppy pastiche of what#x2019;s cool right now: a surging nostalgia for the #x2019;90s, blended with the net-art aesthetic of today, wrapped in the cachet of an Atlanta pedigree. It might all be a gimmick, but it doesn#x2019;t feel random. If rap music is founded on a process of the best, layering #x2014; autobiography with references and samples #x2014; then Yachty does the same for the rap career itself, mixing what#x2019;s trending with the essay about the movie, right group of friends and tying it together with the dbq essays ap world history, loose thread of essay about, a sound.

If it isn#x2019;t good rap, then it#x2019;s the perfect kind of music for those of us barely treading water in the zeitgeist, who can#x2019;t understand new music by ear. Yachty had to do his research, just like the rest of wagner in music essays, us.#x2666; Jamie Lauren Keiles is a writer based in Los Angeles. The Movie. She has found her own corner of R.B. By JENNA WORTHAM. On Happiest Day Of. T he 33-year-old musician Kelela favors the essay about the movie, kind of fashion aesthetic that science-fiction films sometimes use to ap world signify characters from the future: gravity-defying materials in iridescent or metallic colors. For a recent rainy night in Strasbourg, the small city in the northeastern corner of France, she strode onstage dressed like a lieutenant in an anime cartoon, in an oversize gray bomber jacket, matching shorts and heels made from white fabric that stretched above her knees. She raised her hands and gave a hard stare to about the movie the crowd. #x201C;My mission tonight,#x201D; she said, #x201C;is to show the breadth of on happiest day of, R.B. music. The Movie. It has influenced every genre, pretty much, so anyone who thinks it is basic or rudimentary has another thing coming.#x201D; There were no whoops, claps or even smiles. The audience remained passive.

Kelela likes to keep an eye out for the edges of the crowd, where her core fans (#x201C;the queer black and of contents, brown weirdos#x201D; as she put it to me) usually congregate. But tonight, the essay about the movie, scene was homogeneous in a very European way: Women favored striped boatnecks, red lips and messy topknots; the men, zipped-up pullovers and spotless white trainers. Kelela nodded at her D.J., Loric Sih, a sweet-faced boy with bleached blond hair and wire-rimmed Harry Potter glasses, and they dove into her set. History. True to her word, amid the switchbacks of her feathery falsetto voice, there was no mistaking the roots of classic R.B. Essay About The Movie. #x2014; all set to dbq essays history spacey electronic beats far outside the traditional canon. The room became a sound installation of Kelela#x2019;s reverb-y vocals and synthetic #x2019;90s-era Miami bass. Kelela#x2019;s stage was minimally adorned, but her lighting team is adept at the movie, creating James Turrell-like lightscapes that drape her figure in rich reds, purples and ap world, blues.

At one point, her face and body were illuminated by an electric shade of cyan, while the background remained shaded in dark azure. The effect made Kelela look as ethereal and spectral as the music radiating from the speakers. The handful of times I#x2019;d seen her perform in the United States, the audience was rapt for essay about crash the movie the entire performance #x2014; reverent during her atmospheric songs, breaking into the best 2011 exuberant, feverish dance during her fast-paced ones. (Her music can keep the lovesick company in bed just as easily as it can shepherd a party past sunrise.) But that night the concertgoers remained inscrutable. When she transitioned into a new song #x2014; #x201C;Blue Light,#x201D; the first single from her long-awaited debut album #x2014; I pulled out my phone and sent the recording to some friends back home. Some 4,000 miles away, they seemed more excited than the people physically present in the concert hall. Finally, about 30 minutes into her set, Sih began playing #x201C;Rewind,#x201D; the closest thing Kelela has to a pop song. The audience, charmed at last, succumbed to the irresistible beat and danced along. The moment was buoyant but short-lived: It was her last number. She thanked the crowd and then bounded offstage.

When she was back in essay about crash the movie, her dressing room, the oxford brookes, composure Kelela had projected to the audience quickly dissipated. Essay About. She stood with her hands on her hips, chewing on her lip. 4 Essays Harper. Her boyfriend #x2014; a filmmaker named Cieron Magat, with whom she shares an apartment in London #x2014; murmured words of reassurance and essay about the movie, handed her a cup of history, homemade ginger tea. #x201C;That was one of the worst ones,#x201D; she said, sighing and taking off her earrings. Magat told her not to worry, but Kelela wanted to deconstruct the performance. About. #x201C;The thing I#x2019;m always looking for are the eyes, or even the published harper, face that#x2019;s like, I don#x2019;t know what this is but I#x2019;m into essay crash it,#x201D; she said. #x201C;But I got nothing.#x201D; She peeled her clothes off absent-mindedly and paced around her dressing room. #x201C;I was this guy#x201D; #x2014; she threw her arms up in imitation of the essay on happiest, shruggie emoticon #x2014; and sighed again. #x201C;But it#x2019;s unrealistic in about crash the movie, this context.#x201D; By context, Kelela meant that she wasn#x2019;t the headliner #x2014; most people were there to see the main act, the moody British band the xx. Earlier in the day, while roaming around Strasbourg, I noticed that the in music and other, posters advertising the show didn#x2019;t even mention her name. That night, in the nearly sold-out venue, a space that could hold 4,000 people, only a few attendees were black; her #x201C;queer black and brown weirdos#x201D; were missing. About Crash. In the United States, Kelela is essay day of my life, part of the vanguard of black female musicians who make emotional soul, women like Solange, SZA and Syd tha Kyd. The music of these women is aimed squarely at the heart chakra of young black women; it legitimizes as much as it asserts the value of essay, being yourself #x2014; even if that self is thought to be a little off-center.

Kelela, in wagner judaism in music and other, particular, explodes the the movie, notion that blackness is monolithic, a single Pantone square instead of untold variations. Her music is geared to published by nelle lee a generation that lives for juxtapositions and unexpected arrangements, sonically and essay crash, visually. In 2012, Kelela was performing at agricultural cultural, a show that Solange#x2019;s manager happened to the movie see. She asked for a demo and gave the 4 essays published harper lee, song to Solange, who asked Kelela to come on tour with her later that year, introducing Kelela to an audience who could appreciate her innovations in R.B. In October 2013, Kelela released #x201C;Cut 4 Me,#x201D; an impressive mixtape composed of 13 songs that were initially free online. About Crash. At the time, Kelela wanted to see how far she could push herself as an judaism and other essays artist and play with the the movie, boundaries of R.B. Essay On Happiest Day Of My Life. Kelela#x2019;s uninhibited experimentation, as well as the rich latticework on crash songs like #x201C;Send Me Out,#x201D; impressed critics. Pitchfork gave the collection a rare 8.3 rating out of 10 and said she had #x201C;the talent to make herself heard, and the intelligence to get it all together#x201D;; Spin called the in music, collection #x201C;stunning#x201D; and said the singer could #x201C;go anywhere from here.#x201D; That November, Solange chose two of Kelela#x2019;s songs for #x201C;Saint Heron,#x201D; a compilation album released by the movie Solange#x2019;s label of the on happiest day of my life, same name. In 2015, she released a six-song EP called #x201C;Hallucinogen.#x201D; Her sound on the EP somehow managed to evoke Jimmy Jam and crash, Terry Lewis, Bj#xF6;rk and Donna Summer all at american essays, the same time.

It felt like a sonic relic of the past unearthed 100 years in the future. Since then, fans have been waiting for her first full-length album, which Kelela expects to essay about release this year. In her dressing room, Kelela folded herself into the best american essays 2011 table of contents a pretzel on the couch next to me. A candle burned in the background. She knew it had been an about crash off night, but because she loves performing so much, she was still buzzing from the energy. #x201C;The goal,#x201D; she explained, #x201C;is just #x2014; how many people can I put on, just so they can name it, even if they don#x2019;t know what it is ap world history, yet?#x201D; Kelela Mizanekristos was born in 1983 to Mizanekristos Yohannes and essay about crash, Neghist Girma, students who escaped war-torn Ethopia and immigrated separately to the United States.

She was raised in Gaithersburg, Md. Kelela#x2019;s parents introduced her to the violin when she was a child, and she practiced singing along to the radio in her bedroom at night and composing medleys in essay day of, her head. Essay Crash. Her father was fond of Blues Alley, an all-ages jazz supper club in Georgetown frequented by Dizzy Gillespie and Sarah Vaughan. He often took Kelela with him, and she fell in love with the culture of 4 essays by nelle harper lee, music. Essay. She listened to Kirk Franklin on the radio and learned to sing in the best american, ge#x2019;ez, an crash ancient language used primarily in the Ethiopian church, which she attended with her mother. You can still catch the influence in ap world history, her voice #x2014; the way she turns sounds into about the movie sacred geometry, almost unconsciously stairstepping through the vowels and consonants. In her early to mid 20s, she would go to a Washington bar called 18th Street Lounge for its Sunday-night house sessions. Richard Wagner Judaism Essays. A D.J. Essay About Crash. named Sam Burns played eclectic soul and published by nelle harper lee, deep house music, and after a few drinks, if she heard a bit of music that reminded her of another song, she would jump on the microphone and blend the two in real-time. #x201C;I would run to the microphone and figure out a way to essay about crash sing it. I would create a flip,#x201D; she says. #x201C;That is by nelle harper, where I live.#x201D; Her first boyfriend, Kris Funn, whom she met when she was 19, played the upright bass, and essay crash the movie, she sat in richard judaism in music, bars for about hours, watching him and his friends play. She joked to me that she was a #x201C;jazz wife#x201D; but also admitted that she received an unexpected education: She learned to richard wagner judaism in music listen to music, to get a feel for essay crash the movie it.

Eventually the richard in music essays, couple broke up, but Funn encouraged Kelela to trust her instincts and not be intimidated by her lack of formal music training. Essay About The Movie. By that time, Kelela was a student at dbq essays ap world history, American University, studying international studies and sociology. #x201C;I was the only brown girl, all the time, talking about African politics,#x201D; she told me. Essay Crash The Movie. #x201C;I thought I was going to be an academic. In my head, I am supposed to be a college graduate. I wanted to finish. By Nelle. But I was not motivated to sit there and essay about the movie, do that paper. I had a lot of resistance.#x201D; She felt alienated by the program. She dropped out. This was in 2006, and synthpop, epitomized by bands like the published by nelle harper lee, Knife, was trending. She began recording in a punk house in Washington, a city with a hard-core lineage that included acts like Fugazi and Bad Brains. She thrived in an environment devoid of rules. #x201C;What#x2019;s so beautiful about punk culture,#x201D; Kelela says, #x201C;is that the whole idea is about crash the movie, that you don#x2019;t have to be perfect.

Just try. Oxford Brookes Creative Writing. Let#x2019;s just try to make it ourselves.#x201D; At first she sang over essay the movie, indie rock, but it didn#x2019;t feel authentic to her. In Music And Other Essays. She wanted to experiment with electronic music #x2014; #x201C;not real instruments,#x201D; she says. She spent hours on MySpace, scrolling through pages of music and listening to instrumentals. She recorded herself singing over sounds she liked. Then she would send the artist her sample, along with an invitation to collaborate.

Two notable electronic producers agreed, including Daedelus, who featured her on a track. Essay Crash The Movie. At the same time, a friend introduced her to the electro duo Teengirl Fantasy, and they created a song. Will Boston, a founder of the music label Fade to Mind, heard their collaboration and was impressed by what he described to harper lee me as her #x201C;wealth of crash, startling honesty, felt through her vocals.#x201D; By then, Kelela was living in Los Angeles, and Boston brought her a thumb drive of sounds from the label and its British counterpart, Night Slugs. Kelela spent the next several days poring over the files, improvising lyrics over the sounds she liked, turning them into agricultural essay songs. She loved the otherworldliness of the instrumentals #x2014; staccato mixes that used sound effects like tinkling glass and guns reloading over drum machines. The music complemented the gossamer scales she likes to sing in. It was #x201C;exactly what I#x2019;d been looking for,#x201D; she says. Two of the songs she produced during this time were on essay about the movie the mixtape she released in 2013. Kelela took care to describe her role in developing the mixtape, to make certain I knew how active she was in it #x2014; perhaps to counter the idea that she isn#x2019;t self-made or in charge of her own sound. #x201C;The first thing people want to take away from me is cultural, my agency,#x201D; she told me.

Alex Sushon, an about crash the movie electronic producer who goes by Bok Bok, was one of the published, artists Kelela met as she was working on her mixtape, and these days, she tends to work mostly with British producers like him, possibly because they#x2019;ve been pushing the boundaries of R.B. more aggressively by blending it with grime, the essay the movie, East London style of dance music. Electronica, Sushon told me, is referential in the same way that R.B. tends to be. #x201C;That#x2019;s how we think about agricultural cultural, music, inserting small samples from other genres, little shortcuts that are saying something by essay the movie playing something,#x201D; he says. Because of the internet, he explained, musicians can share references more easily than they did in the past. Google, YouTube and SoundCloud make it easy. Sushon compares this dynamic to essays table #x201C;memes, but in musical form.#x201D; The closest analogy is sampling, but it#x2019;s more complex than that. I watched Kelela and her D.J. perform this trick onstage, during one of their songs in Strasbourg. While she was singing #x201C;The High,#x201D; a fuzzed-out, gritty ode to desire, Sih mixed in essay about, a few seconds of a 2002 song by Tweet called #x201C;Oops (Oh My),#x201D; and Kelela segued into its vocals. Here, suddenly, was the thrilling flicker of a decade-old hit that had almost entirely faded from popular culture, tucked into harper her own noir love song.

It was the perfect encapsulation of Kelela#x2019;s odd 21st-century gift for essay the movie taking familiar sounds and repurposing them in cultural essay, a new context, a kind of essay the movie, lyrical d#xE9;j#xE0; vu. Cultural. After the show , back at her Strasbourg Airbnb, Kelela changed into essay the movie oversize gray sweatpants and a black button-down crop top, and padded into the kitchen in white slippers. She plugged in an electric kettle and writing, made another cup of essay crash, ginger tea as our conversation turned to essay on happiest day of her debut album. I expected her to talk about its sound, but she wanted to speak about the intention behind it. She described the album as #x201C;something that speaks to power.#x201D; When I asked her to elaborate, she paused, then said: #x201C;I#x2019;m not talking to essay crash black people, to be honest. I don#x2019;t need to tell black people that R.B. is deep. Table Of Contents. It#x2019;s about the music industry. When I say the white gaze, I#x2019;m not just talking about white people at my show. I like that.

I like playing to mixed crowds. Crash The Movie. For me, it#x2019;s really just the way I#x2019;m treated by people of positions of power who seemingly hold the key.#x201D; The dynamics that bothered Kelela in college didn#x2019;t disappear when she became an artist #x2014; if anything, they intensified. As a student, she was introduced to black academics and feminists like Audre Lorde, Bell Hooks and Angela Davis. These women helped her make sense of the racial and sexist forces that shape the world, and she still turns to them to navigate the music industry. She internalized their insistence to not be apologetic for 2011 table her womanhood or blackness and essay about crash the movie, not be debilitated by exclusion.

Sprawled on the bed in the apartment#x2019;s master bedroom, Kelela told me that Beyonc#xE9;#x2019;s loss at the Grammys depressed her and made her question the 4 essays harper, metrics of success for essay the movie mainstream musicians. #x201C;If that#x2019;s the highest we can achieve in cultural essay, that framework, it doesn#x2019;t even make sense to crash try,#x201D; she told me. A notebook was open to a blank page on the night stand, alongside #x201C;B Jenkins,#x201D; a Fred Moten poetry book that explores the interstitial space among jazz, black aesthetics and politics. Moten#x2019;s work concerns itself with the #x201C;resistance of the object#x201D; and the way that blackness refuses commodification. Kelela is aware of how artists like her get co-opted, morphed into something symbolic that they no longer control, and is determined to avoid it. I had already heard the lengths to which she would go to prevent this from happening.

The first night we met, I asked her how she managed expectations as an artist in 4 essays by nelle, an age of hyperconsumption. I mostly meant her reserve on social media, despite the disturbingly insistent demands in the movie, her Twitter and Instagram mentions for her next release. 4 Essays Published By Nelle Lee. Instead, she described an encounter with Fendi, the Italian luxury brand, which invited her to perform at its new headquarters in Rome to celebrate the start of a new website aimed at millennials. Researching the headquarters online, she discovered that the Palazzo della Civilt#xE0; Italiana, the impressive white marble colosseum that Fendi had taken over, was built to be a propaganda tool under Benito Mussolini. #x201C;I#x2019;m Ethiopian,#x201D; she reminded me: Mussolini invaded Ethiopia in essay the movie, 1935, just before World War II. She didn#x2019;t want her body, her blackness, to published lee be used by a brand, even a big fashion label like Fendi, as a proxy for cool in essay the movie, this context. Wagner Judaism In Music And Other Essays. She asked Fendi representatives to agree to about release a statement addressing her concerns as a condition of her involvement. #x201C;That flipped the whole damn script,#x201D; she said. They#x2019;re still negotiating the partnership, but the interaction speaks to how Kelela views her role: #x201C;If an artist says something, people listen,#x201D; she told me. She sees herself as someone who can wield her status as a celebrity to the best american essays catalyze change.

As the crash, evening wound down, Kelela invited me to get comfortable and listen to dbq essays ap world some of her new tracks. She gave me earbuds and left me alone to listen. (When I pressed her about a release date, she made a coquettish face and demurred, saying the songs were still being mixed. In reality, she just signed with Warp Records, which will take over the release of the the movie, album.) Earlier in wagner and other essays, the night, she said that as politically aware as she feels she is, she didn#x2019;t make an album that addresses those views. #x201C;There was a period after I finished all the songs, I was nervous because I was like: There#x2019;s nothing about my experience as a black woman overtly in this. But I could never not make anything from any other place.#x201D; The songs instead deal with the agony of falling out of crash the movie, love and the ecstasy of oxford creative, finding it anew. Essay About Crash. Her voice is as pretty as ever, rising and oxford brookes, crashing like cresting waves over beats that swing from a druggy drone to throbbing bass lines perfect for the movie dance-floor grinding. In their own way, they are a quiet protest: They feel radical in dbq essays ap world, the way a Kerry James Marshall painting or a Ntozake Shange poem expresses the essay the movie, humanity and beauty of black life. #x201C;All of that is happening in a world that does not want me,#x201D; she said. #x201C;It is a safe space for us to feel, and not necessarily for anyone else.#x201D;#x2666; Jenna Wortham is a staff writer for the magazine. An earworm that nearly eluded its audience. By LYDIA KIESLING. The song, #x201C;This Girl,#x201D; is a result of the (at the time) 19-year-old French D.J. and producer Valentin Brunel, alias Kungs, trawling YouTube videos in his bedroom and finding an obscure 2009 soul-revival tune by the Australian band Cookin#x2019; on 3 Burners. Brunel remixed the song, speeding it up into what he calls a #x201C;happy house track.#x201D; With the aid of oxford brookes creative writing, Spotify, the crash the movie, song soon became a viral hit, topping charts across the globe and ap world, leaving no one more surprised than its respective creators. Crash The Movie. Kungs#x2019;s remix was conceived on YouTube, and YouTube also contains a record of its charms.

The video, which has been viewed over 200 million times and depicts a summer romance on a Greek isle, is followed by hundreds of comments from jubilant global citizens who have finally trapped their earworm. #x201C;This Girl#x201D; now hovers around No.20 on the Shazam Hall of oxford brookes writing, Fame, meaning that more than 13 million users of the app were similarly desperate to find it. For nine weeks, it was the most Shazammed song in the world. What is it about essay about, #x201C;This Girl#x201D;? The rich vocals of Kylie Auldist, the singer for Cookin#x2019; on richard judaism in music and other essays 3 Burners? The retro, cheerful, almost cloying guitar riff? Cynics might say that Kungs left the heavy lifting to Auldist and her bandmates, but this diminishes Kungs#x2019;s inspired additions: his trumpets and his house beat, crucial to essay about the movie the ecstatic danciness of the new version. The result is youthful magic, the aural version of dancing until dawn with a boy you just met. Agricultural. Of smoking cigarettes on a rooftop all hot summer night. These days, an enterprising 19-year-old can browse YouTube, find something that catches his fancy, transform it and essay, broadcast it to the world. An algorithm can anticipate my taste so precisely that it serves up the song I#x2019;ve been dying to hear.

There#x2019;s something about the timing: #x201C;This Girl#x201D; is upbeat and 4 essays published by nelle lee, joyful and nostalgic when the news has been a grim parade. Essay About Crash The Movie. The same year the video#x2019;s young lovers frolicked on the Mediterranean, some 5,000 people died trying to cross the same body of water. Oxford Brookes Writing. Our atmosphere is on track to become one long hot summer night. In harrowing times, this earworm asks little and gives a lot. It#x2019;s an echo of better times #x2014; and essay about, one you can dance to.#x2666; Lydia Kiesling is the editor of The Millions. Make Them Die Slowly (John George Haigh) Very good music for agricultural cultural essay very bad feelings. Crash. By JOHN DARNIELLE. Sometimes you just want to essays table of contents kill somebody, you know?

Really end their life: make mourners of essay about crash, their friends and family, make orphans of their children, leave a hole in the world where a person once was. You don#x2019;t feel this way all the time #x2014; you#x2019;re not a monster. But sometimes you do. Maybe this didn#x2019;t always happen; maybe you can remember a time when you not only didn#x2019;t want to oxford creative writing kill anybody but also hoped, moreover, to never even know what it felt like to about want such an awful thing. Agricultural. But you were a child then, probably, and poets are always making hay about crash the movie, how you can#x2019;t get back to that condition in this world. You#x2019;re not a kid anymore, and every once in a while #x2014; not every day, except maybe sometimes for several days in a row #x2014; you want to kill somebody. Essay On Happiest Day Of. Maybe you don#x2019;t. I don#x2019;t know. But if you do, when you do, maybe sometimes it kind of gets away from about the movie you, right? Obviously you won#x2019;t kill this person, because you can#x2019;t kill them, because you#x2019;re not that sort of person, and besides, you#x2019;d get caught, and you#x2019;re pretty sure you couldn#x2019;t hack it in prison. Would you cover your tracks?

Try to hide the body? Go into hiding and hear about brookes creative, yourself on the news? Walk through the doors of the police station and turn yourself in? You think about these things when you want to kill somebody. Essay. You have the essay on happiest, occasional dream about them. They#x2019;re not pleasant thoughts, and it#x2019;s not a pleasant dream.

What#x2019;s your damage? How did you get like this? Brain chemistry? Trauma? Read too many stories about about, Ozzy Osbourne biting the dbq essays ap world, heads off bats when you were a kid? It doesn#x2019;t matter. Two things matter: First, you#x2019;re not going to kill anybody, because you are a decent person who wishes no one any real harm; second, you need to do something a little more creative with your feelings than just pretending they#x2019;re not there. For some people, that means hitting the gym. For others, it means a stereo with a volume knob. Heavy metal has been providing people with catharsis for nearly 50 years. There#x2019;s more to metal than that, of course, which ought to go without saying #x2014; not every metalhead harbors some hideous inner sadist.

When I listen to death metal, it#x2019;s not for about crash the movie the splatter-gore violence of its themes but for the breathtaking proficiency and relentless musical curiosity of the musicians who play it: To even get your foot in american table of contents, death metal#x2019;s door, you have to crash the movie be awfully good at your instrument. But Church of Misery doesn#x2019;t play death metal; it plays stoner doom (the band itself prefers #x201C;doom,#x201D; without the modifier), and I don#x2019;t listen to it for ap world the pleasure of immersion in essay about crash the movie, technical wizardry. I listen to it because of how it makes me feel. Who#x2019;s Church of richard wagner judaism in music and other, Misery? Chiefly, they#x2019;re the brainchild of the essay about crash, bassist Tatsu Mikami.

They#x2019;ve been putting out records since the late 1990s. They have six studio efforts, numerous EPs and a live album to their credit, and every song on every album except one takes, as its theme, a known serial killer. (Their first studio recording was made before they settled on their thematic focus and wasn#x2019;t officially released for years.) Songs indicate their subjects parenthetically: #x201C;D#xFC;sseldorf Monster (Peter K#xFC;rten),#x201D; #x201C;Shotgun Boogie (James Oliver Huberty),#x201D; #x201C;Red Ripper Blues (Andrei Chikatilo).#x201D; Some of their subjects are widely infamous #x2014; Charles Manson, Ted Bundy, the Heaven#x2019;s Gate cult. Others are so obscure that only true crime buffs are likely to recognize their names. Look them up at your peril: These are people whose crimes will give you nightmares. #x201C;Make Them Die Slowly#x201D; is the second song on judaism in music the band#x2019;s latest album, #x201C;And Then There Were None . ,#x201D; and it is impossibly heavy. It begins with a thudding kick drum all alone, with the crash the movie, central guitar riff ambling in murderously after two bars #x2014; a figure that lurches methodically through three five-note patterns to resolve on three descending chords that land like boulders being dropped on on happiest a house. My iTunes play count shows that I listened to it more than I listened to about crash any song in 2016 except for drafts of songs I was writing myself. Scott Carlson of the legendary Repulsion sings it; the 2016 incarnation of the band was essentially a reboot, with Mikami the only original member. Carlson#x2019;s feel for metal forms is published by nelle, instinctive and inerrant; when he sings the about, initial chorus #x2014; #x201C;I#x2019;ll hang you high and richard judaism in music and other, drain your blood/sip on the nectar while your bones reduce to sludge#x201D; #x2014; it#x2019;s as if all that stuff about Ozzy had been true: Here#x2019;s a guy gleefully recounting obscure, unthinkable real-world crimes as if they were fond memories of his time in varsity football.

It#x2019;s seductive and irresistible. It has a cowbell. You can bang your head and sing along. Essay The Movie. I have spent a fair bit of idle time over richard wagner and other essays, the years wondering what it says about me that I want to indulge this mood at least a few times a week for the rest of my life, occasionally at earsplitting volumes in clubs. I don#x2019;t think I#x2019;m secretly a murderer; I#x2019;m a liberal softy. I can#x2019;t even eat animals. When I was young, if I heard something that sounded too celebratory of death, it terrified me.

I#x2019;ll never forget seeing the clip for #x201C;Bohemian Rhapsody#x201D; on #x201C;Don Kirshner#x2019;s Rock Concert#x201D; when I was very young, maybe 9 years old, up too late. I listened to crash Freddie Mercury sing the verse about how he#x2019;d just killed a man by dbq essays history shooting him point blank in the head #x2014; although I thought he was speaking in the third person rather than the essay about crash, vocative, that it was his #x201C;mama#x201D; who#x2019;d just killed a man #x2014; and, horrified, I turned off the television. Agricultural Cultural Essay. Over time, though, that feeling #x2014; the shock, the revulsion #x2014; became an object of about the movie, interior curiosity: What#x2019;s this about? How much time can I spend with it? What part of me is published lee, it?

What does it look like up close? The cheap answer is something about the cathartic value of transgression, etc., all old hoary stuff I don#x2019;t really buy into anymore. The truer answer, for me, is that sometimes you really wanna kill somebody. Naturally, you won#x2019;t. You mustn#x2019;t. It would be wrong. You try not to do wrong. But if you spend a little time in the presence of a perfect groove contemplating the wrong directly without moralizing about about the movie, it, you can ride the feeling in 4 essays by nelle, safety and go in as deep as you want, emerging later not wanting to kill anybody. When this has become a pattern, it#x2019;s an immense release, as addictive as the pellets they would give us every so often if we were rats in labs.#x2666; John Darnielle is a musician and the author of #x201C;Universal Harvester.#x201D; Two composers beyond category. By RYAN BRADLEY.

O n a gray winter day in London, the composers Mica Levi and Oliver Coates met in about crash the movie, a high-beamed former hat factory #x2014; the published harper, offices of essay about crash, Levi#x2019;s manager #x2014; and climbed up to a loft space with an the best american essays 2011 table of contents excellent stereo system. They had agreed to essay the movie listen to american table #x201C;Remain Calm,#x201D; an essay about crash the movie album of experimental music that, more than a year ago, they improvised over the course of essay on happiest day of, a single day. Each had moved on essay about crash to new gigs since the album#x2019;s November release, writing new work for different orchestras around England and Europe, and this was the the best essays 2011 of contents, first time since then that they#x2019;d listened to it together. Coates sat on the edge of a couch; Levi took a chair; each looked expectant, borderline anxious. It had been a busy year. Essay Crash The Movie. Levi is also a producer and brookes creative writing, D.J. who sings and plays guitar, most recently in the pop-art trio Micachu and about crash, the Shapes. She has written two movie scores; the second, for the biopic #x201C;Jackie,#x201D; was nominated for an Academy Award. Coates has scored films, too, but is by nelle, better known for essay the movie his work as a cellist. He contributed to Radiohead#x2019;s #x201C;A Moon Shaped Pool,#x201D; released last May, and in the same month put out his own #x201C;Upstepping,#x201D; a very danceable record of on happiest, house music performed almost entirely on his cello. #x201C;Remain Calm#x201D; is an odd creation, even by their standards. Its 13 tracks, some less than a minute in about, length, jump from beat-heavy, densely layered and looped orchestrations to 4 essays by nelle atmospheric and spacey noodlings.

Often, Coates#x2019;s cello seems to emerge, pure and acoustic, out of a stew of sonic burbles. It is a sketchbook in which every figure gestures toward newer, more exciting ideas to come, outlining musical rules (a key, a beat, a melody) one minute only to abandon them in the next. Crash The Movie. Before they listened to the record, Coates reached into his backpack and pulled out a coloring book. He showed Levi one of the images he had colored in, a mandala filled with bright blues and greens, thin wisps of gold, bursts of coral pink. Agricultural Essay. Levi leaned in for a closer look, drawing her finger across the page. #x201C;Bruv, this is nuts,#x201D; she said. About. #x201C;It#x2019;s what I wish composing was,#x201D; he said. #x201C;The form preordained.#x201D; Levi nodded in agreement. 4 Essays By Nelle Harper. It was a visual cantus firmus, she said: a fixed melody providing a structure for a limited range of essay crash, improvisation. They had each studied classical composition: Coates at the Royal Academy of Music, where he received the highest marks in the school#x2019;s history, Levi at Guildhall School of Music and Drama, where, at 21, she was commissioned to compose a piece for the London Philharmonic. The first song began, Coates playing a solo figure, then Levi#x2019;s electronic textures trickling in, like an dbq essays history orchestra tuning up. The pair sat in silence, pleased enough but also distracted. A few tracks later, Coates looked up at Levi, who was looking at his mandala. Crash. #x201C;I#x2019;d like for it to the best american essays be music,#x201D; he said.

It seemed like a familiar conversation. About Crash. Levi massaged her temples, thinking, listening. Agricultural Cultural Essay. #x201C;You just get a set of essay about the movie, rules,#x201D; she said. Richard Judaism. #x201C;Each color could be a different pitch.#x201D; Coates frowned. The idea of #x201C;algorithmic music#x201D; troubled him. Maybe, Levi said, you set up the rules and then find a way to essay about crash the movie break them; color inside the lines, so to speak, and then scribble a face over the results. On Happiest Day Of My Life. Coates liked it. The breaking of the rule, he said, is essay about, #x201C;what makes a moment, musically.#x201D; In fact, he added, his coloring was loaded with mistakes already, but the 4 essays by nelle lee, mistakes were what made the thing come together, in essay, a subtle way. He turned the page, exposing the blots where the pen ink bled through to the other side and the sharp lines of the pattern were barely visible.

He said they reminded him of one of Levi#x2019;s works. Coates and richard judaism in music and other essays, Levi met almost a decade ago. Coates had come to about crash perform student string quartets for the best essays table of contents a class Levi was taking, and he was struck by her compositions. They were written so well, he said, #x201C;that you knew immediately what you needed to essay about the movie do to make them come to life.#x201D; From then on, the two stayed in touch. 4 Essays Harper. Coates sent Levi a video by the electronic producer Daniel Lopatin, also known as Oneohtrix Point Never; Levi sent Coates a mixtape she made with some tracks by Harry Partch, a composer who created new musical scales and built his own instruments. In 2011, Coates was working on a commission for the London Sinfonietta and suggested a collaboration with Micachu and the Shapes, who were already trying to, in Levi#x2019;s words, #x201C;smudge a whole lot of things together.#x201D; For the Sinfonietta collaboration, Levi and essay crash, her bandmates, following in Partch#x2019;s footsteps, deployed a new instrument she had built with a friend called the chopper #x2014; a hollow box with strings on top and a rotating wheel to pluck them, like a turntable that strummed. The live album that resulted, filled with wobbly, off-kilter strings, was called #x201C;Chopped and Screwed#x201D; (a nod to screw music, the Houston hip-hop style). It landed in the hands of the filmmaker Jonathan Glazer, who was looking for judaism and other someone to score #x201C;Under the Skin,#x201D; his film about an alien exploring earth in about, a woman#x2019;s body.

He wanted an creative experienced composer who had never written music for a movie, someone who would come at the task differently. #x201C;I think he wanted someone who was, you know, cheap,#x201D; Levi said. For 10 months, she worked on almost nothing else, worried that if she listened to anything #x2014; particularly another soundtrack #x2014; she would unintentionally steal from it. Essay About Crash The Movie. She focused instead on the challenge of on happiest, scoring the essay about crash the movie, emotional development of the film#x2019;s unknowable alien, played by Scarlett Johansson. Levi#x2019;s stark themes all spring from wagner judaism essays a dense void, abuzz in discordant strings (including Coates on cello), then synthetic and hollow with muffled drums and distant drones. The Movie. As the film progresses, though, the music becomes more melodic, reflecting the alien creature#x2019;s struggle with humanity, with the untidiness of human emotions. The soundtrack is ap world, unsettling, but also strangely empathetic. Levi describes much of her work as mixtapes. For #x201C;Jackie,#x201D; she imagined classy melancholy, loads of strings, the occasional flute, clarinet and piano #x2014; the kind of essay crash the movie, music that Jacqueline Kennedy might listen to, a mixtape for private mourning made for a woman in the center of so much public chaos. The day Levi and Coates recorded #x201C;Remain Calm,#x201D; Levi arrived with two CD turntables and thumb drives full of harper lee, samples and essay the movie, premade digital files #x2014; all of which, in one way or another, had reminded her of Coates.

She was thinking of music not in terms of classical or hip-hop or any other genre, but in terms of people. Some music was Oliver Coates music. Some music was Mica Levi music. Listening to ap world history #x201C;Barok Main,#x201D; one of the longest tracks on essay about crash #x201C;Remain Calm,#x201D; Coates and Levi agreed that it was also probably the most unified piece. #x201C;This was a nice peaceful moment, just after lunch,#x201D; Coates said, recalling the american essays 2011 table, rainy day they recorded it. Levi said: #x201C;I was thoughtful of what could fit here. Essay Crash The Movie. Something that wasn#x2019;t too thick, too full of information.#x201D; They listened a bit longer. The track swelled and echoed, and wagner and other essays, it was hard to know where Coates#x2019;s cello stopped and Levi#x2019;s sound began. #x201C;It#x2019;s just happy music making,#x201D; Coates said, and they sat, listening silently, waiting for their track to end.#x2666; Ryan Bradley is about the movie, a writer based in Los Angeles. Putting out fires by day, music by night. I f you buy a record on brownsvilleka.com, the website of the rapper Ka, it is Ka himself who packs up your purchase and by nelle harper, puts it in the mail. Every few days, Ka sits in essay, a study in his home near Prospect Park in Brooklyn and goes through the orders on his site. He was there on a morning not long ago, with a MacBook propped on his knees. #x201C;This guy, from California, he bought the day of, whole discography,#x201D; Ka said.

On the essay the movie, floor were cardboard boxes holding copies of his five full-length albums. He placed five CDs in published harper lee, a padded envelope. #x201C;I#x2019;ll try to essay crash get those out tomorrow,#x201D; he said. Agricultural Essay. A message on the website warns: Please have patience with your order, I don#x2019;t go to about the post office every day. Essay My Life. There was a time when Ka took a guerrilla approach to promoting his music. In 2007, he had 1,000 CDs made of his debut album, #x201C;Iron Works.#x201D; #x201C;I gave them to my cousins, my friends. I still had, like, 990 CDs left.

So I started giving them away. I#x2019;d drive around the city, and essay the movie, if I heard music coming from the oxford brookes creative writing, next car at a red light #x2014; boom-boom-boom #x2014; I#x2019;d say, #x2018;You like hip-hop?#x2019; Then I#x2019;d toss a CD in their window.#x201D; By 2012, when Ka released his second album, #x201C;Grief Pedigree,#x201D; he had a sizable-enough following to make an announcement on Twitter and hold a curbside sale in Greenwich Village. This has become a tradition: On the day that Ka drops a new album, he tweets, turns up on a street corner and sells a few dozen records out essay about crash the movie of the history, trunk of his car. When music writers use the word #x201C;indie,#x201D; they generally have a certain kind of essay about the movie, recording artist in mind: a white bohemian, with a battered guitar and a tricky haircut, who dwells on the distant outskirts of the pop-industrial complex. Ka, whose given name is Kaseem Ryan, doesn#x2019;t quite fit that description, but he may be the platonic ideal of an independent musician in 2017.

It would be hard to find a more thoroughgoing D.I.Y. musical enterprise. Ka is the rare rapper who handles both rhymes and creative, beats, writing his lyrics and producing the music that accompanies them. He has directed most of his videos, and essay, he self-releases his music, on his own label. It is not a profitable venture. Ka spends as much as $15,000 per album and has never broken even. The Best Essays 2011. #x201C;I make music, but I#x2019;m not in the music business,#x201D; he says. #x201C;It#x2019;s my hobby.#x201D; #x201C;It#x2019;s my hobby#x201D; is one of Ka#x2019;s mantras. It#x2019;s accurate, but also an essay about understatement. Over the past several years, Ka has released some of the most gripping music in any genre.

His records offer a poignant, distinctive take on classic New York hip-hop: vivid stories of agricultural, street life and the movie, struggle narrated in virtuosic rhymes over music of harper lee, bleak beauty. His output has won him a small but passionate fan base and critical raves in Pitchfork and Spin. The magazine The Fader, an influential arbiter of musical cool, proclaimed Ka #x201C;New York rap#x2019;s greatest living treasure.#x201D; Praise has also come from well-known musicians. In 2015, the Los Angeles M.C. Earl Sweatshirt took to Twitter to exult in caps-lock mode: #x201C;REAL TALK, I HAVE NO PROBLEM ADMITTING THAT @BrownsvilleKa IS THE BEST RAPPER.#x201D;

For Ka to have won even modest recognition is an improbable underdog triumph. About Crash. He spent much of the 1990s trying to make it as a rapper, quit music altogether and essay on happiest day of, returned a decade later, releasing his solo debut at age 35. Essay About Crash The Movie. Today he is the best american, 44. This career trajectory defies one of the seemingly immutable laws of pop, and of hip-hop in particular, a genre in which the cult of essay about crash, youth and the best essays, novelty is especially pronounced. Then there is the matter of Ka#x2019;s day job. He is a captain in the New York City Fire Department.

It#x2019;s a story that has the ring of folklore: One of the great recording artists of the current decade is a musical moonlighter, a middle-aged man who earns his living as the decorated company commander of Engine 235 in Bedford-Stuyvesant. #x201C;I try to keep my job and music separate,#x201D; Ka says. #x201C;I never wanted be #x2018;The Rapping Captain.#x2019; I try to essay about crash be a good firefighter. And when I come home, I try to make some dope music.#x201D; Last Aug. 21, Ka#x2019;s photo appeared on the cover of The New York Post under a lurid headline: #x201C;FLAME THROWER: FDNY Captain moonlights as anti-cop rapper.#x201D; The article purported to be an oxford writing expos#xE9;, but the facts of what The Post termed Ka#x2019;s #x201C;double life#x201D; have long been known to his Fire Department colleagues and to readers of the music press. Ka put it succinctly: #x201C;The Post don#x2019;t like rap. They don#x2019;t like firemen.

And they don#x2019;t like black people. With me, they had all three.#x201D; In fact, Ka#x2019;s music bears little resemblance to the #x201C;gangsta rap#x201D; caricature of tabloid fulminations. Essay. In Ka#x2019;s songs, crime and on happiest day of my life, violence are omnipresent but deglamorized. It#x2019;s here that Ka#x2019;s age shows: He raps in the voice of about the movie, a world-weary O.G., looking back at brookes, #x201C;the hustle#x201D; with regret and dismay, and essay about crash the movie, reckoning with its spiritual toll. Ka#x2019;s lyrics are cinematic, training a grit-caked lens on scenes of poverty and desperation.

In #x201C;No Downtime#x201D; (2012), he raps: #x201C;I admit, not from environment that let a child flourish/In the street, slim physique, wild courage/Five deep, trying to 4 essays published by nelle lee eat, looking malnourished.#x201D; These stories aren#x2019;t fictional. Ka grew up poor, in Brownsville. As a teenager, he drifted into the drug trade, dealing crack and selling firearms. It was a #x201C;scary and lonely#x201D; existence, Ka says, one that left a legacy of trauma and a wealth of material, a burden that#x2019;s also a muse. #x201C;This man has experienced so much pain, seen so much death,#x201D; says Ka#x2019;s wife, Mimi Vald#xE9;s. #x201C;It#x2019;s all over his music.#x201D; If Ka is not in the music business, his wife definitively is. Vald#xE9;s is the former editor in chief of Vibe, the music magazine.

Today she is chief creative officer for i am OTHER, a multimedia company founded by Pharrell Williams, the superstar rapper-singer-producer. Vald#xE9;s#x2019;s professional circle includes some of the world#x2019;s most famous musicians. It is conceivable that Ka could trade on his wife#x2019;s connections to raise his profile. But a commercial breakthrough is far-fetched, and a prospect for which Ka seems constitutionally ill equipped. He has performed just a few live shows and professes little interest in playing more. He#x2019;s a homebody who prefers to essay about the movie sit in a closet-size work space and make records. Those records are, in the best sense, strange. Critics often call Ka a revivalist of rap#x2019;s #x2019;90s golden age.

But he is by no means #x201C;retro.#x201D; He takes the on happiest day of my life, rudiments of #x2019;90s rap and fashions them into an eccentric other thing. His albums have idiosyncratic conceptual frames: #x201C;The Night#x2019;s Gambit#x201D; (2013) is full of chess imagery; #x201C;Days With Dr. Yen Lo#x201D; (2015), a collaboration with the producer Preservation, is an elaborate gloss on the novel #x201C;The Manchurian Candidate.#x201D; But it is the crash the movie, sound, the vibe, that sets Ka#x2019;s music apart. His songs are unnervingly quiet and the best american essays 2011, still; they hold a listener in about the movie, thrall because they hold so much back. Ka#x2019;s beats do not boom, they slither and slink and creep.

Often the songs discard drums altogether, opening vast spaces that are filled by samples in brooding minor keys. The most arresting sound is Ka#x2019;s voice, a guttural rasp that sometimes dips into a whisper. Cultural Essay. It is an unshakable voice of experience, delivering hard-boiled tales and hard-won wisdom. #x201C;Mourn at Night,#x201D; from the essay about crash the movie, 2016 album #x201C;Honor Killed the Samurai,#x201D; is a typical Ka mood piece #x2014; a rap-noir, burnished to lustrous dark hue. The song#x2019;s title establishes the terms: The mood is elegiac, the setting nocturnal. #x201C;Mourn at Night#x201D; has more of a beat than many Ka songs, which is not to say that it has much of one. A snare drum knocks out a steady pulse, like the sound of an unseen man#x2019;s footfalls trailing down a low-lit street, or a time bomb ticking to an explosion.

The music is cultural essay, nudged forward by guitar and keyboard arpeggios, which chime and toll behind a somber refrain: #x201C;He gone/We mourn at night.#x201D; In the final verse, the action erupts: Gunfire blasts out of the crash, shadows, strafing a street corner crowded with young drug dealers. On the block with the rock. Up nights, dribbling. Time spent getting bent. Hard to be upright citizen. It#x2019;s more than troubling. Same corners are bubbling. The pawns are huddling. Then all of a sudden it#x2019;s. Wagner Judaism And Other. Ka excels at this kind of essay crash, writing, brisk storytelling that unfolds in agricultural essay, a pileup of rhymes and puns. Crash The Movie. What you won#x2019;t find much of on oxford creative his records is the essay, meat-and-potatoes of essay, rap: trash talk. #x201C;What do I have to essay the movie brag about?#x201D; Ka says. Wagner Judaism In Music Essays. #x201C;I ain#x2019;t winning.

I#x2019;m a working man, with a blue-collar job. I#x2019;m running into burning buildings for a living. So I speak about the things that I did, the things I pray I never have to do again. How do I finish my life in grace? That#x2019;s what I rap about.#x201D; On those occasions when Ka does slip in a mild boast, it#x2019;s about his skills as an M.C. In #x201C;Mourn at essay the movie, Night#x201D; he permits himself one such moment, the testimony of a bootstrapper who has survived untold trials to ply his trade #x2014; as he would have it, his hobby #x2014; in the soundproof booth of a recording studio. #x201C;We was born in the thorns, few arose,#x201D; Ka raps. #x201C;Once in town#x2019;s noose/Now in american essays table, soundproofs/Pursuing goals.#x201D;#x2666; Jody Rosen is a contributing writer for the magazine . When gospel goes viral #x2014; with an abundance of pure joy. It was 29 years ago that the the movie, legendary gospel artist Shirley Caesar first recorded the dbq essays ap world, song #x201C;Hold My Mule.#x201D; It was a banger then, and essay about the movie, it still is. Oxford Writing. She has performed it many times, and at least once, 10 years ago, someone filmed her in a church.

About midway through the the movie, nine-and-a-half-minute video, the band and richard, the organ, which riff all the way through, fall quiet. Caesar hunches over, gazes into essay the movie the distance and, playing the role of the dbq essays ap world, song#x2019;s protagonist, Shouting John #x2014; a farmer who has been reprimanded by the deacons at his local church for celebrating too much, dancing too wildly, speaking too loudly (and sometimes in essay about crash the movie, tongues) #x2014; enumerates the many blessings God has bestowed on him and his farm. She counts each blessing off on her fingers and essay on happiest my life, raps: #x201C;I#x2019;ve got beans, greens, potatoes, tomatoes, lambs, rams, hogs, dogs, chickens, turkeys, rabbits#x201D; #x2014; and then she shouts, #x201C;you name it!#x201D; The band kicks in again, and the movie, a slew of sonic histrionics, pyrotechnics and acrobatics follows. Oxford Brookes. But that list is the climax, the moment when Caesar basks in the warmth of the movie, God#x2019;s grace, when she and you both feel closest to him. This was the moment that stood out to a musician called DJ Suede the Remix God, who just before Thanksgiving took that snippet #x2014; just eight seconds in all #x2014; and laid it over a trap-style hip-hop beat of richard and other essays, his own making. The story of Shouting John and his fussy deacons disappeared, leaving behind nothing but that list of blessings and Caesar#x2019;s euphoric #x201C;you name it!#x201D; completely stripped of context. Essay About The Movie. Suede then offered the beat to history the internet, calling it the U Name It Challenge and crash, inviting others to put their own spins on it. The singer Chris Brown recorded a video dancing to oxford it. Essay Crash. Countless other dancers and rappers followed him. Agricultural. The challenge went megaviral.

The trick was that the snippet Suede chose had Caesar talking about food #x2014; and about giving thanks for that food #x2014; convincingly, joyously and at the exact right time of year. Her ecstatic cry made it universal. The best came a few days before Thanksgiving, when an Atlanta-based rapper named Grey responded to essay Suede#x2019;s challenge with a verse of his own. Grey is a vegan, unlike Shouting John, but a quick jaunt through his social media identifies him as every bit the evangelist of his philosophy that Caesar is for cultural essay Christ. From inside a parked car, Grey unleashed a verse describing the Thanksgiving feast he was preparing for essay about crash the movie his friends and family: #x201C;Jump into the whip and hit Whole Foods early/Get everything to get that soul food working.#x201D; There would be vegan cornbread, vegan stuffing, #x201C;greens with no ham in it,#x201D; pies whipped up with almond milk, #x201C;mac and cheese to collard greens to black-eyed peas/Get a roast of that tofu turkey.#x201D; Then the sample of Caesar#x2019;s list, with a little amendment from Grey: He endorsed the #x201C;beans, greens, potatoes, tomatoes#x201D; part, then noted that he wasn#x2019;t messing with the #x201C;lambs, rams, hogs, dogs.#x201D; It#x2019;s almost certainly the best and funniest verse of oxford brookes, his life.

While taking a gospel sample and warping it into a trap song not about Christ but about the wonders of essay about, soy and fake meat scrubs Caesar#x2019;s joy of dbq essays ap world, its context, the joy embedded in her voice still translates, is still familiar. I#x2019;m not religious. But I grew up going to essay about crash church, dancing and singing to raucous gospel bands and ap world history, choirs nearly every Sunday. About The Movie. Once, after a particularly rousing concert, I walked from my seat to the front of the auditorium to be baptized and join the richard judaism in music and other, church, only to come to my senses once I got to the altar. I never truly believed in Caesar#x2019;s God, but I was swept away as so many nonbelievers can be, in flashes of crash, euphoria ignited by family and tofu and trap and everything else that sustains us.#x2666; Greg Howard is a David Carr fellow for The New York Times. He soothes the by nelle harper, anxieties of life as a gay man. By ALEXANDER CHEE. Essay About Crash. For more than a year now, I have listened to little else in my car other than the albums of Rufus Wainwright.

This obsession began when my husband and creative writing, I bought a car for weekend trips: a 2009 AWD Subaru hatchback with what in retrospect seems like an crash ancient playback machine, a 5-disc CD player. We pulled all our old CD wallets out to essay on happiest day of the car, loaded the changer and set off for the movie our first drive. And what had been my self-imposed exile from music came to an end that day. Sometime between 2009 and 2015, without ever noticing it was happening, I stopped listening to music regularly. Richard Judaism In Music Essays. I was alienated, in part, by essay crash the new ways of the best essays of contents, listening: I don#x2019;t like streaming music, or #x201C;social#x201D; music platforms, my private whims made public. Around the same time, my doctor told me I had mild depression, which would respond to exercise and the movie, a change in habits. But this mild depression did not feel mild. I felt trapped at the bottom of a swimming pool, immobilized.

Everything I had to do, everything I needed to take care of, was up at the surface, and history, the soundtrack to this situation was silence. During one of our first drives, we loaded the changer solely with Rufus Wainwright albums, and I still haven#x2019;t changed those CDs out. Essay Crash. I was always a fan of Wainwright#x2019;s, but I#x2019;m something more now: His lighthearted way of penetrating my anxieties about gay life became essential. In my year of agricultural cultural, carbound listening, I played through his songbook over and over. Essay Crash. I gained a new appreciation for his extraordinary voice, and the way its nasal timbre humanizes him, as if someone ordinary had been given extraordinary powers, midnote. I am often tricked into trying to sing along, but I#x2019;m always outclassed.

I never care. Wainwright is a storyteller, and american of contents, his albums work on essay crash the movie my imagination the same way short-story collections do #x2014; poetically, dramatically. Singing along with his secrets became like telling mine to myself, and somehow, this helped me up from the bottom of that pool. A change of habits, then. Joan Didion has written of how the ability to by nelle harper lee make a note #x201C;when something came to essay about mind#x201D; was the #x201C;difference between being able to write and not being able to write#x201D; #x2014; a sign of life.

For me, looking for new music from favorite musicians is also a sign of life. This fall, I finally thought to look for a new Wainwright album. What I found was #x201C;Take All My Loves,#x201D; released early last year. Wainwright adapts nine Shakespearean sonnets into a kind of variety show, with William Shatner; Helena Bonham Carter; Carrie Fisher; Florence Welch; the soprano Anna Prohaska; his sister, Martha Wainwright; the BBC Orchestra; and the Berlin String Section. He is on the cover in full Queen Elizabeth I drag, flowers in his hair. My favorite track is #x201C;A Woman#x2019;s Face #x2014; Reprise (Sonnet 20),#x201D; which Wainwright first interpreted in creative writing, 2010 on #x201C;All Days Are Nights: Songs for Lulu.#x201D; That first version is a would-be lover#x2019;s complaint, sung softly over slow piano; it#x2019;s elliptical, haunting, slight. A new version on essay about the movie #x201C;Take All My Loves#x201D; is almost a torch song #x2014; teasing, raunchy, openly seductive, as if Wainwright were seated on a piano in a slinky gown and Elizabethan collar, all made up and beckoning. The poem is, famously, the locus of academic debates over Shakespeare#x2019;s queerness.

His misogyny too. The sonnet is about an impossible love for a young man who the poet claims has all the the best essays table, beauty of the movie, a woman, but for the #x201C;one thing.#x201D; I had read it, but I never really understood it the way I did when I heard Wainwright sing it: It#x2019;s a refrain many gay men know from waiting out the dbq essays ap world, passion of a man who doesn#x2019;t #x201C;think of himself that way,#x201D; despite his feelings for you. Crash The Movie. #x201C;If only you were a girl#x201D; becomes #x201C;You#x2019;re better than a girl#x201D; before either fear or desire wins. Wainwright knows this territory well. His second album, #x201C;Poses,#x201D; was dedicated to one of these reluctant, not-quite-queer lovers, stories from when Wainwright was the kind of seductive youth the sonnet describes. American Of Contents. Now, for essay about crash the movie the duration of this song, he is the reluctant lover. As a storyteller, Wainwright has always been more of a memoirist than a novelist. He made his reputation singing wise songs of brookes creative, impossible loves and essay crash the movie, rejection, turning personal pain into 4 essays published by nelle harper public art. Wainwright is about the movie, now married to J#xF6;rn Weisbrodt, an arts impresario, and he has a daughter with his friend Lorca Cohen, a photographer and the daughter of Leonard Cohen.

Listening to #x201C;A Woman#x2019;s Face,#x201D; I wonder if happiness has made him more private, happier telling fictional stories than true ones. His next project is an opera about the Roman emperor Hadrian, who, out of grief at the death of his lover Antinous, created a religion around him. I intend to be there when it opens, wearing a tuxedo in an opera box #x2014; no Subaru this time. I#x2019;ll try not to sing along.#x2666; Alexander Chee is the richard wagner in music essays, author of the about the movie, novels #x201C;Edinburgh#x201D; and #x201C;The Queen of the Night.#x201D; The danger of being a singer-songwriter. F ifteen minutes after finishing an acoustic concert one evening in January, the Texas singer-songwriter James McMurtry was backstage talking about his great-grandfather. The man had lost his own father and grandfather to post-Civil War skirmishes in Missouri, McMurtry said, so he and his wife fled the state.

They settled in Denton County, Tex., 40-some miles northwest of the renovated Art Deco theater in Dallas that their great-grandson headlined that night. #x201C;They had to time it just right, because if you went West at that time, you could get into more violence because the Comanche were still active,#x201D; he said. #x201C;They farmed there for oxford brookes writing five or six years, waiting to make sure the Comanche weren#x2019;t coming back.#x201D; The story was a good example of how forces like politics and war can affect regular people#x2019;s lives, which is a running theme in McMurtry#x2019;s work. McMurtry, who has released 12 albums over a 28-year career, has a reputation in some quarters as a political songwriter, in part because one of his most popular songs is an angry-lefty anthem. That song, #x201C;We Can#x2019;t Make It Here Anymore,#x201D; laments that minimum wage #x201C;won#x2019;t pay for a roof, won#x2019;t pay for crash a drink,#x201D; and that the children of the poor are the ones who end up fighting in oxford, rich men#x2019;s wars. Released shortly before the 2004 election, the song swept through an America hollowed out by departed manufacturing jobs and the middle-class stability that went with them. A few years after its release, the critic Robert Christgau named it the best song of the decade. But McMurtry more often writes about how seemingly distant political concerns nudge his characters#x2019; choices and about the movie, prod at their psyches: the stretched budget of the agricultural, Veterans Affairs Department, or the about, birth of a new national park#x2019;s consuming the neighbors#x2019; land through eminent domain.

In #x201C;Sixty Acres,#x201D; the narrator laments that when his grandmother died, he inherited a plot of unpromising farmland while his cousin got #x201C;the good land,#x201D; zoned commercial: #x201C;Looks like a Walmart waiting to happen/I mean to tell you it#x2019;s a pot of 4 essays published by nelle harper, gold.#x201D; McMurtry#x2019;s father is the about, great Texas novelist Larry McMurtry, and his mother, Jo Scott McMurtry, is brookes creative, a former English professor specializing in essay crash, Shakespeare. McMurtry calls his parents #x201C;first-generation-off-the-farm academics.#x201D; He was raised in secular urban homes and dbq essays history, even attended boarding school for crash a spell. But he dropped out of the University of Arizona, and he remains fluent in his extended family#x2019;s dialect of ranches, oil fields and Jesus Christ. He has been on tour almost constantly since the late 1980s, and he just takes note of what he sees through the dbq essays, windshield, he said, like banners welcoming home soldiers in small towns. At an upscale barbecue restaurant near his hotel in Dallas, where we met before his concert, our talk turned to tribalism and anti-intellectualism. His grandparents wanted their children to go to essay about the movie college to get better jobs, he said, but they didn#x2019;t want them to become intellectuals. Later he referred to the broader middle-American #x201C;hatred of anyone who is perceived to be getting a free ride of any kind#x201D; and the racism woven into that ethos: #x201C;The image of the agricultural, black welfare queen driving the Cadillac while good white folk drove Oldsmobiles was the boogeyman of the the movie, #x2019;80s.

Now I suppose it#x2019;s Mexican immigrants getting free health care.#x201D; Over the course of an american essays hour, he talked about the military-industrial complex, #x201C;embedded#x201D; war journalism and crash, the role of charisma in essay on happiest, electoral politics. I didn#x2019;t know whether to believe him when he said he didn#x2019;t read many books. McMurtry had ordered black coffee and crash the movie, a plate of fried oysters. In a few hours, he would take the the best american table of contents, stage alone with his guitar, and in a few weeks, he and his band would leave for a European tour that would carry them from about crash Ireland to the best american essays table of contents Italy, playing 33 nights in a row. McMurtry#x2019;s music is usually classified as #x201C;Americana#x201D;; it#x2019;s at turns jagged and raucous, and at essay crash the movie, others deliberative and cultural, wistful. Other singers have smoother voices.

But a movie star#x2019;s perfect face can work against his authenticity as an actor, and McMurtry#x2019;s unassuming vocal style and essay, stage presence bring to the foreground the voices populating his songs. #x201C;There#x2019;s a danger in being a singer-songwriter,#x201D; he said. #x201C;You#x2019;re writing a character#x2019;s point of view, and you#x2019;ve got to sing it yourself. It comes out of your voice, so everybody thinks it#x2019;s your opinion.#x201D; Although I#x2019;ve been listening to 4 essays by nelle him for years, I have begun to think of him as interpreter of the places #x201C;out here in essay about crash, the middle,#x201D; as he puts it one song. He has written about Cheyenne, Wyo.; Tulsa, Okla.; and Wewahitchka, Fla; about richard wagner and other, crab fishermen, soldiers and about, Walmart stockers. Essay. His songs tap into resentments about things like coastal attitudes of superiority and political correctness. His narrators are often white men who know the about, Bible, own guns and give their kids a nip of oxford writing, vodka in the movie, their Cherry Coke to get through long road trips. A Texan friend of mine likes to brookes writing say that McMurtry writes as though he has spent time eavesdropping on conversations in every Dairy Queen in America. Stephen King, who owns a classic-rock station in essay crash, Maine, has written that he #x201C;may be the essay day of my life, truest, fiercest songwriter of his generation.#x201D; McMurtry has seen things change in rural America over the last few decades, he said, the curdling of patriotism and the movie, self-reliance into something uglier. Gun ownership, for example, has become an identity, or even like a cult.

He#x2019;s a hunter #x2014; deer, turkey, wild hogs #x2014; and cultural, he said gun shows and shops used to be friendly spaces. But now there#x2019;s a suspicion in the air if #x201C;you don#x2019;t have the right hat or the right haircut.#x201D; McMurtry himself has both, but he also has the kind of detachment required for skeptical reportage. #x201C;Copper Canteen,#x201D; the the movie, opening track on his 2015 album, #x201C;Complicated Game,#x201D; is the song I#x2019;ve returned to most since Election Day. Agricultural. The narrator is a hunter, a fisherman and essay, a small-business owner. He doesn#x2019;t go to church, but his wife does. Although retirement is in sight, and he has a pension, he hasn#x2019;t been able to brookes writing save as much money as he would like, in part because the store he owns is essay about, getting squeezed by #x201C;the big boxes out on essay my life the bypass.#x201D; But like most of McMurtry#x2019;s best songs, #x201C;Copper Canteen#x201D; eventually resolves into a portrait of a relationship.

The long marriages and essay about crash, old love affairs he favors eschew the hot and cold dramatics of contemporary country music, a world in the best american 2011 table of contents, which you#x2019;re either swooning over your one true love or bashing in your ex#x2019;s windshield with a baseball bat. Essay About The Movie. The #x201C;Copper Canteen#x201D; narrator is singing to his wife; they#x2019;re grandparents now, reflecting back on what it meant to #x201C;grow up hard#x201D; in a life that has moved by in a blur: #x201C;This life that we craved so little we saved between the grandparents#x2019; graves and the grandchildren#x2019;s toys.#x201D; Like many McMurtry characters, he sounds nostalgic even though he knows that the past was often bad. The song opens with a bang, or the by nelle, suggestion of one: #x201C;Honey, don#x2019;t you go yellin#x2019; at me while I#x2019;m cleaning my gun,#x201D; he drawls. #x201C;I#x2019;ll wash the blood off the tailgate when deer season#x2019;s done.#x201D; Defying Chekhov, the gun never goes off, and the song sweetens #x2014; barely #x2014; as it moves along. Though that line about the gun got a big laugh when McMurtry played it in essay about the movie, Dallas, I still don#x2019;t know whether to hear it as a joke or a threat, and cultural essay, McMurtry has never been one to essay about the movie offer the richard judaism and other, easy comfort of a straight answer.#x2666; Ruth Graham is a contributing writer for Slate. How a song can make its audience feel seen. By ANGELA FLOURNOY. Crash. A song should not shut a door in a listener#x2019;s face. Of course, many songs do drive listeners away #x2014; through objectionable lyrics, a vocalist#x2019;s nasal intonation, a grating hook #x2014; but generally not on purpose.

Still rarer is a song that identifies its audience in essay on happiest my life, explicit, demographic terms. But in the first line of Solange Knowles#x2019;s song #x201C;F.U.B.U.,#x201D; she welcomes black listeners #x2014; #x201C;one for us,#x201D; she proclaims #x2014; and she shows white listeners the the movie, door. Once this metaphorical point of entry is closed, an the best american essays table of contents important conversation ensues. #x201C;All my niggas in the whole wide world/Made this song to make it all y#x2019;all#x2019;s turn,#x201D; Knowles sings in the opening chorus. The word #x201C;nigga#x201D; (along with its #x201C;-er#x201D; counterpart) is so fraught with negative history that the N.A.A.C.P. held a funeral for it in 2007. Not every black person can hear it in a song and feel the essay about crash the movie, exultation that Knowles intends. Still, words take their own sweet time to die, and right now, #x201C;nigga#x201D; remains a go-to, often-affectionate phrase in brookes writing, many black circles. Essay Crash. In #x201C;F.U.B.U.#x201D; Knowles uses it to draw a line in the sand: If you aren#x2019;t supposed to dbq essays history say it, then this song isn#x2019;t for you. #x201C;For us,#x201D; she sings #x2014; #x201C;this [expletive] is for us.#x201D; The song#x2019;s title references the clothing line of the about crash the movie, same name #x2014; F.U.B.U., For Us By Us. At its height in the late #x2019;90s, F.U.B.U. was synonymous with black cool: I wore it in high school despite the clothes being impractical for dbq essays my too-tall, too-thin frame.

And the song appears on Knowles#x2019;s recent album, #x201C;A Seat at the Table,#x201D; after an interlude featuring the rapper Master P., whose stories of success as an independent music artist and essay crash the movie, executive help provide thematic shape to the project. For many of us who were young and black, or young and black and on happiest day of, Southern, like Knowles, during the the movie, years when he dominated the rap charts, his story has always been inspirational. #x201C;If you don#x2019;t understand my record, you don#x2019;t understand me, so this is not for you,#x201D; he says. Judaism In Music And Other. Songs that can be described as #x201C;black-empowerment music#x201D; make up a genre as diverse as that of essay about crash the movie, black music itself. There are the time-tested tracks that focus on pride, like James Brown#x2019;s #x201C;Say It Loud #x2014; I#x2019;m Black and I#x2019;m Proud,#x201D; and oxford brookes creative, Nina Simone#x2019;s #x201C;Young, Gifted and Black.#x201D; There are anthems that speak to struggle and protest, like Bob Marley#x2019;s #x201C;Get Up Stand Up#x201D; and Kendrick Lamar#x2019;s #x201C;Alright.#x201D; And there are a plethora of doggedly sunny ditties like Nas#x2019;s #x201C;I Can#x201D; and Jaheim#x2019;s #x201C;Fabulous.#x201D; Knowles#x2019;s #x201C;F.U.B.U.#x201D; hews closer to the first two categories, and a majority of its messages of essay about crash the movie, pride and essay, protest are nuanced, centering the individual over the collective. She allows that not every black person will relate to the experiences she recounts: #x201C;When you feeling all alone/And you can#x2019;t even be you up in essay about the movie, your home/When you even feeling it from essay your own.#x201D; The song pushes past one litmus test for the black-empowerment anthem #x2014; that it present itself as made for the movie black listeners, broadly #x2014; and tries to reach an 2011 of contents even more elusive audience: the black listener who maybe hasn#x2019;t felt included in such messages before. Art finds who it finds, and crash the movie, the white gaze lands where it lands. The more you try to ignore it, the more it seems keen on dissecting you. Knowles is aware of this. The deliberate rejection of on happiest, white scrutiny is part of a long tradition of black art-making. In his famous 1926 essay, #x201C;The Negro Artist and crash the movie, the Racial Mountain,#x201D; which would serve as the young poet#x2019;s artistic manifesto, Langston Hughes declared that younger black artists should create #x201C;without fear or shame.

If white people are pleased, we are glad. If they are not, it doesn#x2019;t matter.#x201D; It#x2019;s the agricultural cultural essay, sort of thing emerging black writers #x2014; me included #x2014; have to crash the movie remind themselves when putting pen to paper, lest we succumb to pandering for white attention. In #x201C;F.U.B.U.#x201D; Knowles doesn#x2019;t just eschew the white gaze for the sake of creating her art; she performs that rejection in song, to pull her black listeners close. It#x2019;s a rhetorical invitation for black folks to grab a chair and settle in for real talk about richard judaism, lives like theirs. About Crash The Movie. To her white listeners (who are listening, after all), she offers a tongue-in-cheek indictment as consolation: #x201C;Don#x2019;t feel bad if you can#x2019;t sing along/Just be glad you got the brookes creative, whole wide world.#x201D; The verses in about crash the movie, #x201C;F.U.B.U.#x201D; outline microaggressions, but the song isn#x2019;t #x201C;about#x201D; microaggression; it#x2019;s about oxford brookes writing, recognition. #x201C;When a nigga tryna board the plane/And they ask you, #x2018;What#x2019;s your name again?#x2019;/#x2019;Cause they thinking, Yeah, you#x2019;re all the same,#x201D; Knowles sings.

This is the sonic equivalent of crash the movie, shaking out lee your hair after long hours of wearing it pulled back and tied down for work, putting on about your sweatpants and calling your girlfriend to tell her about the day you had. Between black folks, recounting microaggressions can offer valuable confirmation that you#x2019;re not crazy, that someone else sees you. It#x2019;s commiseration, but without the 4 essays published harper lee, misery, because the crash, slights are both hurtful and numbingly commonplace. Knowles isn#x2019;t listing racial slights on #x201C;F.U.B.U.#x201D; to educate those who perpetuate them; she does it to foster intimacy with her listeners. Oxford Brookes Creative. I first heard the about crash the movie, song at richard wagner judaism, the gym, on a cheap pair of essay about, headphones, so the bass on the record wasn#x2019;t at the forefront as it should have been. Cultural. The warbled notes of the piano and organ sounded muffled, as if underwater. On even very good headphones, the song#x2019;s dragged-down pace is reminiscent of screw music #x2014; the slow-motion, purposefully warped aesthetic born in Knowles#x2019;s native Houston. The featured artists are a nod to the movie R.B. over the past two decades. The-Dream sings in an airy falsetto, making the published harper, line #x201C;I didn#x2019;t come back down to about the movie earth to die#x201D; sound resolute instead of agricultural, bitter. The relative newcomer BJ the Chicago Kid#x2019;s delivery #x2014; by turns exuberant and plaintive #x2014; is about, like that of a soloist during Sunday praise and worship. The backing vocals by Tweet are a special treat for those of us who sometimes shake our fists at the sky, wondering what ever happened to that singer and her hypnotizing voice.

For all its angst and dbq essays history, exasperation, #x201C;F.U.B.U.#x201D; is a party song, just not one for the nightclub. Its measured cadence and the movie, dragging bass are perfect for a spontaneous, low-key house party. You might be able to pull off a drawn-out, stylized two-step to #x201C;F.U.B.U.,#x201D; but really it#x2019;s a rhythm tailored to 4 essays published harper the simple head-nod #x2014; an appropriate move for a song about recognition. Its boisterous horns call to mind the essay about the movie, New Orleans second line, those musical parades marched both for celebration and for mourning. The Best Essays. Knowles wrote lyrics for #x201C;A Seat at the Table#x201D; in New Iberia, La., where her mother#x2019;s family hails from. Essay Crash. Her mother, Tina Lawson, has said that her family was essentially run out of town following a salt-mine collapse involving her father. In the contentious aftermath, a Molotov cocktail was thrown through the creative, window of essay crash the movie, their home. Dbq Essays History. They didn#x2019;t go far #x2014; less than 300 miles west to Galveston, Tex. Hasty separation leaves a generational longing all the same. It follows that an album created in a town once fled for fear of white violence should include #x201C;F.U.B.U.,#x201D; a song that creates a space where black listeners might feel prized just for being seen.#x2666; Angela Flournoy is the author of #x201C;The Turner House#x201D; and a fellow at the New York Public Library#x2019;s Cullman Center.

Bubble-gum-pop queen turns tongue-in-cheek sex bomb. When a young pop star outgrows the wholesome, teeny-bopper sound that made her career, we tend to watch the results while peeking through our fingers, terrified of what we#x2019;ll see. This is how we watched as Christina Aguilera put on her #x201C;Dirrty#x201D; leather chaps, as Britney Spears stepped out of her #x201C;little girl#x201D; world on #x201C;I#x2019;m a Slave 4 U,#x201D; as Miley Cyrus awkwardly fraternized with a stripper pole at the Teen Choice Awards. What makes these moments so cringeworthy is their self-seriousness, their declaration that to essay about the movie be adult is to be sexy #x2014; and to be sexy is to be straight-faced, preferably with a well-oiled body, writhing and pining for male approval. Ariana Grande, pop music#x2019;s tiny, adorable diva, could easily have found herself in such a position. A former Broadway actress and the former star of the dbq essays ap world history, Nickelodeon show #x201C;Sam Cat,#x201D; she has an unabashed theater-kid spirit and a flair for costume #x2014; you often find her wearing cat ears and thigh-high vinyl boots. Essay About The Movie. Her songs are brassy, retro numbers that deal with gushy PG-13 love, and she has a tendency to history oversell them with the zeal of a collegiate a cappella singer, her impressive vocal range pushing against the edges of her bubble-gum hits as if trying to pop them entirely. Grande, still straddling the about crash, line between child star and adult hitmaker, is in the prime risk group for hypersexed transition songs.

And on #x201C;Side to Side,#x201D; the biggest single from her excellent third album, #x201C;Dangerous Woman,#x201D; she#x2019;s aiming for something grown-and-sexy. On Happiest My Life. #x201C;Side to essay Side#x201D; has her tapping the same watered-down dancehall trend that fueled songs like Justin Bieber#x2019;s #x201C;Sorry#x201D; and Drake#x2019;s #x201C;Controlla,#x201D; with lyrics about sleeping with a bad secret boyfriend she keeps hidden from dbq essays ap world her friends. #x201C;I#x2019;ve been here all night/I#x2019;ve been here all day/And boy got me walking side to essay about side,#x201D; she sings. Walking that way, Grande hinted in an interview last year with MTV #x2014; just in case anyone didn#x2019;t get it #x2014; is history, a result of crash the movie, having too much sex, too vigorously. It#x2019;s a huge hit. Essay My Life. The song, in which Nicki Minaj coolly raps about riding a bicycle as if it were a male member (or vice versa), as if she were starring in some psychosexual Cronenberg horror film, has more than 420 million plays on Spotify. About The Movie. But #x201C;Side to Side#x201D; isn#x2019;t exactly sexy. With its coy innuendo, as well as a video that uses SoulCycle-esque bikes as a metaphor for Grande#x2019;s sexual workouts, #x201C;Side to Side#x201D; plays more like a giggly inside joke.

We#x2019;re in a golden age for things like this: media made by women, aimed at women, in which sex is explicit, messy and, most important, funny. Listening to ap world history #x201C;Side to Side,#x201D; I#x2019;m reminded of essay about, Issa Rae#x2019;s HBO series #x201C;Insecure,#x201D; in which Rae#x2019;s eyes continually wander to an ex named Daniel, whom her best friend describes as Rae#x2019;s Achilles#x2019; heel #x2014; except instead of #x201C;heel,#x201D; she uses a certain nickname for by nelle harper lee a phallus. On shows like #x201C;Broad City#x201D; or Amazon#x2019;s #x201C;Fleabag,#x201D; female protagonists dig into their worst and raunchiest sexual impulses. Last year, the Swedish pop star Tove Lo named her record #x201C;Lady Wood,#x201D; a goofy, equal-opportunity reinvention of stereotypical male arousal. With its brazenly over-the-top premise, #x201C;Side to Side#x201D; joins them, beating you to the punch line about crash the movie, Grande#x2019;s revamp as Sexy Adult. It doesn#x2019;t feel as if it#x2019;s designed to agricultural stir anyone#x2019;s arousal #x2014; only their laughter. Does this song sound ridiculous? Well, that#x2019;s the point. In a genre that fetishizes sexual passion that lasts for eternity, Grande#x2019;s song happily delivers comic realism, with a surprisingly smart wink.#x2666; Hazel Cills is a staff writer for MTV News. What would black music sound like in an alternate universe?

By THOMAS CHATTERTON WILLIAMS. The genius of #x201C;Fade,#x201D; the penultimate track on Kanye West#x2019;s living work of art, #x201C;The Life of Pablo,#x201D; is evident from the opening lines, a sample from the white Motown group Rare Earth. But it was a half-minute in, at essay crash, that first unmistakable rip of bass, that I lost my mind. Like many of West#x2019;s songs, #x201C;Fade#x201D; is built around several commingling samples. Its rhythmic backbone is the deceptively simple arrangement from the 1985 classic #x201C;Mystery of Love,#x201D; by Larry Heard, better known as Mr. Fingers. Creative. That track, along with a handful of others, marks a seminal moment in the history of deep house #x2014; a rich and criminally neglected chapter in the movie, the book of black music. Essay. Today it#x2019;s easy to forget that in the early and mid-#x2019;80s there existed a window when New York rap, Chicago house and Detroit techno #x2014; as well as a slew of the movie, other fledgling genres and oxford brookes, subcultures #x2014; functioned more or less as equals, each as likely as the next to flounder or thrive. New York won the essay about the movie, contest handily, and now hip-hop has so thoroughly subsumed mainstream black culture that it often feels as if earlier artistic forms have either been eradicated or retrofitted to its preferences (see: funk, R.B. and jazz). House music #x2014; much like West himself #x2014; is unabashedly black and Chicago-bred, but somewhere along the line, it grew cozy in Europe and came to be seen as catering to dbq essays history white people. Essay Crash The Movie. And though it has only ever managed to find significant audiences overseas, this transfixing style of minimal electronic dance music was pioneered by Midwestern D.J.s spinning mainly for agricultural cultural black and gay audiences looking to #x201C;jack#x201D; their bodies at Windy City nightclubs like the Muzic Box and the Warehouse (where, under the about the movie, stewardship of Frankie Knuckles, the style was birthed and named).

While trailblazers like Mr. Fingers #x2014; a virtuosic multi-instrumentalist #x2014; are worshiped in London, Paris and Berlin, they are barely remembered back at home. The Best Table. #x201C;Fade#x201D; sets out to correct this. Onto the wide-open surface #x201C;Mystery of Love#x201D; provides, West spreads out his own sparse raps alongside what grows into about crash an aural smorgasbord of samples, allusions and guest appearances spanning eras and ethnicities #x2014; #x2019;90s Nuyorican house, the 4 essays by nelle, white rapper/singer Post Malone #x2014; a subtle reminder of the outsize influence of black aesthetics on all manner of American and global culture. Which is why, as a radio-friendly hit (with an awe-inspiring video to boot), #x201C;Fade#x201D; feels not only generous but subversive: In the span of a little over three minutes, it gives the lie to essay about simplistic conceptions of musical borders. West has always displayed a rare encyclopedic and intuitive grasp of both mainstream and regional black sounds, from traditional gospel and wagner in music, R.B. to college-inflected spoken word and about the movie, even black Greek stepping, not to brookes creative mention dance, reggae, trap and drill music. He knows that, glimpsed from the proper vantage, these are but facets of the same, constantly shifting whole.

I don#x2019;t think there is another pop star who could conceive of essay about crash the movie, such a medley, let alone bring it to life in a way that coheres. Yet #x201C;Fade#x201D; doesn#x2019;t just cohere; it functions as a sly and infectious meditation on the variety of formal possibilities of agricultural cultural, black sound #x2014; as invented and interpreted by black people themselves as well as Latinos and essay about crash, white people. It also serves as a bittersweet thought experiment: Things could have been otherwise. Imagine, if you will, a world in which Mr. Fingers got his due.#x2666; Thomas Chatterton Williams is a contributing writer for the magazine. The counter-diva who brings a comedian#x2019;s timing and sensibility to jazz. The Best American Essays 2011 Table. By MARGO JEFFERSON. H ow can you tell the singer from the song?

On a good day, you can#x2019;t #x2014; so let#x2019;s start with the crash, singer. She#x2019;s C#xE9;cile McLorin Salvant, a 27-year-old with an exhilarating command of the 4 essays published harper lee, jazz vocal tradition, which has long been dominated by essay about crash the movie women, many of them black. Salvant#x2019;s parents are French-Guadeloupean and on happiest day of, Haitian; she grew up in Miami studying classical music, then moved to Paris and added jazz to her studies. Crash The Movie. In 2010, she won the Thelonious Monk Institute International Jazz Vocals Competition; three albums later, #x201C;For One to Love#x201D; won the jazz vocal album of the year at the 2016 Grammy Awards. I said she#x2019;s in #x201C;command of#x201D; the jazz tradition. Better to say she#x2019;s in communion with it. I like how she listens.

I like how she tests herself and learns as she performs. Salvant has a supple, well-trained voice with spot-on pitch. (No vibrato-teases; no meandering warbles passing as melisma.) Her low notes go from husky to full-bodied; her high notes float purely and cleanly. When she scats, it#x2019;s not an ego trip but a musical game, where notes and syllables get to shape-shift. Like many young jazz singers, she does the wagner and other, Great American Songbook #x2014; the Gershwins, Rodgers and Hart or Hammerstein, Sondheim, Ellington. The risk? Sounding decorous and derivative. Essay. Like some other young jazz singers, she does the black vaudeville hits of essay, Bert Williams and Bessie Smith, even some of the exotica that female musicians once tossed out to keep their fans tantalized. Here the risk is archness: the knowing postmodern wink. I wouldn#x2019;t be writing about Salvant if she had fallen into either trap. But mainstream success has other traps.

And while it has been a long time since jazz was at the center of pop commerce, the star- (or cult-) making machinery still labors to produce familiar types. Especially for women, and even more especially for black women. For black women in pop music, the dominant and preferred model remains the Diva. Here#x2019;s my personal theory. Crash. The black diva#x2019;s obverse is the black matriarch, that forceful mammy, maid or housekeeper, whose mythic reign lasted through a century of film and television. Essay Day Of. And yes, it#x2019;s a long way from mammy to diva, but there#x2019;s one constant. Essay. Racially and socially, this figure is considered lower and lesser. Theatrically, then #x2014; it#x2019;s the law of fantasy compensation #x2014; she must appear greater. In the old days, that meant she was literally bigger, louder, bossier. Ap World History. Now she#x2019;s symbolically bigger: more expansive, more intense, more outrageous. About Crash The Movie. Call the roll of the last half-century, from the best american of contents Patti LaBelle to Fantasia, Jennifer Holliday to Jennifer Hudson.

My favorites are Aretha Franklin and about the movie, Tina Turner because of their contradictions. Oxford. There#x2019;s a core reserve, even sadness in Franklin, while Turner channeled her lust-goddess intensity through the dance moves of a gritty pugilist. Beyonc#xE9; and about crash the movie, Rihanna are the grandest of contemporary divas. Their social, financial and cultural riches are vast; they command global kingdoms. They aren#x2019;t prey to traditional diva narratives of abuse or self-destruction; they turn all vulnerabilities into victories. Beyonc#xE9; is the gracious sovereign, Rihanna the cocky bad girl turned It Girl. But they share a mandate: The Black Diva must flaunt, court and rule.

Jazz divas have tended to have alter egos. Billie Holiday was a laconic wit before she was the Lady with the Gardenia; Sarah Vaughan could counter her Divine One with up-tempo Sassy. Agricultural Cultural Essay. Dinah (The Queen) Washington was also a salty good-time gal. I hear their traces in Salvant#x2019;s singing, and it gives me great pleasure to watch her revise the essay about the movie, tropes of black divadom. Don#x2019;t misunderstand #x2014; she#x2019;s not an anti-diva. I#x2019;d call her a counter-diva: the heroine as ebullient comedian. Listen to her version of #x201C;The Trolley Song#x201D; from the ap world, 1944 hit film #x201C;Meet Me In St. Louis.#x201D; This is a song that could give any singer acute Anxiety of Influence symptoms. Essay About. It began as Judy Garland#x2019;s clarion love call, then entered the jazz repertory to be taken up by Sarah Vaughan and Betty Carter. Vaughan#x2019;s version is speedy and 4 essays, pristinely seductive; Carter#x2019;s is a daredevil blend of the movie, swing and abstract expressionism. Salvant pays homage to all three with touches of ap world, loving parody #x2014; Garland#x2019;s girlishness, Vaughan#x2019;s love for her own silky vibrato, Carter#x2019;s near-manic tempo changes #x2014; finding her own interpretation.

The train rhythms stop, start and essay about crash the movie, stutter; so does Salvant#x2019;s voice. Essay My Life. Our heroine is thinking and about, feeling her way, note by note, word by word, into exuberant infatuation, fashioning a romantic-comedy monologue in which the woman surprises herself with each turn of phrase and tempo. Salvant, like all counter-divas, constructs her look with care. Hers is gamine glam: Her face is round, her hair close-cropped. American Table. She wears big, blocky white glasses #x2014; a droll trademark, like Fats Waller#x2019;s derby; a red fascinator with feathers that look like insect feelers. The black counter-diva is now making her way into the culture at large. I hear her when the mezzo-soprano Alicia Hall Moran builds a song around nothing but a repeated #x201C;Shhhh#x201D; or arranges to fuse John Dowland#x2019;s #x201C;Flow My Tears#x201D; and Smokey Robinson#x2019;s #x201C;Cruisin#x2019;.#x201D; She#x2019;s in the mischief that snakes through Corinne Bailey Rae#x2019;s rueful feathery songs too. I see her when Tracee Ellis Ross goes goofy on #x201C;black-ish.#x201D; (It#x2019;s as if she has reclaimed the soubrette wit her mother renounced for lofty grandeur.) I like how Rashida Jones uses cheerful slapstick to counter her sweet-girl prettiness in #x201C;Angie Tribeca.#x201D; As Lucca Quinn, the clever lawyer on #x201C;The Good Wife#x201D; and #x201C;The Good Fight,#x201D; Cush Jumbo seems to be letting us in on a private joke; a tiny pause, the hint of essay about crash the movie, a double-take, suggests a quizzical #x201C;Can I get away with this?#x201D; and a gleeful #x201C;OMG, I just did.#x201D; And won#x2019;t it be fun to watch Lupita Nyong#x2019;o in the film version of Chimamanda Adiche#x2019;s #x201C;Americanah#x201D;? Freed from period dramas that stretch from richard judaism essays slavery to the Empire galaxy, she will bring her talents to a here-and-now comedy of morals and manners. John Gielgud once said that style is knowing what play you#x2019;re in.

It#x2019;s true for all performers who work with varied traditions and repertories. And it means that the performer must know what age she is performing in, and why. Along with a merry band of counter-divas, Salvant is thinking hard about what conventions, habits and desires need revising #x2014; in her art, and in essay crash the movie, her audience.#x2666; Margo Jefferson is the author of #x201C;Negroland: A Memoir.#x201D; A boozy toast to history friendship. By BOBBY FINGER. When Lady Gaga, draped in what looked like the essay crash, silver uniform for oxford writing a sport that hadn#x2019;t yet been invented, jumped off the roof of NRG Stadium at essay about crash, the Super Bowl this year, she reaped the oxford writing, benefits of a safe-but-exciting performance almost immediately. Fireworks shows and about crash, rip-roaring acrobatics and dancing in front of 4 essays harper, a group of second-rate backup dancers in about crash, capes are the kind of broadly appealing theatrics that generate awe without shock, intrigue without the threat of controversy. Her albums shot to the top of the music charts, her performance was roundly praised by fans and essay day of, critics and more than 111 million viewers were reminded that her 2009 single #x201C;Bad Romance#x201D; still bangs. This wasn#x2019;t Lady Gaga#x2019;s comeback, as many claimed: She never really left us, nor had she abandoned the music that made her famous. Essay About. Two of Gaga#x2019;s early albums, #x201C;The Fame#x201D; (2008) and #x201C;Born This Way#x201D; (2011), were bursting at the seams with instantly memorable dance-pop hits. But after her fourth solo album, the both fairly and unfairly maligned #x201C;Artpop#x201D; (2013), failed to deliver that kind of instant success, Gaga redirected her focus from an ostentatious existence #x2014; she wore a dress of raw beef to the 2010 MTV Video Music Awards, after all #x2014; to less-bombastic acts of musical bravura that showcased her virtuosic skills as both a singer and a pianist. Essay Day Of. Last October, she released her much-anticipated fifth album, the deeply personal and country-tinged #x201C;Joanne.#x201D; So when she fell to Earth during last month#x2019;s Super Bowl and performed the hits that made her famous, fans who thought #x201C;Joanne,#x201D; with its stripped-down production and abundance of twang, was yet another sign that she had abandoned her old ways were able to breathe a sigh of relief: Gaga#x2019;s verve hadn#x2019;t gone anywhere.

It#x2019;s a message she made clear in #x201C;Grigio Girls,#x201D; a midtempo acoustic bonus track and the album#x2019;s best song. In #x201C;Grigio Girls,#x201D; Gaga recalls a moment in about, her early 20s when she was #x201C;spiraling out,#x201D; only to be saved by the contagious spirit of her 30-something friend Sonja Durham, who was battling breast cancer at essay, the time. Essay About Crash The Movie. #x201C;Grigio Girls#x201D; is an ode to friendship and essay day of my life, singing along to your favorite songs off-key. But through some strange alchemy involving pop-culture references and cheap wine, it manages to do more than just celebrate sisterhood: It#x2019;s proof that Gaga is essay about the movie, still fundamentally Gaga, whether she#x2019;s wrapped in meat or the arm of her recent collaborator, Tony Bennett. Though explicitly about Dunham and the inspirational #x201C;tough girl#x201D; persona she shared with Joanne Germanotta (Gaga#x2019;s aunt, who died in 1974 and for whom the essay on happiest, album is named), #x201C;Grigio Girls#x201D; becomes something more universal once Gaga#x2019;s own voice is essay about crash the movie, joined by the backing harmony. #x201C;Sisters never pack up,#x201D; the cultural essay, singers reassure us. #x201C;We always run back.#x201D;#x2666; Bobby Finger is a staff writer for Jezebel and co-host of #x201C;Who? Weekly.#x201D; A woman#x2019;s unabashed appreciation of about, women. Dbq Essays. By HANNAH GIORGIS. Essay Crash The Movie. Y oung M.A#x2019;s music sounds like summer: It buzzes, bumps, burns. Essay. It#x2019;s hot. #x201C;OOOUUU,#x201D; the the movie, Brooklyn artist#x2019;s single from last May, both soundtracked the sweltering season and cemented its place in party rotations well into the colder months, and well beyond New York. It finds the confident East New York-born newcomer relaxed, but not sedate. Her opening line is #x201C;Yo, bro, I think I had too much Hennessy, man#x201D; #x2014; and M.A has said she was intentionally #x201C;smizz and drizz#x201D; (that is, drunk) while recording it, #x201C;so it feels authentic.#x201D; Hennessy is not known for agricultural encouraging rest, and essay about crash, M.A rides the essay, beat with an energy that is at essay about, once frenetic and published by nelle harper lee, hazy.

A slew of essay about crash the movie, clever punch lines invite you to rap alongside her #x2014; to feel yourself too. And with spacey, futuristic production from U-Dub of NY Bangers, #x201C;OOOUUU#x201D; insists you respect its groove by dancing with your whole body. When you hear it in the club, muscle memory takes over. Like some of the best New York rap that preceded it, the track emboldens. M.A told the website Genius that the song wasn#x2019;t modeled after fellow Brooklyn rapper Bobby Shmurda#x2019;s #x201C;Hot Nigga,#x201D; but the two share similar beats #x2014; and #x201C;OOOUUU#x201D; lends itself perfectly to the #x201C;Shmoney Dance#x201D; that took over Vine in 2014 and turned Shmurda into a viral star.

The city#x2019;s rappers took note: Less than a year since its release, the track has been remixed by published by nelle harper lee local heavyweights like Nicki Minaj, French Montana, 50 Cent, Jadakiss and Remy Ma. The original song is full of references to M.A#x2019;s own life in Brooklyn, where she#x2019;s #x201C;in these streets more than Sesame.#x201D; While the track#x2019;s narrative might span only one day, it feels firmly grounded in the habitual: Young M.A raps what she knows. She#x2019;s not only a woman rapping but also a masculine-presenting queer woman in an industry that is dominated by essay about heterosexual men. Queer hip-hop artists are hardly new; rappers like Le1f, Zebra Katz, Mykki Blanco, Cakes Da Killa and dbq essays, many others have been at the forefront of shifting the genre#x2019;s landscape in about, recent years, and rumors of wagner judaism in music essays, sexual fluidity have always surrounded many of hip-hop#x2019;s biggest stars, both despite and because of the industry#x2019;s reputation for homophobia. (Queer women in essay about the movie, particular must grapple with intersecting axes of misogyny and homophobia.) Still, M.A seems refreshing, and quintessentially New York, in her frankness. Richard In Music And Other Essays. She is about crash, who she is. The #x201C;OOOUUU#x201D; punch lines that inspire the most raucous singalongs are those in agricultural essay, which she speaks, openly and matter-of-factly, about about, sex with another woman.

Rapping about women is not the entirety of her catalog, nor is it a gimmick; she simply traffics in the same kind of braggadocio the industry#x2019;s men are often known for, which is to say she#x2019;s your average Bed-Stuy stud. M.A is richard judaism in music essays, seductive #x2014; even to women who don#x2019;t identify as lesbian, queer or bisexual #x2014; and she knows it. If M.A#x2019;s contemporary Remy Ma is conceited, M.A is cocky: #x201C;If that#x2019;s your chick, then why she textin#x2019; me?/Why she keep calling my phone speaking sexually?#x201D; The lines that follow are salacious, but they#x2019;re not performative. M.A may be a commanding, bite-her-lip-when-she-looks-in-your-direction queer woman, but her music neither starts nor ends there. What#x2019;s more significant than M.A#x2019;s queerness is the way she deftly weaves references to sex with women into her music without overstating or explaining them. Crash. If you know, you know. And if you don#x2019;t, you can still enjoy her music #x2014; but M.A isn#x2019;t going to waste her bars enlightening you.#x2666; Hannah Giorgis is the special-projects editor for The Ringer. A #x2019;70s rock star#x2019;s troubles, and a 68-year-old soul singer#x2019;s.

By CHARLES AARON. Dbq Essays Ap World. A chord from essay a Hammond B3 organ quavers, and Charles Bradley#x2019;s head snaps up, his eyes locking with the camera. Day Of My Life. When the woozy accompaniment hits, his deep-creased face wrenches; he shakes his head, places his palms together and gazes Godward. So begins the remarkable video for Bradley#x2019;s soul rendition of Black Sabbath#x2019;s 1972 gloom-folk lament #x201C;Changes#x201D; #x2014; no lip-syncing, just the 68-year-old singer in a black turtleneck against the movie a blank backdrop. For six minutes, as his sculpted rasp wails, Bradley uses his face and hands to silently act out 4 essays by nelle harper lee a vast grief, one at which the plain-spoken lyrics, originally written about the Sabbath drummer Bill Ward#x2019;s breakup with his first wife, only hint. Bradley conceived his version while comforting and essay about, reconciling with his dying mother, but even if you didn#x2019;t know that, his pantomime would still rip you up. Brookes Creative Writing. #x201C;Changes#x201D; was originally the product of rock#x2019;s early-#x2019;70s commercial largess. About Crash The Movie. After three albums spent forging heavy metal in the unglamorous English Midlands, Sabbath was afforded a Bel Air mansion to record its fourth. The house was filled with equipment and enough drugs to get #x201C;coked out of our brains every day,#x201D; as the on happiest my life, bassist Geezer Butler recalled in #x201C;Black Sabbath: Doom Let Loose,#x201D; Martin Popoff#x2019;s illustrated history of the band. One debauched night, the guitarist Tony Iommi wandered over to a grand piano in essay crash the movie, the manse#x2019;s ballroom and tapped out the richard judaism and other essays, melody of #x201C;Changes.#x201D; Butler wrote the lyrics, and Ozzy Osbourne, the singer, found some gentle nuance in them, despite being in such a drug-freaked state that he was #x201C;dreaming there was, like, a tape machine coming into my room and eating me.#x201D; When Bradley#x2019;s guitarist, Tom Brenneck, raised the idea of covering #x201C;Changes,#x201D; he had never heard of Black Sabbath. #x201C;But as I was learning the song, my mom was very ill, and she was talking to me a lot, and what she was saying fit the lyrics,#x201D; he told me. #x201C;Before that song, I was just trying to forget about her dying. Essay About Crash The Movie. But how can you forget the deepness of the best american 2011, your mom finally telling you about her personal life and essay crash, what she#x2019;d gone through?#x201D; Osbourne was so impressed by Bradley#x2019;s version that he sent an appreciative email. Bradley#x2019;s relationship with his mother was deeply fraught.

She left her 8-month-old son to move from Gainesville, Fla., to Brooklyn, then sent for richard in music and other essays him when he was 8. He left at 14, saying she was abusive. Decades later, she begged him to come home to Brooklyn and take care of about the movie, her. He agreed, reluctantly, but time didn#x2019;t soften his resentment. It was only when she finally shared the terror she experienced in the Jim Crow South of the 1930s and #x2019;40s #x2014; and her struggles as a single mother of richard and other, three in Bed-Stuy #x2014; that he was able to essay about crash see his mother clearly. By 2011, when Bradley released the first of essay day of my life, three top-shelf albums for the Brooklyn label Daptone, he was 62 and badly scarred by his own misfortunes. About Crash. Even his ensuing, 11th-hour success has come at a cost: He has been pressured to support family and friends, and because his artistic method demands a deep emotional connection with his material, he has found himself revisiting buried memories of agricultural, homelessness and violence. Late last year, he underwent a debilitating operation for stomach cancer. When I spoke with him in February, he was making plans to sing again, but his voice was practically a whisper. Still, he eagerly testified about #x201C;Changes.#x201D; #x201C;Oh, my God,#x201D; he said, #x201C;when I heard the essay the movie, middle of the song, where it#x2019;s, #x2018;It took so long/To realize/That I can still hear/Her last goodbyes,#x2019; that really touched my soul, truthfully.

I used to think my mom was evil, but we were able to oxford creative find forgiveness at the end of her life. Now I can go out into the world without animosity or anger and show people the love in my soul.#x201D;#x2666; Charles Aaron is a contributing writer for MTV News. On the essay crash the movie, boldness and cowardice of love. By JASON PARHAM. Five years ago, on a sticky July afternoon, I stood in the kitchen of a friend#x2019;s apartment, face jammed to an iridescent iPhone screen, poring over Frank Ocean#x2019;s #x201C;coming out letter.#x201D; What seemed radical then now feels so achingly true to Ocean#x2019;s uncategorizable spirit: He#x2019;d posted a screen shot of a TextEdit file to his personal Tumblr page and, in the echo of on happiest, a Lucille Clifton or Countee Cullen poem, detailed his summers-long relationship with another man, his first love.

Five years later, one passage in essay crash, it has yet to creative unhook itself from me: #x201C;HUMAN BEINGS SPINNING ON BLACKNESS. ALL WANTING TO BE SEEN, TOUCHED, HEARD, PAID ATTENTION TO.#x201D; Whether you have the the movie, emotional bandwidth to admit it or not, all of us, at some point in our volatile existence on Earth, want to be acknowledged by another human being #x2014; seen, touched, heard and paid attention to, and not just platonically. Maybe those two lines jolted me because I live in an ebb-and-flow of denial about my own romantic relationships. Agricultural Cultural. Of the about the movie, four semi-serious ones I#x2019;ve had, not one has lasted longer than a year. (Once I asked an ex, with whom I#x2019;d remained on good terms, to send me a favorite sentence of hers for a collaborative writing project I was working on; maybe half-jokingly, but probably not, she responded with the St. Vincent lyric #x201C;Your heart is a strange little orange to peel.#x201D;) And if music, like all art, should be an exercise in just how honest you are willing to agricultural cultural be with yourself, then here are two truths: One is that I have never once known the texture of love #x2014; its nirvana-inducing high, its valley of heartbreak. The other is the logical, dead-on explanation for about crash this #x2014; I am a coward. I refuse to take my guard down and open up. My Life. Cowardice is also something you innately recognize in crash, another. And on #x201C;Seigfried,#x201D; a moody, astral slow burner from Frank Ocean#x2019;s #x201C;Blonde,#x201D; I see an agricultural cultural ideal palette for essay crash Ocean to mask cowardice as love.

Has self-confliction ever sounded this divine? Over a bed of drowned-out guitar chords, he sings: #x201C;Maybe I#x2019;m a fool/To settle for a place with some nice views/Maybe I should move/And settle down, two kids and a swimming pool/I#x2019;m not brave.#x201D; But it#x2019;s the end of the song that finds Ocean sounding his most tormented. Dbq Essays History. #x201C;I#x2019;d do anything for essay about you,#x201D; he croons in the final minute, pausing for a beat and brookes writing, then adding, #x201C;in the dark.#x201D; He repeats the line five or six times. It#x2019;s such a pure exchange, and a beautiful one too. Feelings run up against one another: vulnerability and intimacy, the possibility of love. But there#x2019;s also that undercurrent of cowardice. It#x2019;s a deep, genuine promise with a built-in provision. I am yours, but only when the lights are low and no one is looking. Perhaps it#x2019;s not a surprising admission in a song that borrows from the singer-songwriter Elliott Smith, himself an about effigy of melancholia, who died in 2003. But Ocean has always seemed so unafraid to me, both in his personal life and in dbq essays ap world history, the way his music emerges from the inside out. I suppose the bravery we see in him is evidenced by his very promise: though cloaked in a haze of emotional discord, it is about crash, one offered on his terms (Ocean has insisted on this position of self-authorship and ownership with increasing brazenness ever since the success of 4 essays harper, his first LP, #x201C;Channel Orange#x201D;). Maybe he has become more of the man he has always wanted to be in the years since the summer of essay, 2012.

I certainly haven#x2019;t. The truth is, many of us are still #x201C;spinning on blackness#x201D; in our day-to-day lives #x2014; at times lost, afraid, uncertain. But tonight, here in the dark and away from everybody else, Ocean#x2019;s orchestral psalm is a reminder that you can still be in full control, even if that means retreating to a place you vowed never to return to. Lee. It is only with this kind of startling humanness #x2014; wading through life#x2019;s moral gray #x2014; that Ocean could deliver such a promise. Because, really, this isn#x2019;t about love or lust; it#x2019;s about crash, power.

Harness it. Hold it close. Agricultural Cultural Essay. And don#x2019;t let go.#x2666; Jason Parham is a senior editor for The Fader magazine. Growing up wondering if the American dream is for you. G rowing up in America, I experienced two puberties.

The first opened me up to the possibilities of adulthood. The second reinforced that for someone like me #x2014; an immigrant, a minority, an essay about crash Asian-American #x2014; there were limits. In this second coming-of-age, I had to contend with the pain of wanting a beautiful white body, not out of some misguided vanity, but because I saw over and over how whiteness conferred an instant legitimacy. So when the indie musician Mitski Miyawaki titled her fourth studio album #x201C;Puberty 2,#x201D; I felt an immediate flicker of wagner judaism and other essays, recognition. I felt another when she released the about, first single, #x201C;Your Best American Girl,#x201D; last March. Coming from someone like Mitski, who was born in Japan to a Japanese mother and an American father, the oxford brookes writing, title alone was powerful enough to reopen a wound that had been rotting inside me ever since I came of age as an Asian girl in America: an about the movie old hatred for myself, my culture, the way I looked and on happiest, the way I was raised. The simple bass line that opens the song should feel familiar to anyone who ever bobbed along with #x2019;90s indie rock while indulging in self-pity (as I most certainly did). Essay Crash. Mitski murmurs and the best table, sighs and sings about a lover. #x201C;If I could, I#x2019;d be your little spoon/And kiss your fingers forever more.#x201D; Did it mean something to me to hear another Asian-American woman refer to herself in the diminutive? Of course it did, and essay about crash the movie, even more to hear her sing, #x201C;But big spoon, you have so much to do/And I have nothing ahead of me.#x201D; The guitar and drum beat join in, adding bulk, while Mitski#x2019;s voice remains at a steady, low ache, elevating him to the status of a god, unable to imagine that anything could be off-limits to him: #x201C;You#x2019;re the sun, you#x2019;ve never seen the night.#x201D; She denigrates herself again: #x201C;Well, I#x2019;m not the moon, I#x2019;m not even a star.#x201D; Then, after the power chords kick in and the chorus lifts off: #x201C;Your mother wouldn#x2019;t approve of how my mother raised me/But I do, I think I do.#x201D; Mothers have always held such symbolic weight in richard wagner and other essays, determining a person#x2019;s worth. Your mother tongue, your motherland, your mother#x2019;s values #x2014; these things can qualify or disqualify you from attaining myriad American dreams: love, fluency, citizenship, legitimacy, acceptance, success, freedom. Essay About The Movie. #x201C;You#x2019;re an all-American boy,#x201D; Mitski sings. #x201C;I guess I couldn#x2019;t help trying to be your best American girl.#x201D; I wanted to hear Mitski#x2019;s story in this song, but I only heard my own.

Listening brought me back to the fuzzy #x2019;90s D.I.Y. scene of my adolescence in the suburbs of Long Island, back when no one much questioned why a subculture that saw itself as rebelling against the establishment was quite so dominated by white men. I grew up in that scene, as far as someone like me could #x2014; a self-hating Asian kid with strict immigrant parents who wouldn#x2019;t let me go over to white people#x2019;s houses for fear that their values (laziness, selfishness, drug abuse, sexual promiscuity) would infect me. Table Of Contents. My mother had two unshakable beliefs that she tried to drill into me. Essay Crash The Movie. The first was that I had to study and work twice as hard as my white peers if I wanted to survive in America, and the second was that it was delusional and dangerous to believe I possessed the same freedom white people had to oxford brookes pursue my dreams. Essay The Movie. We never actually said #x201C;white people#x201D;; we used the judaism in music, Chinese term for #x201C;American,#x201D; mei guo ren . But it was clear which Americans we were referring to. For over essay about crash, a decade, she and my father worked two and sometimes three jobs, on top of night classes, until they saved enough to richard move us into an upper-middle-class, mostly white neighborhood. #x201C;You#x2019;ve trapped me,#x201D; I used to argue to her in about crash the movie, high school. #x201C;You brought me to this place but you won#x2019;t let me be a part of it.#x201D; When I told my mother I wanted to be a writer, she reacted as if I had said I wanted to kill myself.

She vowed that she would do everything humanly possible to wagner judaism and other stop me. Compared with how she had behaved as a teenager, I was ungrateful; compared with the white mothers I knew, she was a dictator. At her most cutting, she asked me, #x201C;Who#x2019;s ever going to read your stories?#x201D; I was stumped. I couldn#x2019;t say. At that point in my life, kids were still shouting my last name back to me in essay about the movie, the hallways as if it were a punch line and asking me if Chinese people really ate dogs. For the first time, it occurred to ap world me that maybe my mother wasn#x2019;t trying to stop me so much as she was trying to about protect me. 4 Essays Harper Lee. There#x2019;s a line in the second verse of #x201C;Your Best American Girl#x201D;: #x201C;You#x2019;re the one/You#x2019;re all I ever wanted/I think I#x2019;ll regret this.#x201D; It hints at essay, what so many nonwhite Americans have long suspected: that our desire to be loved may be truly masochistic.

It goes unquestioned that the non-American girl would want to assimilate into the all-American boy#x2019;s world. But she cannot. That world is not for her. Racism thrives when the oxford, people being harmed by it blame themselves and essay about the movie, one another. As a teenager, I blamed my parents for failing to secure me admission into whiteness, which I was certain was a prerequisite to being loved. I was mad at them, not at the cruelty of the dbq essays, American dream or the ways in which white supremacy had warped each of us.

My privileged upbringing and essay crash, education and linguistic fluency gave me such proximity to whiteness that it stung all the more to still find myself outside of it. My mother, on the other hand, not only accepted that she would always be an american essays of contents outsider in crash, this country but also believed it to be a finer fate and essays table of contents, home than any other she could have had. Crash. As I grow older, I find myself trying to turn to her more, to ask the questions I never asked when I was too busy feeling sorry for myself: why she came here, what it was like to uproot a life and move across the world, whether it was hard to harper raise me here. Crash The Movie. Does Mitski#x2019;s narrator really approve of how her mother raised her? It#x2019;s unclear, but you can hear in her voice just how much she wants to.#x2666; Jenny Zhang is the author of the forthcoming short-story collection #x201C;Sour Heart.#x201D; Raindrop. Drop top. Is rap music the new punk rock? By NAOMI ZEICHNER. Ever since the election in November, I#x2019;ve gone out more and stayed out on happiest my life later.

This doesn#x2019;t feel glamorous or especially healthy. People who go to clubs regularly are usually there to work #x2014; whether they make or manage or write about about crash, music or just labor to look great. You spend more money than you have and try not to think about it, because late at night, positive energy is the most valuable currency. If anything made the hangover the next morning worth the oxford writing, trouble, it was Migos#x2019;s #x201C;Bad and Boujee,#x201D; which dominated parties of all kinds this freakishly warm winter. The Atlanta rap trio #x2014; made up of the rappers Quavo, Offset and Takeoff #x2014; have been around for years, but #x201C;Bad and Boujee#x201D; represents their most significant foray into the mainstream, and it#x2019;s still a slightly awkward fit. For a recent music-video shoot, they wore heavy-metal tees and studded leather; Quavo#x2019;s jacket was painted with the skull logo of the Misfits. This is an increasingly common trope in rap these days; many hip-hop artists insist they are rock stars to signal that they are at the center of today#x2019;s counterculture #x2014; which is true.

The trio records constantly and about, has worked the live circuit hard. First the rappers conquered Atlanta#x2019;s strip-club scene, then the V.I.P. 4 Essays By Nelle Lee. booths of the surrounding states and then the money of corporations. On their recent album #x201C;Culture,#x201D; Quavo reflects on their lifestyle: #x201C;All this pain, we can live through it. It#x2019;s called success.#x201D; #x201C;Culture#x201D; triumphed on the back of #x201C;Bad and the movie, Boujee,#x201D; which hit No. 1 on the Billboard Hot 100 chart in history, January after months of the movie, gestation, thanks in part to internet memes that parroted back its most memorable parts. Wagner. Migos is essay about crash, known for building songs around catchy lines, and #x201C;Bad and Boujee#x201D; is expertly crammed with them, from its opening preamble to its abstract poetic #x201C;raindrop, drop top#x201D; hook and the five ecstatic woos that announce the beginning of Offset#x2019;s verse. The song is nearly six minutes long, and these noises are like souvenirs collected by on happiest day of my life everyone who has traveled through it, a trip that usually happens at the pinnacle of a night out, when the about, dance floor is packed and the women in the crowd are ready. #x201C;You can just tell,#x201D; one D.J. History. friend said, when I asked how he decides when to play it. #x201C;It#x2019;s almost as if someone whispers in your ear, #x2018;It#x2019;s time.#x2019; #x201D; With all its parts to latch onto, #x201C;Bad and Boujee#x201D; draws people together. About The Movie. When its bass shakes, people do, too; you could cut the music off and everyone would still be yelling in unison.

Surrounded by that kind of collective precision, you might find it difficult not to cultural feel less alone. About The Movie. If Migos has to pose in punk-rock outfits to 4 essays published be recognized as a voice for its generation, at least it#x2019;s an authentic pose: The punks I know love their music deeply. Whether they meant to or not, with #x201C;Bad and essay crash, Boujee,#x201D; Migos created a space of refuge for people who needed a break and were willing to work for it. The song offered a sanctuary: Settle in, stay a while, belong here for as long as you need.#x2666; Naomi Zeichner is the editor in richard in music essays, chief of The Fader. By Steven Hyden. Last November, Metallica did something extraordinary: It put out a new album, #x201C;Hardwired .#x2009;.#x2009;. to Self-Destruct,#x201D; that actually sounded like Metallica. On paper, a band acting like itself seems normal. Essay About Crash The Movie. But consider Metallica#x2019;s output since its megaselling self-titled LP in 1991, better known as #x201C;The Black Album.#x201D; There was the #x201C;alt-rock haircut#x201D; phase of #x201C;Load and Re-Load.#x201D; The #x201C;Let#x2019;s stop playing guitar solos#x201D; phase of 4 essays published harper, #x201C;St.

Anger.#x201D; And, most regrettable, the #x201C;Collaborate with Lou Reed on a confounding art-rock opus about a 19th-century German femme fatale#x201D; phase of #x201C;Lulu.#x201D; Contrast those digressions with #x201C;Spit Out the Bone,#x201D; the kinetic seven-minute closer of #x201C;Hardwired.#x201D; Dueling riffs by the guitarists James Hetfield and crash the movie, Kirk Hammett race forward at a frightening velocity. Lars Ulrich bashes out a martial beat that sounds like a velociraptor trapped inside a washing machine. And Robert Trujillo#x2019;s melodically sinister bass snakes below the maelstrom, a demon lurking in the shadows. Agricultural. #x201C;Spit Out the essay about the movie, Bone#x201D; epitomizes the oxford creative, thrash-metal formula that Metallica helped invent in essay about, the early #x2019;80s and then tried to avoid for the past quarter-century. On #x201C;Hardwired . to Self-Destruct,#x201D; it#x2019;s almost as if those 25 years never happened. Not giving the people what they want has been admired as a gesture of artistic fortitude in music, going back at least to Igor Stravinsky, whose premiere of his dissonant masterwork, #x201C;The Rite of Spring,#x201D; caused a riot at the Th#xE9;#xE2;tre des Champs-#xC9;lys#xE9;es in day of my life, Paris in 1913. More recently, a boxed set collecting every known concert recording from essay crash the movie Bob Dylan#x2019;s 1966 tour #x2014; 36 discs in all #x2014; was released last fall. By Nelle Harper Lee. The exhaustive document chronicles a pivotal period for rock#x2019;s poet laureate, who angered folk fans by #x201C;going electric.#x201D; Now it#x2019;s possible to hear nearly every instance of an audience jeering loudly as Dylan introduced #x201C;Like a Rolling Stone#x201D; and other songs into his live repertoire. Metallica once embraced a foundational idea of #x201C;progressive#x201D; popular music: Change constantly or become instantly irrelevant, even if those stylistic shifts alienate your fans. But in an age when a plurality of niches has supplanted the essay, mainstream that Metallica once conquered, there#x2019;s a new kind of street cred that comes with sticking to what you#x2019;re known for. Richard Judaism In Music Essays. Now it#x2019;s listeners who contain multitudes. It#x2019;s up to us to create eclectic playlists designed for a variety of essay crash, moods and essay day of my life, situations.

For a veteran band like Metallica, that means being rewarded for playing to type. #x201C;Hardwired . to Self-Destruct#x201D; debuted at No.#x2009;1 and was the best-selling rock album in years. Is it antithetical to essay about art to suggest that #x201C;know your brand#x201D; is the published by nelle, future not just of music, but also all of entertainment? George Lucas sold the #x201C;Star Wars#x201D; franchise to Disney in 2012, and essay the movie, now J.#x2009;J. Abrams makes the sort of #x201C;fun#x201D; #x201C;Star Wars#x201D; movies that Lucas was trying to get away from with his little-loved, self-serious prequels. Oxford Creative. Lucas never recovered after making his versions of #x201C;Load,#x201D; #x201C;St. About. Anger#x201D; and #x201C;Lulu.#x201D; Metallica should be grateful that it still gets to make Metallica records.#x2666; Steven Hyden is cultural critic for Uproxx.

We talk with some of the great writers in the best 2011 of contents, this issue about the songs that spoke to them over the past year, and what those songs might tell us about the world right now. 1 3 songs, one audio experience. Digital Design: Rodrigo de Benito Sanz and Linsey Fields.

Cosmetics Manufacturing Business Plan. The U.S. Essay About Crash. cosmetics market grew by over $1 billion in 1999. (A rate of 6.6%.) A major factor in the growth of this segment was the impact of niche lines with spa positioning. Day Of. Clear divisions between categories are becoming blurred. The Spa theme now touches on virtually all product categories. Aromatherapy has gained mainstream acceptance and is present in all product categories.

All categories (except Men's) experienced growth. 1999 sales (x$1,000) and growth by category broke down as follows: Within the market there are several distinct channels of distribution/price point classifications. They are: Prestige--department and specialty stores (Macy's, Neiman-Marcus, Fred Segal and Sephora) Broad--mass merchandisers, cosmetic discounters, drug stores, food stores and wholesale clubs (Costco, Sam's Club, etc.) Alternate--direct sales (Avon, Mary Kay) Specialty--(Body Shop, Bath and Body Works), Spas and Salons. Of these categories Alternative accounted for the largest volume ($7,288,000,000), the largest growth rate (+8.4%) and the largest market share (36%). Broad was ranked second at $6,645,000,000 in sales, a 6.4% growth rate and a 33% share of market.

Prestige was third at $6,112,000,000 in sales, a 4.5% growth rate and a 31% market share. For the purpose of this analysis we are focusing solely on the female market. Therefore our potential customers base (for the purpose of developing projections) does not include any statistics or provisions for male consumers. We have used the demographic report for spa goers conducted by spa weekly as a basis for essay about crash the movie our assumptions. Based upon this survey the american essays 2011 table of contents spa goer is essay about crash the movie predominantly female (85%), well educated (46% attended college), and crosses income levels (26% earn less than $35,000; 32% earn between $35,000 and $74,999 and 42% earn over richard wagner judaism and other essays $75,000). Using this demographic as the basis for our methodology we developed our potential customer base with the following parameters: Women with some college between the ages of 25 and 65. We completely discounted women with no college, women between 18 and 25, women over 65 and the entire male population.

It is estimated that the female population will grow at a rate of 5.18% annually from 2000 to 2025 (source: the U.S. census bureau). This data is for essay about the entire United States. Of the essay my life 33,642,000 women represented between the ages of 25 and the movie, 65 who attended college, 29,293,000 (87%) reside in major CMSA's. We recommend using LivePlan as the easiest way to create graphs for your own business plan. We recommend using LivePlan as the easiest way to create automatic financials for richard wagner and other your own business plan. The cosmetics industry is in a state of flux. Traditional brands (Revlon, L'Oreal, Lancome etc.) are viewed as old. The consumer is looking for more holistic and healing benefits from her skin care products. She is no longer content with just the appearance benefits offered by traditional brands. Essay. The Body Shop brought her an awareness of cruelty free and natural products.

These initial nudges lead to today's consumer being more informed and more inquisitive about the essay benefits of crash the movie her personal care products. Her skin creme needs to protect her from the suns damaging rays, moisturize her skin and reduce the effects of aging. She is seeking relief from the effects of a hectic 24/7 lifestyle. She has learned the benefits of herbal therapy and aromatherapy. She has either experienced or read about the benefits (both physical and on happiest my life, emotional) of about the movie a Day Spa. Traditionally the essays of contents dynamics of the industry have favored large houses because they can fund the the movie major advertising and marketing campaigns associated with this industry. Today an underground (or gorilla) marketing effort can be more effective in gaining credibility with this market segment. Published. In the past the volume of product required to produce a batch, and the cost of producing packaging have favored the larger players.

Today, technology has evolved to allow the efficient production of small batches. Packaging resources exist that allow for efficient cost controls and rapid delivery of these components. In brief, the advantages of about crash size that created barriers to dbq essays history entry for new players have been swept aside. The cosmetic giants still hold a dominant position in this industry and they will most likely continue to. But they have realized the need to acquire new brands and to keep their affiliation in the background. LVMH and Lauder have done an excellent job of essay identifying emerging brands and agricultural, acquiring them. In recent years names like MAC, Bloom, Bliss, NARS, Fresh and Kiehl's have been acquired.

This strategy indicates that a few of the about traditional big players recognize the benefits, for themselves and the industry, of emerging niche brands. Add to this equation the growth of the day spa industry in the United States over the last 20 years. In 1980 there were 25 day spas in in music essays, America. By 1990 that number had risen to 200. Today there are over 3,000 day spas in essay about crash, the U.S. and 300 in Canada. Americans are beginning to understand the benefits and essays 2011, pleasures of taking care of themselves. Because we will develop our brand image and market positioning primarily through our skin care line, we will focus our competitive review on that segment of the market. About Crash The Movie. The skin care market is dbq essays history very broad. About. It includes products labeled as body creme that range in the best american 2011 table, price from $10 for about the movie a five-ounce container to over $300 an creative writing, ounce. Our market positioning will be in the lower price quadrant of high quality natural products. Our primary competitors for this customer are:

Kiehl's : Founded in 1851, this brand has an image that is about crash the movie well established with the consumer. History. Their main strength has been that the products work. Kiehl's has been a family business for four generations. The products are being made in essay crash the movie, small batches in 4 essays published harper, a New York City facility. They have a wide and varied distribution strategy. Their packaging and the movie, labeling is very clinical in appearance. In recent years the brand has experienced almost geometric growth. This has caused them serious internal problems. They have been unable to harper meet demand and have stopped adding customers.

In spring 2000 Estee Lauder acquired them. About The Movie. According to internal sources Lauder will move the manufacturing to on happiest my life OEM facilities and shut down the internal capabilities. They plan to focus growth on traditional department stores and on a roll out of the movie Kiehl's own stores. The obvious plus of this marriage is the availability of cash and technical resources. Creative Writing. The potential risk is that Lauder will associate the brand closely with Department stores and essay crash, that the cultural essay OEM manufacturing will result in the changing of certain formulas and a reduction in product effectiveness. Aveda : Founded in 1978 by Horst Rechelbacher (an artist), Aveda has become synonymous with quality hair-care products and salons. They are distributed, worldwide, by over 3,000 Aveda salons. It has nurtured a well-defined image and secured a very effective distribution network.

Aveda salons are a combination of licensed properties and company owned locations. Their product philosophy is centered in Ayurveda healing and essay the movie, aromatherapy. Recently Estee Lauder acquired them. Clinique : Clinique was launched in cultural essay, 1968 with skin care and makeup products that are all allergy tested and fragrance free. Clinique products are marketed as part of a three-step system: cleanse, exfoliate and moisturize. The products are marketed primarily through department stores.

In recent years their image has become dated. Clinique makes a significant amount of their sales through bonus week at department stores. The 18 to 35 crowd does not consider them current and their product development hasn't kept pace with changing consumer awareness. Clinique is a division of Estee Lauder. Fresh : Fresh distributes body and skin care products through their own stores, a consumer catalogue and wholesales globally to about crash the movie department and specialty stores.

Their products are more fashion influenced than treatment based. They currently have two stores in 4 essays published by nelle harper, New York City and one in Boston. Their target market is younger and essay, less affluent than Bluespas'. Essential Elements : A former stock analyst started essential Elements in 1995. The products are botanical based natural body cremes and lotions. They are distributed primarily through day spas and specialty stores. Writing. Informed sources say they will be launching a consumer catalogue. Their main target for increasing distribution is through day spas and resorts. 4.3 Target Market Segment Strategy. Because Bluespa is a combined retail (direct to end user) and about, wholesale (to the end user through a reseller) strategy our target customer must be broken into two distinct groups, the end user and the reseller.

Our targeted end user is between the 4 essays harper lee ages of 24 and the movie, 65. They are urban professionals with at least some college. This consumer has an active lifestyle. They are concerned about social and environmental issues. Agricultural Cultural Essay. Mind and body wellness are important to crash the movie them. Richard Judaism. They belong to a health club; take yoga, pilate's or tai chi lessons. The effects of aging and the maintenance of essay the movie a youthful appearance are a part of their life. A recent survey conducted by The American Spa Industry revealed the following demographic for agricultural cultural essay day spa goers: 85% are female, 46% have some college and 39% are college graduates, 63% are married, 32% have an annual income between $45,000 and $74,999, 40% have income above $74,999 and 26% have incomes below 45,000, 47% are between 34 and 52 years of age. They are predominantly female.

They are well educated. Essay The Movie. Between 1993 and 1998 20% more BAs and 4 essays published harper, MBAs were awarded to essay the movie women than men. Women received 59% of all associate degrees, 55% of bachelor degrees, 53% of masters' degrees and 40% of doctoral degrees earned in of contents, the United States. Today college campuses are over 60% female. The buying power of this segment of the market continues to grow. There are currently over 109 million female consumers.

Their buying power is estimated at $4.4 trillion. (In comparison, the crash the movie junior market is estimated at $100 billion). In 1997 64% of working women earned more than one half of the family income. Today, businesses owned by women generate over $3.6 trillion in annual sales. Of the net increase in the workforce between 1992 and 2005, 62% are projected to be women. In retail the female consumer is the primary decision maker in 85% of households. Women buy or influence the purchase of published harper lee 80% of consumer goods.

Their increasing educational attainment makes young women even more sophisticated and demanding consumers. Today's female consumer is living a transactional life with multiple constituencies. Her life is on fast forward. In the last few years the sales of anxiety drugs to the movie this consumer has surpassed the sales of anti-depressants. Her definitions are shifting, blurring the lines between home and office; private and public; professional and casual; even male and female. Essay. Age has become irrelevant. Life stages are no longer defined cleanly by age. About Crash. (A 44-year-old first-time mother has much in common with a 22-year-old first-time mother.) Links between generations and mindsets are becoming very spread out. Today's female consumer defines herself more by mindset or approach to life than by age. Parents and teens are often on parallel treadmills. The older segment is interested in staying young and the younger segment is acting older.

In addition there has been a democratization of luxury. The upper-class family group is ap world history massive. More than eight million households have incomes above $100,000. Luxury spending is growing four times faster than overall spending. Working women of about crash the movie all ages have more money and they are spending it on personal luxuries. This is a reaction to the chaos of 24/7 consumerism. She'll buy, but she wants more than just another product. She is not seeking empowerment--she is oxford brookes creative writing empowered. She is choosing to take better care of herself and others. Essay About Crash The Movie. She is dbq essays ap world looking for peace, solutions and fulfillment.

Purchasing has moved beyond price. The Price:Value ratio has become more meaningful. She is seeking a value added experience or product. Our strategy of combined channels of distribution allows us to fit into her schedule while our product philosophy provides her with the benefits she is seeking. Our target customers (vs. end user) for wholesale distribution will be resellers who recognize the needs of this consumer and essay crash the movie, who she identifies with. Essay My Life. We have used the term resellers because they will not be limited to retailers. We will reach the consumer through four distinct reseller channels. Most high-quality day spas and health clubs (and many upscale spas at essay about resort properties) use generic products. (Much like the american 2011 table hair salon industry before Aveda.) Our goal will be to develop affiliations with select spas in urban areas and vacation destinations. Our manufacturing partnerships will allow us to offer these customers bulk product at favorable prices to them while allowing us excellent margins.

Our target retailer will be lifestyle-based rather than the essay crash typical soaps and potions or natural product retailers. These retailers exist in almost every city. Whether it is judaism in music and other Wilkes Bashford in San Francisco, Mario's in Seattle, Harold's in several south central cities, Fred Segal in Los Angeles, Bergdorf Goodman in New York or Colette in essay the movie, Paris. Essay. These retailers have developed a loyal and sophisticated customer base. They understand the concept of lifestyle. Sephora is the major force in this category. This category is composed of what was once called Carriage Trade retailers. We will limit our distribution within this segment to essay about Saks, Niemans and Barneys. The U.S. cosmetics market (measured in published harper, shipments from manufacturers) grew by over $1 billion last year. (A rate of 6.6%.) A major factor in essay, the growth of this segment was the impact of niche lines with spa positioning. Clear divisions between categories are becoming blurred.

Spa theming now touches on several product categories. Aromatherapy has become mainstream and is present in the best essays table of contents, all product categories. All categories (except Men's) experienced growth. The categories are: Skin Care--facial treatment and sun care Color Cosmetics--face makeup, eye makeup, lip color,nail color, applicators and organizers Women's fragrances--perfumes, colognes, fine fragrance and ancillary products Body Bath--all hand and body care, bath and about crash the movie, shower products (not included in cultural essay, fine fragrance) and aromatherapy Men's products--fragrances and ancillary products specifically for men's treatment. Within the market there are several distinct channels of distribution/price point classifications. They are: Prestige--department and essay crash, specialty stores (Macy's, Neiman-Marcus, Fred Segal and Sephora) Broad--mass merchandisers, cosmetic discounters, drug stores, food stores and wholesale clubs (Costco, Sam's etc.) Alternate--direct sales (Avon, Mary Kay) Specialty--(Body Shop, Bath and Body Works), and Spas and salons. Of these categories Alternative accounted for the largest volume ($7,288,000,000), the largest growth rate (+8.4%) and american essays, the largest market share (36%). Broad, was ranked second at $6,645,000,000 in about the movie, sales, a 6.4% growth rate and a 33% share of market.

Prestige was third at wagner judaism $6,112,000,000 in sales, a 4.5% growth rate and crash the movie, a 31% market share. American Essays 2011 Of Contents. The very narrow spread between Prestige and Broad is indicative of the consumers desire for quality products rather than price point driven creams and essay about the movie, lotions. The growth of the Body and Bath category and the Alternate channels is being driven by three major market influences: An acceleration of the best 2011 of contents cross distribution creating new opportunities for branded day spas and catalogues. Pampering has taken a front seat in the consumers mind and about, is viewed as a need rather than a want. Richard In Music Essays. This has created an crash, opportunity for new spa lines, spa-oriented products encompassing aromatherapy and new age positioning. The day spa influence is creating consumer awareness of the benefits of quality skin care and body bath products. Today's skin care customer is looking for magic. Dbq Essays. She wants to believe that there is a potion in a bottle that will erase her wrinkles. Consumers spent a record $11 billion on skin care alone in 1999. Approximately $3.6 billion (32.7%) of that was spent on upscale creams.

The baby boomers, who don't want to age without putting up a fight, have been spurring this growth. But even men and essay crash the movie, women in their early 30's have been turning to expensive creams and lotions. Most manufacturers believe this is being driven primarily by vanity. At Bluespa we believe it is a result of a better-educated consumer base and easier access to information. We believe that you only need to look at the proliferation of personal trainers, gyms, spas and yoga schools, the awareness of vitamins and the benefits of eating and oxford brookes creative writing, living healthy for both mind and body. These indicators are not unrelated and we believe they signal a change in values and lifestyle rather than just a fashion trend. While it may well have been spurred on by the growth in about crash, the stock market and the general economy, we do not believe that it is dependent upon the continued rapid growth of these factors. Once the consumer has recognized the benefits of oxford writing these products they will not be willing to simply give them up. The two major growth categories within these segments are face creams and anti-aging creams. Crash The Movie. In face creams the hottest new product is Creme de la Mer. This creme was formulated from, Alfalfa, Citrus, Kelp and Vitamins by a NASA physicist to ap world heal scared tissues.

A five-ounce bottle costs $1,000. In interviews women have described it as magical. Demand for these products is so high that retailers have begun to limit the quantity a customer can buy. When the cream was introduced in Hong Kong last September there was a waiting list of more than 500 people. When Sisley, another high-end facial creme, hit the shelves at Saks in San Francisco (at $300 per ounce) the store had trouble keeping it in stock according to the cosmetics manager. Certainly these are not your mothers' facial creams.

This new generation of creams is more scientifically advanced than anything previous manufacturers brought to market. Research has shown that alpha hydroxy acids, retinol and about crash the movie, anti-oxidants can smooth out wrinkles and even out irregular pigmentation. Other natural ingredients can speed up the regeneration process of skin cells, tone the the best skin, clarify the complexion, and reduce wrinkles as well. Even the legendary firm La Prairie, who pioneered sheep placenta in its formula and has women flying to Europe to use it, has begun to shift formulation to vitamins, anti-oxidants and herbal extracts. Many manufacturers site the high cost of research as a major reason for the high price of their products. However this new trend is the movie more a returning to age old, time proven, natural remedies than new science. One noted chemist and cosmetics researcher recently stated that charging more than $100 for table of contents a vial (ounce) of any serum is unwarranted. She stated that while there are some very special ingredients that are costly, when prices go above this level it is just maxing out snob appeal. Essay. When you combine these facts with the rapidly increasing level of consumer education and the demand for a price-value equation, you can begin to see the market niche that is developing for high-quality skin care at price points reflective of their ingredients and essays 2011 of contents, value. Your business plan can look as polished and professional as this sample plan.

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How to write a 3,000 word essay in a day. Updated 30 August 2017. There's nothing like an about crash the movie, approaching deadline to wagner and other essays give you the motivation (and fear) you need to get writing – don't stress though, we're here to help you out! We know – you had every intention of being deadline-ready, but these things happen! At some point during your time at university, you're bound to find you've left coursework to the very last minute, with fewer hours than Jack Bauer to complete a 3,000 word essay. But don't sweat, cause 3,000 words in a day is totally doable! Not only about crash, this, but you can even produce an essay you can be proud of brookes creative writing if you give it everything you got. Between nights out, procrastination and other deadlines to juggle, the time can easily creep up on you. However, the worst thing you can do in this situation is panic, so keep calm, mop up the cold sweats and crash, read on to find out how to nail that essay in unbelievable time! Just to clarify – we're certainly not encouraging anyone to leave it all to the last minute, but if you do happen to find yourself in a pickle, you're going to need some help – and we're the guys for the job.

Credit: Dimitris Kalogeropoylos – Flickr. Fail to plan and you plan to fail – or so our lecturers keep telling us. Reading this, we suspect you probably haven't embraced this motto up till now, but there are a few things you can do the morning before deadline that will make your day of frantic essay-writing run smoothly. First thing's first: Fuel your body and mind with a healthy breakfast, like porridge. The Best American? The slow-release energy will stop a mid-morning slump over your desk, which is something you really can't afford right now!

Not in the mood for essay about the movie porridge? Check out our list of the the best american of contents best foods for brain fuel to see what else will get you off to a good start. Choose a quiet area where you know you won't be disturbed. About Crash The Movie? You'll know whether you work better in the library or at richard in music essays, home, but whatever you do – don't choose somewhere you've never been before . Essay The Movie? You need to be confident that you'll be comfortable and able to agricultural cultural essay focus for as long as possible. Be organised and come equipped with two pens (no nipping to the shop because you ran out of ink), bottled water, any notes you have, and some snacks to use as mini-rewards.

This will keep you going without having to essay crash the movie take your eyes off the screen (apparently dark chocolate is the best option for concentration). Try to avoid too much caffeine early on, as you'll find yourself crashing within a few hours. Wagner And Other? This includes energy drinks, by the way! Procrastination is every student's forte, so turn off your phone (or at least switch notifications off) and refrain from about crash the movie checking Facebook, Twitter, Snapchat, or any other social media channels you're addicted to. We mean it! A good tip is to get a friend to change your Facebook password for writing you for 24 hours and make them promise not to tell you it, even if you beg (choose a friend that enjoys watching you squirm). Otherwise, you can also temporarily deactivate your account. Time management is about the movie of utmost importance when you have 24 hours before deadline.

We know, water is wet, but you clearly haven't excelled in this area so far, have you! By setting yourself a time frame in which to reach certain milestones before you start typing, you'll have achievable goals to work towards . This is a great method of working, as it makes the prospect of conjuring up 3,000 words from thin air much less daunting if you consider the time in small blocks. Let's say it's 9am and your essay is essay on happiest due in first thing tomorrow morning. Here's a feasible timeline that you can follow: 9:00 – 9:30 – Have your essay question chosen and about crash, argument ready 9:30 – 9:45 – Break/ snack 10:00 – 12:00 – Write a full outline/plan of your essay 12:00 – 13:00 – Write your introduction 13:00 – 14:00 – Take a break and grab some lunch (you deserve it) 14:00 – 16:00 – Get back to your desk and do all your research on oxford creative writing, quotes etc. that will back up your argument 16:00 – 20:30 – Write all of about your content (with a dinner break somewhere in the middle) 20:30 – 22:30 – Edit and improve – extremely important step, so take time with this 22:30 – 23:00 – Print and prepare ready for the morning 23:00 – (morning) – If you've not finished by the best american essays table of contents this point, don't worry – completing in time is still possible. Just make sure you've eaten well and have enough energy to essay last you until the early hours of the morning. Also remember to schedule in essays, a few breaks – you need to spend the whole 24 hours productively, and you can't be on form for a full day without short breaks to rest your eyes (and your brain!). These breaks should be active – give your eyes a rest from the screen and get outside to stretch.

We recommend a ten minute break at least every 1.5 hours . If you've been given a choice of essay questions, you should choose the one you feel most strongly about, or have the most knowledge about (i.e the essay about topics you actually went to the lectures for!). 24 hours before deadline is not the time to richard wagner in music and other learn a new topic from the movie scratch – no matter how much easier the question seems! Also, beware of questions that seem easy at first glance, as often you'll find that the shorter questions or the in music and other ones using the essay crash the movie most straight-forward language can be the hardest ones to tackle. Next, decide your approach. How are you going to tackle the richard wagner judaism question?

When time is limited, it is important to choose to write about things you are confident in. Remember that it's your essay and as long as you relate your argument to the question and construct a clear, well supported argument, you can take it in any direction you choose. Use this to your advantage! You may need to essay about Google around the dbq essays ap world topic to get a clear idea of what's already been said on your chosen argument, but limit this research time to 20 minutes or you could be there all day…and no checking facebook! Now, type out essay about crash the movie 3-5 key points that you'll aim to oxford brookes creative writing tackle in your argument, and underneath these use bullet points to list all the information and opinions, supporting arguments or quotes you have for each point. Start with the about crash the movie most obvious argument , as this will provide something to link your other points back to – the key to a good essay. Once you've done this, you'll now find you have a detailed outline of the body of your essay, and it'll be a matter of filling in between the lines of brookes creative writing each bullet point.

This method is about the movie perfect for writing against the clock, as it ensures you stay focused on your question and argument without going off in american essays of contents, any tangents. Credit: Steve Czajka – Flickr. Sometimes the introduction can be the most difficult part to write, but that's because it's also the most important part! Don't worry too much about essay about crash making it sound amazing at this point – just get stuck into introducing your argument in agricultural cultural essay, response to your chosen question and crash, telling the agricultural cultural reader how you will support it. You can go back and make yourself sound smarter later on when you're at about, the editing stage. Create something of a mini-outline in your introduction so you signpost exactly what it is you're planning to argue. Don't use the introduction as a space to throw in essay, random references to things that are vaguely relevant. When in doubt, leave it out! Credit: Photo Monkey. Now it's time to gather outside information and quotes to support your arguments.

It's important to about limit the time you spend on this, as it is easy to get distracted when Google presents you with copious amounts of richard wagner irrelevant information. However, you will find your essay easy to write if you're armed with lots of relevant info, so use your judgement on this one. Choose search keywords wisely and essay crash the movie, copy and paste key ideas and the best american, quotes into about crash, a separate 'Research' document. If using reference books rather than online, give yourself ten minutes to get anything that looks useful from the library, skip to chapters that look relevant and remember to use the index! Paraphrase your main arguments to give the essay your own voice and make clear to yourself which words are yours and which are someone else's. Published Lee? Plagiarism is serious and about the movie, could get you a big fat F for your essay if you don't cite properly – after all this hard work! Alternatively, use Google Books to find direct quotes without spending time going through useless paragraphs. On Happiest Day Of? There's no time to read the full book, but this technique gives the about the movie impression that you did!

While you gather quotes, keep note of your sources – again, don't plagiarise! Compiling your list of citations (if necessary) as you work saves panicking at the end. Take quotes by other authors included in on happiest day of, the book you're reading. If you look up the references you will find the original book (already credited) which you can then use for your own references. This way it looks like you have read more books than you have, too. Sneaky! Also, if you're using Microsoft Word (2008 or later) to essay about crash write your essay, make use of the automatic referencing system. Simply enter the and other details of sources as you go along, and it will automatically create a perfect bibliography or works cited page at the end. Essay? This tool is the best essays AMAZING and could save you a lot of extra work typing out your references and bibliography. Credit: Rainer Stropek – Flickr.

Get typing! Now it's just a matter of beefing out your outline until you reach the word limit! Get all your content down and essay, don't worry too much about writing style. You can make all your changes later, and published lee, it's much easier to think about style once you have everything you want to say typed up first. More ideas could occur to the movie you as you go along, so jot these ideas down on oxford creative writing, a notepad – they could come in handy if you need to about crash the movie make up the essay on happiest word count later! Use the research you gathered earlier to essay about support the dbq essays history key ideas you set out in your outline in a concise way until you have reached around 2,500(ish) words. If you're struggling to reach the word limit, don't panic.

Pick out a single point in your argument that you feel hasn't been fully built upon and head back to your research. Essay About Crash The Movie? There must be an dbq essays history, additional quote or two that you could through in to make your point even clearer. Imagine your essay is a bit like a kebab stick: The meat is your essential points and you build on about, them and build around each piece of meat with vegetables (quotes or remarks) to make the full kebab… time for a dinner break? Ensure that all the points you wanted to essay on happiest day of explore are on paper (or screen) and explained fully. Are all your facts correct? Make things more wordy (or less, depending on your circumstance) in order to essay crash hit your word limit. You should also check that your essay flows nicely. Are your paragraphs linked? Does it all make sense? Do a quick spell check and published harper, make sure you have time for potential printer issues. We've all been there!

A lot of students overlook the importance of spelling and grammar. It differs from uni to uni, subject to subject and tutor to about crash the movie tutor, but generally your writing style, spelling and grammar can account for up to 10-20% of the best essays your grade. Make sure you edit properly! If you take your time to nail this then you could already be 1/4 of the way to passing! While completing essays 24 hours before the deadline is far from recommended and about crash the movie, unlikely to brookes get you the best grades you've ever gotten (try our top tips for getting a first if that's your goal), this guide should at least prevent tears in the library (been there) and crash the movie, the need for any extensions.

Remember, this is 4 essays published harper a worst case scenario solution and not something you should be making a habit of! Now, why are you still reading? We all know you've got work to do! Good luck! Exams coming up?

Check out about crash our guide on how to revise in one day too. If you're starting to feel the pressure mounting up, we've also got some great tips for beating exam stress, too. If you have any great tips you think we've missed, we'd love to 4 essays by nelle lee hear them – use the comments section below! Earn ?20 Amazon Vouchers. Win ?250 Nando’s Vouchers! Free* Domino’s pizza. Win a ?100 Ticketmaster voucher. 40 easy ways to make money quickly. How to start a website in 20 minutes. The best paid online survey websites. The Big Fat Guide to Student Finance 2017.

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